Dave Weld & The Imperial Flames

Nightwalk

Delmark, 2022

8/10

Listen to Nightwalk

The inimitable guitarist and vocalist Dave Weld knows his way around a blues tune you won’t soon forget, and here with The Imperial Flames he brings us a dozen tracks steeped in the Chicago blues tradition.

“Mary Who” starts the listen with fluid and rugged blues, where Harry Yaseen’s bright keys, and Sax Gordon’s baritone sax complement Weld’s sturdy guitar and gritty pipes, and “Don’t Ever Change Your Ways” follows with Kenny Pickens’ well timed bass lines alongside Monica Myhre’s backing vocals in the energetic climate.

Elsewhere, “Travelin’ Woman” showcases Graham Guest’s skilled B3, Kenny Anderson’s animated trumpet and Myhre’s soulful pipes on the album’s best selection, while “Donde Vas” recruits Bill McFarland’s trombone and Rogers Randle Jr.’s alto sax for the intimate affair that illustrates Myhre’s diverse, cultured voice.

“Hit By The 103” arrives near the end and emits a smooth, textured demeanor of timeless blues song craft, and “Loving You/Jelly Roll Blues” continues the strong musicianship with Taylor’s thumping drums amid Gordon’s baritone sax prowess and Weld’s raw singing.

This is Weld’s 3rd album on the Delmark label, and like everything he’s been involved in, it’s genuine, powerful and innovative in a way that requires multiple listens.

Travels well with: Bob Stroger & The Headcutters- That’s My Name; Johnny Burgin- Live

Kronos Quartet, Rinde Eckert, Vân-Ánh Vanessa Võ

Mỹ Lai

Smithsonian Folkways, 2022

9/10

Listen to Mỹ Lai

The San Francisco luminaries Kronos Quartet, i.e. David Harrington (violin), John Sherba (violin), Hank Dutt (viola), and Sunny Yang (cello), align themselves with the Vietnamese multi-instrumentalist Vân-Ánh Vanessa Võ, and vocalist Rinde Eckert for these compositions by Jonathan Berger (music) and Harriet Scott Chessman (libretto) that tell a powerful story about the Mỹ Lai massacre.

“Mỹ Lai Lullaby” opens the listen with the vocally expressive and musically atmospheric 8 minutes that spans minimalism and busy, cultured strings, and “First Landing: Flight” follows with soaring vocals that builds into a tense display of stirring stings and operatic singing.

At the mid-point, “First Landing: The Ditch” sprawls out across 14 minutes of sparse string manipulation that’s quite haunting before the eloquent and powerful vocals enter alongside frantic, cinematic ideas, while “Second Landing: Hovering” showcases sublime yet playful Eastern nods amid the late entry of vivid storytelling.

“Third Landing: Postcard” arrives near the end and emits a cautious, classical approach that’s full of much beauty, and “Third Landing: Finish” exits the listen with animated percussion and gentle ebbs of dreaminess that floats with subtle melody.

For 48 years now, the Kronos Quartet have consistently released imaginative and artistic music that rewrites the string quartet experience, and this substantial body of work is no different in that respect, thankfully.

Travels well with: The Riley- Way Out Yonder; Clint Mansell- Stoker

Moby

Reprise-Remixes

Deutsche Grammophon, 2022

8/10

Listen to Reprise-Remixes

I guess when you reach the level of success that Moby resides in, most of your work is going to be remixed in some capacity. Here, 9 different songs are present- and some multiple times- as excellent guest vocals allow them to shine in a very new light despite still remaining true to Moby's creative vision.

Planningtorock’s version of “Heroes” opens the listen with a thumping, driving energy and falsetto vocals that’s tailor made for the dance floor, and Christian Loffler’s take on “Porcelain” follows with a calmer pace of dreamy electronica that even brings in Jim James for the mysterious vocal work.

Further on, the soaring vocals of “Natural Blues” recruits Gregory Porter and Amythyst Kiah for the Topic remix that’s quite soulful but also buzzes with an infectious beat, while “Lift Me Up” showcases the skills of Mathame for the skittering beats, deep vocals and strong sound manipulation.

Inching towards the end, the soothing piano of ”The Great Escape” is a nice departure from the quick club sounds of the earlier tunes, as Nataly Dawn, Alice Skye and Luna Li create much sublime intimacy that’s rich with haze, and Peter Gregson’s take on “Extreme Ways” recruits strings into the very sophisticated, orchestral album highlight that comes with expressive, poetic singing from Gregson.

If you’re a Moby fan, you’ve heard these songs many times before in several forms. These versions might be some of the best yet, and they sure are diverse.

Travels well with: Morcheeba- Head Up High; The Orb- NSAOOB

The Sidemen

The SideMen

Self-Released, 2022

8/10

Listen to The Sidemen

Nick Justice and Feter Martin Homer combine their esteemed solo careers as The SideMen, and along with Gabe Witcher (fiddle), Alan Deremo (upright bass) and Richard Bredice (organ), the multi-instrumentalists illustrate their shared love of folk music across 10 honest and simple tunes.

“Come Dance With Me” starts the listen with warm fiddle and mandolin alongside strategic bass as Justice’s rugged voice complements the rural climate, and “The Storm Shall Pass Away” follows with a bare and moving folk influenced display of sincere song craft.

Halfway through, “Arise” recruits Bredice on organ for the poetic, even dreamy album highlight, while “Light As An Angel” showcases intricate picking amid bouncy bass work in one of the most playful tunes present.

“Secret Soul” and “Virginia” exit the listen, where the former benefits much from soulful backing vocals, frisky percussion and expressive singing, and the latter finishes the listen intimate, raw and full of eloquent wordplay.

Justice and Homer have background in the blues, pop music and AM radio, and those influences are certainly present as the pair pen originals that brings us back to the early days of folk music, and you won’t hear me complaining about that.

Travels well with: Christopher Lockett- At The Station; Kate MacLeod- Uranium Maiden

Hugo Fernandez

Ozean

Origin, 2022

9/10

Listen to Ozean

The guitarist and composer Hugo Fernandez brings his Berlin based quartet to these 8 rich tunes that embrace folk, classical and even pop into the memorable jazz formula.

“Spark of Desire” starts the listen with Fernandez’s smooth guitar alongside the soulful trumpet, as light drumming complements the introspective climate, and “Imaginary Geometry” follows with a firm drum presence amid strategic bass work to complement the agile, stylish album highlight.

“Birdhouse” and “Undercurrent” land in the middle, where the former emits a hypnotic presence that benefits much from the reflective brass, while the latter simmers with much beauty as the quartet interact both playfully and cautiously.

Close to the end, “Neptune Grass” is a quick and dynamic display of timeless jazz sensibilities, and “Latina” exits the listen with some exciting pop ideas mixed into the rhythmic, cultured finish.

Fernandez has lived all over the globe, and he brings those experiences to this diverse and charming listen that makes great use of Christoph Titz’s trumpet and flugelhorn, Martin Lillich’s electric bass and Jesus Vega’s drums.

Travels well with: Ben Morris- Pocket Guides; Rich Pellegrin- Passage

Various Artists

Take Me To The River New Orleans

Petaluma, 2022

8/10

Listen to Take Me To The River New Orleans

The soundtrack the a full-length documentary film that celebrates the rich musical history, heritage, legacy and influence of New Orleans and Louisiana, we’re treated to 26 very diverse and well thought out tracks here that are populated with incredible talent.

Cyril Neville’s “In Love With My Nola” opens the listen with bright brass, as Neville’s smooth pipes guide the soulful rocker that welcomes Voices of the Wetlands, and Mannie Fresh, Big Freedia & Galactic’s “Act Like You Know” follows with a flowing hip-hop appeal that recruits Dee-1 for the upbeat and dance friendly climate.

Further on, Dr. John and Davell Crawford join forces for the piano driven and gritty “Jock-A-Mo”, while Cyril Neville returns with Dumpstaphunk for the rhythmic and R&B influenced “Street Parade”. Deeper still, “Wrong Part Of Town”, by the 79rs, showcases exciting percussion and primitive drumming as the group vocals emit a bit of a tribal spirit.

Inching towards the end, Donald Harrison and Christian Scott pair up for the flourishing jazz and grooves of “Sand Castle HeadHunters”, and Irma Thomas, Cyril Neville and George Porter Jr. bring a festive demeanor to the infectious energy of “Carnival Time”.

An extremely well done affair that features the final performances from the Neville Brothers and Dr. John, there is much to enjoy here, where household names like Snoop Dogg and Ani DiFranco are just as luminous as lesser known but equally interesting artists like Soul Rebels and PJ Morton.

Travels well with: Dumpstaphunk- Where Do We Go From Here; George Porter Jr. & Runnin’ Pardners- Crying For Hope

David Binney

Tomorrow’s Journey

Ghost Note, 2022

8/10

Listen to Tomorrow’s Journey

The inimitable saxophonist, producer and composer David Binney brings us an unclassifiable listen, where his jazz ideas are met with electronics, 2 basses, and brass by Aaron Janik and Jon Hatamiya for the highly technical 7 tracks.

“Second To None” opens the listen with Binney’s unpredictable sax prowess alongside drumming acrobatics from Benjamin Ring and Paul Cornish’s firm keys, and “Tomorrow’s Journey” follows with a much calmer approach intially that flows with much grace thanks to the meticulous brass, and then builds into a fusion friendly rocker.

In the middle, “Cousin” brings mysterious piano and soulful horns to a cinematic album highlight, while “Loved (For Cousin Vince)” moves intimately amid a very warm presence of keys and sax, “Cali Culture” exits the listen, and showcases Binney’s glowing sax skills alongside well timed bass, before abruptly shifting into a very busy formula of controlled chaos that’s quite striking and admirable.

Binney cites Tomorrow’s Journey as ‘the most musically intricate acoustic project [he’s] worked on thus far’, and it’s also a welcomed return to his classic acoustic ensemble setting that long time fans and new listeners will be impressed with.

Travels well with: Ben Morris- Pocket Guides; Ben Markley Big Band With Ari Hoenig- Ari’s Funhouse

Queen Kong

Fray

Self-Released, 2022

8/10

Listen to Fray

An outfit spearheaded by the drummer and composer Lorie Wolf, Queen Kong touches on the sounds of Klezmer and is complemented by hints of John Zorn’s Masada and Bar Kokhba, Hasidic New Wave and Naftule’s Dream.

“Kavod-19” opens the listen with Wolf's frisky drums and Michael Winograd’s strategic clarinet making for a rhythmic and inviting lead off, and “Bethema” follows with Beth Silver’s elegant cello and Jaron Freeman-Fox’s well timed violin punctuating the cautious spirit.

In the middle, “Kaddish For Jonny” moves with a soulful quality that’s quite intimate and reflective as it pays tribute to Jonny Wong, while “East 3rd and C” showcases Graham Campbell’s meticulous guitar amid the bright brass and firm drums.

Closer to the end, “NBK” isn’t lacking any grooves as a very stylish album highlight illustrates a skilled chemistry between the players, and “Moshi” exits the listen with both restraint and playfulness that tips it hat to Cuban musicianship.

The players present have histories that span Balkan punk, hip-hop brass, classical, reggae, traditional jazz and Brazilian psych-rock, and all those influences are certainly present and appreciated on this diverse and exciting listen.

Travels well with: Ori Dagan- Click Right Here; Chris Mondak- Glass Spheres

Ben Morris

Pocket Guides

OA2, 2022

9/10

Listen to Pocket Guides

The composer and pianist Ben Morris is nothing if not diverse, and here with his core group of Zosha Warpeha (fiddle, violin), Juan Olivares (clarinet), Dan Montgomery (bass) and Evan Hyde (drums) he welcomes plenty of guests into his inimitable version of jazz.

“Ymir’s Bones” opens the listen with the bright brass and playful percussion interacting with much warmth and adventurousness, where Olivaries’ skilled clarinet is especially inviting, and “Hongdae After Midnight” follows with Morris’ piano acrobatics meshing well with Warpeha’s agile strings.

Halfway through, “ Bubbles In A River” welcomes the voice of John Boggs into the rumbling and uplifting spirit that showcases Hyde’s precise drumming, while “Old Barney” trims the volume and pace back to an intimate and reflective tone that spotlights Morris’ sublime melodica skills.

Closer to the end, “Fellfields” offers a busy and very precisely textured album highlight that benefits much from the strong brass, and “Edvard” exits the listen and ebbs and flows with both tension and grace that’s simultaneously rich and sparse.

An often cinematic affair that pulls in worldly influences from all parts of the globe that Morris has resided, this is an exceptional display of modern jazz.

Travels well with: Ben Markley Big Band With Ari Hoenig- Ari’s Funhouse; Rich Pellegrin- Passage

Victor Mucho

Moonlight In Visby

Tone Tree, 2022

8/10

Listen to Moonlight In Visby

The debut album from Brian Macdonald, as Victor Mucho the singer-songwriter penned this album while living in Sweden, where him, his wife and dog were sequestered in a rural area, which provided the mood for this fragile and lonely listen.

“island (two dead swans)” leads the album with reflective acoustic guitar and raw singing in the intimate folk song, and “Many Moons” follows with a fuller approach that welcomes drums into the soaring demeanor that’s quite emotive.

Elsewhere, “Pictures Of LIfe” twinkles with a sublime, dreamy appeal that’s acutely poetic, while “So Terribly Hurt” offers a song about the dark side of love, where Molly Parden’s chilling voice complements the rich landscape.

“Old Golf” arrives near the end, and is charmingly gorgeous amid the sparse melancholy, and “Made A Fire” exits the listen a bit fuller with even a hint of pop in the subtle melody.

A record that’s textured meticulously, the glockenspiel, fretless bass, mandolin and backing vocals are used sparingly but effectively across the cathartic beauty of this very cautious first album.

Travels well with: Alice Cohen- Artificial Fairytales; Wes Collins- Jabberwockies

Hendrik Meurkens The WDR Big Band

Samba Jazz Odyssey

Zoho, 2022

8/10

Listen to Samba Jazz Odyssey

A German native and current New York resident who knows his way around a Latin jazz tune with his skilled harmonica, Hendrik Meurkens aligns himself with the WDR Big Band for this samba flavored affair.

“A Night In Jakarta” opens the listen with the bright brass and twinkling keys flowing alongside Meurkens’ well timed harmonica, and “Manhattan Samba” follows with a lively and festive spirit that showcases Hans Dekker’s drumming acrobatics.

“Sambatropolis” arrives in the middle, and emits dynamic brass interaction amid the upbeat rhythm, while “Mountain Drive” finds a cozy place to reside and showcases a thriving solo from Andi Haderer’s trumpet.

Near to the end, “Samba Tonto” shifts between 2/4 and 3/8 and the unpredictable meters are just as splendid as the woodwinds, and “Choro” exits the listen with a Jobim interpretation that benefits from trumpet, harmonica, trombone and piano solos.

An extremely energetic and soulful body of work, Meurkens’ harmonica and Michael Phillip Mossman’s conducting sure do suit the timeless and worldly instrumentation on this excellent assembly of profound talent.

Travels well with: Noah Bless- New York Strong- Latin Jazz!; Arturo O’Farrill and The Afro Latin Jazz Orchestra- Four Questions

Rique Pantoja

Live In Los Angeles

Moondo, 2022

8/10

Listen to Live In Los Angeles

An exceptional jazz pianist, composer, arranger and vocalist, Rique Pantoja has enjoyed a lengthy and esteemed career alongside some of the biggest names in American and Brazilian jazz. Here, along with an all-star band, we’re treated to 8 diverse jazz compositions that are very much world music influenced and were first released in 2001.

“Arpoador” opens the listen with elegant keys that welcomes playful drumming and spirited guitar in the very rhythmic and cultured 9+ minutes, and “Julinho” follows with soulful sax illuminating the dreamy climate that flows with melodic jazz.

Halfway through, the charming flute of “Da Baiana” complements the frisky percussion and well timed bass, while “Bebop Kid” moves with a gorgeous intimacy as Pantoja’s stirring pipes guide the poetic album highlight.

“Morena” and “Pra Lili” exit the listen, where the former bounces with a bright energy thanks to the dynamic rhythm section and glowing brass, and the latter allows all the players to contribute their vast skill to the meticulous and sublime finish.

Steve Tavaglione (sax, flute), Jimmy Earl (bass), Joel Taylor (drums), Ricardo Silveira (guitar), and Cassio Duarte (percussion) all accompany Pantoja, and their vital contributions help make for a complex and truly timeless affair that, 21 years after its original release, sounds just as great today.

Travels well with: Jimmy Branly Trio- The Meeting; Chris Standring- Simple Things

Agender

No Nostalgia

Climax!, 2022

8/10

Listen to No Nostalgia

A Los Angeles quartet who return with this sophomore album, Agender brings an immediate rawness and Gothic tendencies to these very socially aware anthems that are based firmly in post-punk territory.

“Avoid A Void” opens the listen with dense guitar, thumping drums and playful synth as a dance-rock meets post-punk delivery unfolds with a bit of darkness, and “Woah Life Wow” continues the memorable formula with a very exciting version of synth-punk that’s complete with ‘woah ohs’ in the vocals.

Further into the listen, the hazy “Preach” brings a slow, buzzing atmosphere that’s a bit cinematic, while “Trouble And Desire” recruits a disco-punk appeal that’s a bit retro and showcases Romy Hoffman’s diverse pipes amid a bit of ominousness.

Deeper yet, “Womb 2 Wound” is a lyrically outspoken and musically haunting display of timeless post-punk nods, and “The Extinction Of Handwriting” exits with some New Wave moments before settling into a repetitive and hypnotic execution that you can’t help but be enamored with.

Agender is made up of the Australian lead singer, guitarist and synth expert Romy Hoffman, bassist Cristy Michel, drummer Christy Greenwood and synth player Sara Rivas. Together, their collective strength makes for a clever, sometimes funny and wise peek at today’s society thanks to their charming brand of modern post-punk.

Travels well with: Fotoform- Horizons; Swerve- Ruin Your Day

Itamar Zorman

Violin Odyssey

First Hand, 2022

8/10

Listen to Violin Odyssey

The violin wizard Itamar Zorman joins up with the pianists Ieva Jokubaviciute and Kwan Yi for these compositions that bring in composers from all over the world, and it makes for a stylish and cultured affair.

“Oberek No. 1” opens the listen with the keys and strings dancing around each other with warmth and mystery as the pair interpret Grazyna Bacewicz, and “Wanderings” follows with much beauty as the mesmerizing piano and emotive strings complement each other with so much grace in the Moshe Zorman original.

Further along, Dora Pejacevic’s “Violin Sonata No. 2 in B flat minor, Op. 43” brings both bare and tense moments amid a stirring cinematic quality that unfolds, while “Afromood” is quite firm, even jarring, and brings percussion and keys together in very adventurous, atypical ways via the Ali Osman song.

Nearing the end, Gareth Farr’s “Wakatipu” moves with a haunting aspect that segues into intricate violin that illustrates a profound skill with the instrument, and Summerland, by William Grant Still, exits the listen with a sublime dreaminess as the duo work together with much cautiousness.

A technically proficient listen that is at times dramatic and other times serene, Zorman and company sound great in this live setting, and the compositions resonate a rare soulfulness.

Travels well with: Amit Peled- Solus Et Una; Palaver Strings- Ready Or Not

Beaux Atkins

Redfearn

Self-Released, 2022

8/10

Listen to Redfearn

A Louisiana resident who is well versed in the area of Southern Rock, Beaux Atkins brings James Cook (bass), Ed Smoak (guitars), Derek Mixon (drums), Dave P.mo Moore (harmonica), Kevin Adams (piano, organ), Dan Cohen (slide guitar) and several backing vocalists to these very authentic and memorable 6 tracks.

“Jesus Is On My Side” opens the listen with plenty of country rock grit, where Atkins’ raw vocals suite the warm keys, thumping drums and breezy guitars, and “Put Me In My Right Mind” flows with some classic rod nods amid the jumpy piano and soulful moments thanks to the backing singers.

“Had To Let It Go” arrives in the middle and is a more reflective tune that’s full of cozy introspection, while the title track recruits spirited harmonica for the dense and memorable roots rock. The final track, “Howl With Me Baby” brings all of the strengths of the players to a well thought out and perfect finish to a very genuine affair.

Somewhere between Americana, folk, roots, country, blues and swampy rock’n’roll, Atkins and company deliver a diverse listen where each tune walks its own unique path, and we should be grateful we’re along for the journey.

Travels well with: Nick Nace- The Harder Stuff; Silver Lake 66- Ragged Heart

Peter Erskine

Live In Italy

Scholz, 2022

8/10

Listen to Live In Italy

The drummer extraordinaire Peter Erskine, esteemed pianist Alan Pasqua and meticulous bassist Darek Oles played this live set in Italy on November 19, 2021, following a two week tour of the country, their first tour since the Coronavirus lockdown.

“Agrodolce” opens the listen with graceful piano that, about halfway through, invites bass and drums into the sublime intimacy, and “New Hope” follows with a very pretty meshing of playful bass lines, warm keys and agile drumming.

The halfway point brings “Three-Quarter Molly”, which moves with much bare beauty, while “Turnaround” picks up the pace with frisky drumming, gliding bass work and acrobatic piano in the rhythmic album highlight.

“The Honeymoon” and “Dear Chick” exit the listen, where the former is quite adventurous with the trio working together in dynamic, timeless jazz ways and the latter finishes with both firmness and restraint in the cinematic appeal.

Erskine, Oles and Pasqua are in fine form here, where much energy and a strong attention to detail results in flawless originals and exciting interpretations.

Travels well with: Doug MacDonald- Overtones; Antonio Adolfo- Jobim Forever

John Lee

The Artist

Cellar Music, 2022

8/10

Listen to The Artist

A luminary in the Vancouver jazz scene, the bassist (at least he plays bass here; he’s actually a multi-instrumentalist) John Lee brings both swing and soulful sounds to these 8 tracks that take help from Carl Allen (drums), Miles Black (piano) and Cory Weeds (tenor sax).

“Soul Leo” gets the listen off to a mesmerizing start, where the precisely plucked bass, bright sax and warm keys make for a very inviting opener, and “Carl’s Blues” follows with a quick and playful meshing of light drums, intricate keys and subtle bass.

Halfway through, the sublime “Life Is A Beautiful Thing” is a display of bare beauty, while “September In The Rain” is full of soulful, melodic and timeless jazz.

Approaching the end, “Fabienne” focuses on the eloquent tenor sax amid a very romantic spirit, and “Blues On A Sunday” exits the listen upbeat, animated and full of strategic interplay between the quartet that allows each player to shine.

Although he’s just 28 years old, Lee plays with an ability and vision that far exceeds his age, and his esteemed help makes for an expressive and quite exciting listen that ends entirely too soon.

Travels well with: Grant Stewart Quartet With Bruce Harris- The Lighting Of The Lamps; Aaron Seeber- First Move

Clemens Grassmann

Grass Machine

Self-Released, 2022

8/10

Listen to Grass Machine

The drummer and composer Clemens Grassmann spearheads a very distinct listen here, where 3 saxophones and a trumpet make up the brass that illuminates his love letter to the hardworking folks of New York City.

“Re.Cursive Op.Timization” starts the listen with warm brass, frisky drums and elegant keys that mesh into a very lively jazz formula, and “Chicken On A Trane” follows with a very swift and animated delivery that showcases the bright sax prowess amid Grassmann’s flowing drum acrobatics.

The middle tracks offer us “Tech Delight” and “Rat Jacuzzi”, where the former is a bit cautious and spotlights the graceful piano, while the latter benefits much from playful bass plucking that bounces and shakes with so much rhythm, melody and adventurousness.

Moving towards the end, “Petrichor” emits a dreamy quality that’s quite intimate, and “Glimpse Of A Second Sound” exits the listen busy, meticulous and beaming with a timeless jazz radiance

Grassmann’s in the company of Aaron Bahr (trumpet), David Milazzo (alto), Sam Dillon (tenor), Chris Bittner (tenor), Chris McCarthy (piano), and Cole Davis (bass) for these elaborate 6 tracks, and it documents the modern New York City jazz scene splendidly.

Travels well with: Braxton Cook- No Doubt; Christian Scott aTunde Adjuah- Ancestral Recall

Jaelee Roberts

Something You Didn’t Count On

Mountain Home, 2022

8/10

Listen to Something You Didn’t Count On

The debut solo album on the Moutain Home label for Jaelee Roberts, the versatile artist brings along Kristin Scott Benson (banjo), Jimmy Mattingly (fiddle), Kenny & Amanda Smith and even a vocal cameo from Vince Gill for the bluegrass focused affair.

Roberts puts the title track in the lead off position, where speedy banjo and emotive fiddle complement her expressive, pretty pipes, and “Think Again” follows with a calmer pace of sublime, stirring song craft that’s heartfelt and poetic.

At the halfway point, “The Best Of Me” showcases Roberts’ impressive range in the soaring bluegrass climate, while “November” displays intricate and harmonic mountain-esque songwriting that’s got some country leanings to it.

Moving towards the end, “Still Waters” recruits soothing vocal harmonies and warm gospel nods into the album’s best selection, and “Luxury Liner” finishes the album swift, dynamic and full of timeless and memorable songwriting.

You may recognize Roberts from her singing and lead guitar work in Sister Sadie, and you might say that she was born to play music since her father is Danny Roberts of The Grascals fame. She certainly proves that a successful solo career is on the horizon with these well thought out 12 tracks.

Travels well with: Tray Wellington- Black Banjo; The Grascals- Up All Night

Maija Hynninen

Dawn Breaks

Ravello, 2019

8/10

Listen to Dawn Breaks

An electronics virtuoso, Maija Hynninen might have a different idea than you or I of what the sounds of morning should entail, and that vision unfolds here with the utmost creativity and precision.

“Winnowing” starts the listen with harrowing keys that inject fleeting melody amid the darker setting as Hynninen flirts with artistic noise, and “…Siout Aurora Procedit: As The Dawn Breaks” follows with violin and electronics manipulating textures in thriving, mysterious ways as singing is used like an instrument.

“Orlando-Fragments” is broken up into 5 parts and 4 poems that vary from bare beauty with lovely singing, to cinematic, operatic swells, and blurry melodica stemming from the clarinets, flutes, harps and keys. “Freedom From Fear” ends the listen adventurous with an oboe and electronics feeding off one another in ambient, sometimes aberrant ways, where the feedback work strategically.

A very unique effort where classical sounds meet experimental flourishes from Hynninen, as long as you’re open to abstract and unpredictable moments, Dawn Breaks will settle in nicely.

Travels well with: Hevreh Ensemble- Path Of Light; Patterns- Chamber Works