Fray
Self-Released, 2022
8/10
An outfit spearheaded by the drummer and composer Lorie Wolf, Queen Kong touches on the sounds of Klezmer and is complemented by hints of John Zorn’s Masada and Bar Kokhba, Hasidic New Wave and Naftule’s Dream.
“Kavod-19” opens the listen with Wolf's frisky drums and Michael Winograd’s strategic clarinet making for a rhythmic and inviting lead off, and “Bethema” follows with Beth Silver’s elegant cello and Jaron Freeman-Fox’s well timed violin punctuating the cautious spirit.
In the middle, “Kaddish For Jonny” moves with a soulful quality that’s quite intimate and reflective as it pays tribute to Jonny Wong, while “East 3rd and C” showcases Graham Campbell’s meticulous guitar amid the bright brass and firm drums.
Closer to the end, “NBK” isn’t lacking any grooves as a very stylish album highlight illustrates a skilled chemistry between the players, and “Moshi” exits the listen with both restraint and playfulness that tips it hat to Cuban musicianship.
The players present have histories that span Balkan punk, hip-hop brass, classical, reggae, traditional jazz and Brazilian psych-rock, and all those influences are certainly present and appreciated on this diverse and exciting listen.
Travels well with: Ori Dagan- Click Right Here; Chris Mondak- Glass Spheres