Spencer
Mercury KX/Neon, 2022
9/10
It’s getting to the point where Jonny Greenwood might best be known for his film scores rather than being the lead guitarist for Radiohead. Spencer, a historical, psychological drama, see the multi-instrumentalist expanding on jazz and classical ideas into an unclassifiable listen that’s heavy on mood and texture.
“Arrival” starts the listen with a mysterious meshing of strings and horns that are layered with much awe and warmth, and “Ancient And Modern” follows with an ambient version of classical sounds that are filled with much eloquence.
The remainder of the album, thankfully, doesn’t waver too much from this formula, and includes the manipulated strings of “Frozen Three”, as well as the timeless progression of the stirring “The Boys”. “Partita In Five For Two Organs”, the album highlight, then emits a soothing quality amid the carefully played keys.
“Press Call” and “New Currency” exit the listen, where the former recruits firm keys in a hypnotic fashion, and the latter moves with a emotive component that benefits from plucked bass, soulful trumpet and a charming dreaminess.
An effort that’s often delicate and sometimes haunting, Greenwood’s dark sophistication makes for a compelling journey into one of the most talented minds of this generation.
Travels well with: Clint Mansell- Stoker; Colin Stetson- Hereditary