Third Coast Percussion

Perspectives

Cedille, 2022

9/10

Listen to Perspectives

The Grammy Award winning outfit Third Coast Percussion bring us a set of world premiere recordings of works either penned for the quartet or arranged by the Chicago luminaries.

“Percussion Quartet”, by Danny Elfman, opens the listen with playful and mesmerizing vibes that are complemented by serene moments as well as busy bursts of the cinematic song craft that Elfman is known for, and it even recruits African balofon, Indonesian gamelan, and Shostakovich nods.

Phillip Glass’ “Metamorphosis No. 1” follows with a calm spirit that showcases intimacy between the marimba, vibraphone, glockenspiel, and melodica, which is a far cry from the solo piano of the original, while Jlin’s “Perspective” flows across 7 movements of dreamy, adventurous songwriting that was originally composed as electronic tracks.

Flutronix & Third Coast Percussion collaborate for the record ending “Rubix”, where the duo flutes from Flutronix add much charm and allure to the very precise and warm instrumentation.

A percussion ensemble with an unparalleled amount of talent and creativity, each piece here travels its own unique path, and the strong attention to detail makes for a stunning body of work.

Travels well with: Aznavoorian Duo- Gems From Armenia; Will Liverman- Dreams Of A New Day

Variant 6

New Suns

Open G, 2022

8/10

Listen to New Suns

The debut album from the Philadelphia based vocal ensemble Variant 6, New Suns brings us commissions by Joanne Metcalf, Jeremy Gill and Benjamin C.S. Boyle, as well as works by Gabriel Jackson and Bruno Bettinelli.

“Supplice”, by Benjamin C.S. Boyle, opens the listen with sublime harmonizing as the 6 artists bring their distinctive range to the 3 pretty chapters, and Gabriel Jackson’s “Zero Point Reflection” showcases much beauty, where some very high notes are hit amid the playful vocalizations and strong attention to melody.

In the middle, “Excerpts From Madrigali a cinque voci miste” unfolds with 3 pieces of sublime harmonizing amid the dreamy delivery, while Jeremy Gill’s “Six Pensées de Pascal” is capable of bare, stirring moments, just as it is busy bouts of fascinating vocal acrobatics.

Joanne Metcalf’s “The Sea’s Wash In The Hollow Of The Heart” exits with a mesmerizing, and emotive finish of very heartfelt singing and a meticulous attention to mood.

Variant 6 is comprised of Jessica Beebe and Rebecca Myers (sopranos), Elisa Sutherland (mezzo-soprano), Steven Bradshaw and James Reese (tenors) and Daniel Schwartz (bass-baritone). Their collective strength makes for a stunning listening experience in the area of modern chamber sounds on this excellent first record, which shouldn’t be a surprise as they all regularly sing with Philadelphia’s contemporary music choir, The Crossing.

Travels well with: The Crossing- Words Adorned; Kenneth Gaburo- New Music Choral Ensemble

Grant-Lee Phillips

All That You Can Dream

Yep Roc, 2022

8/10

Listen to All That You Can Dream

Like many artists during the pandemic, Grant-Lee Phillips was unable to tour, so he recorded this 11th album at home, where he’s accompanied by Jay Bellerose on drums/percussion and Jennifer Condos on bass, plus some guests to help illuminate his relatable song craft.

“A Sudden Place” opens the listen with warm acoustic guitar, Phillips’ cozy, friendly singing and cello by Richard Dodd and piano by Jamie Edwards to complement the elegance, and “Cruel Trick” follows with a rich version of folk-rock that’s full of strategic drumming and percussion from Bellerose.

Further along, “Rats In A Barrel” brings plenty of intimacy to the vivid storytelling of the poetic Americana, while “Cut To The Ending” benefits much from the graceful piano of Edwards on the dreamy album highlight.

Near to the end, “Remember This” makes good use of Eric Heywood’s pedal steel as some country nods enter the reflective tone, and “All By Heart” exits with much emotion and flowing melody populating the soaring folk sensibilities.

A very introspective affair, Phillips handles vocals, guitars, piano, Mellotron, pump organ and keys with much grace, and his very sincere brand of singer-songwriter prowess is especially comforting across this career highlight.

Travels well with: Josh Rouse- Love In The Modern Age; Jesse Malin- Outsiders

Nancy Goudinaki

What I Was For You: re.think

Self-Released, 2022

8/10

Listen to What I Was For You: re.think

A quickly rising jazz vocalist and guitar player, Nancy Goudinaki reimagines classical guitar pieces with plenty of memorable harmonies and vocalizations across these 10 very meticulous tunes.

“La Catedral” starts the listen with incredibly intricate guitar playing and dreamy, wordless vocals, as a mesmerizing climate unfolds with backing vocals from Devo D., and “Fuoco” follows with acrobatic finger picking as Goudinaki illustrates so much expertise with her instrument.

Closer to the middle, Richie Goods’ well timed electric bass complements the intimate landscape, while “Feel Alive” brings back Devo D. for the poetic and rich climate of much warmth.

Making our way towards the end, “Ariadne’s Lullaby” offers a hypnotic peek into Goudinaki’s precise vision, and the title track exits the listen with an introspective and well thought out finish that utilizes a MOOVtravel guitar.

Originally from Greece but now residing in New York City, in addition to Goods and Devo D., Goudinaki also recruits JD Allen on tenor saxophone for the fascinating listen that brings so much talent and experience to her inimitable formula.

Travels well with: Cece Gable- Next Year’s Song; Liz Terrell- It’s All Right With Me

Ann Wilson

Fierce Bliss

Silver Lining, 2022

8/10

Listen to Fierce Bliss

The inimitable vocalist Ann Wilson returns with an all-star cast of players and some very special guests for this rich, honest, and nostalgic set of tunes that are certainly steeped in classic rock greatness.

Wilson places “Greed” in the lead off position, where her inimitable vocals flow alongside Tom Bukovac’s swirling guitar and Sean T Lane’s agile drumming, as both grit and melody illuminate the sturdy rocker, and “Black Wing” follows with Dan Walker’s atmospheric keys adding much beauty to the cautious landscape.

In the middle, Queen’s “Love Of My Life” brings in Vince Gill on vocals for the powerful and emotive interpretation, while “Gladiator” recruits Warren Haynes on guitar and Jorgen Carlsson on bass for the prog-friendly display of diverse talent.

“A Moment In Heaven”, perhaps the best tune present, then thumps with a loud and very energetic appeal that showcases Wilson’s incredible pipes, and “As The World Turns” exits the listen with sublime intimacy and a poetic quality that builds into a dense and exciting finish.

Wilson, of course, has achieved incredible success with Heart, and though her solo work at this point has been largely covers, the originals here hint at, hopefully anyway, a more prolific future for the legend.

Travels well with: Kenny Wayne Shepherd Band- Straight To You Live; Beth Hart- A Tribute To Led Zeppelin

Shanna In A Dress

Robot

Self-Released, 2022

8/10

Listen to Robot

A Colorado native who now calls Nashville home, Shanna In A Dress has a way with words, and she can write a quirky folk-pop tune, too, as evidenced on this charming debut album.

“Robot” starts the listen with Shanna’s vivid storytelling amid a playful indie-folk spirit in the social commentary about today’s programmed culture, and “Playing With Fire” follows with a firm approach that makes great use of acoustic guitar, upbeat drumming and very alluring singing.

In the middle, “Everything And Nothing” twinkles like an adult lullaby with much warmth, while “Shitshow” uses folksy strumming and clever wordplay for the dreamy album highlight.

Moving towards the end, “Boomerang” addresses dating woes in Shanna’s cozy and inviting vision, and “Mmm, That’s Hot” exits the listen with a bit of soul to the timeless nature of the universally enjoyable song craft.

Imagine a mashing of Jason Mraz, Ingrid Michaelson and Phoebe Buffay (from Friends) and you’ll get some idea of just how clever, funny and even emotional this rising songstress can be.

Travels well with: Amy Speace- Tucson; Mark Erelli- Blindsided

Clement/Nilsson/Dayhuff/Raymond

Esthesis Quartet

Orenda, 2022

8/10

Listen to Esthesis Quartet

An assembly of four musicians from different parts of United States, Dawn Clement (piano), Elsa Nilsson (flute), Emma Dayhuff (bass) and Tina Raymond (drums) bring their collective strength to these highly meticulous and exploratory 6 tunes.

“Cricket” starts the listen with playful flute and bouncy bass in the adventurous climate that can also retreat to calm, and “Two Moons” follows with strategic drumming complementing the dreamy delivery of warm, jazz fueled sounds.

“Partial” and “We Watch It All Burn” land in the middle, where the former brings much elegance and intimacy that showcases Clement’s gorgeous pipes, while the latter allows the flute and bass to interact in very soothing ways.

At the end, “The Gardener” emits a a gentle, reflective nature that focuses much on the precise piano prowess, and “Finding What’s Lost” exits the listen with a rich and textured display of dynamic musicianship between the players

The debut recording from the quartet, let’s hope they find a way to come together again soon, cause their unique vision and incredible delivery will appeal to ears across the entire jazz spectrum.

Travels well with: Mike Allemana- Vonology; Pepper Adams With The Tommy Banks Trio- Live At Room At The Top

Angie Goeke

If I Were Honest

Self-Released, 2022

8/10

Listen to If I Were Honest

A true renaissance woman, Angie Goeke is an author, a theater director, a school teacher, and a very compelling singer-songwriter as evidenced by these 10 unique Americana songs.

Goeke starts the listen with much intimacy, where the delicate singing of “So I Pray” suits the bare instrumentation perfectly, and “Leftovers” follows with bright piano to complement the jazz friendly atmosphere that’s quite charming and poetic.

At the halfway point, “Farewell” is a gorgeous and soft Americana moment that flows with much grace, while “Starlight” enters darker ideas amid the gentle guitar and moody bass.

Further down the line, “Fly Baby Fly” embraces folk ideas that illustrate Goeke’s rich song craft, and “Floored” exits the listen with a warm melody and subtle but effective drumming alongside the expressive and diverse singing

Goeke’s debut EP was just released in 2019, and with this album she’s quickly making a name for herself in the area of Texas Americana. Atmospheric, emotive and universally embraceable, If I Were Honest is all substance and no flash, and showcases an artist truly coming into their own.

Travels well with: Mary Bragg- Violets As Camouflage; Lynne Hanson- Ice Cream In November

Peter Rowan

Calling You From My Mountain

Rebel, 2022

8/10

Listen to Calling You From My Mountain

A seasoned veteran in the area of acoustic American music, Peter Rowan has enjoyed a 6 decade career that includes him nabbing a Grammy Award and inspiring legions of new musicians with his diverse version of bluegrass.

Here, Rowan is aligned with an all star cast, and guests like Lindsay Lou and Billy Strings, for a record that was inspired by Hank Williams’ Luke the Drifter and his seminal album When I Left Nashville in 1990.

“New York Town” by Woody Guthrie, gets the album off to a glorious start, where harmonizing vocals and warm string interaction makes for a superb bluegrass setting, and “Veil Of Deja Blue” follows with Rowan’s smooth vocals alongside Chris Henry’s sublime mandolin and Max Wareham’s fluid banjo.

Halfway through, “A Winning Hand” brings much beauty and eloquence to the poetic, country music landscape, while “Frog On The Lilly Pad” picks up the pace with meticulous guitar, mandolin, fiddle and banjo acrobatics.

“Penitentiary Blues (Big Brazos)” arrives near the end, and flows with a slower, emotive quality and “Freedom State Of Mind” exits the listen with a dreamy demeanor of timeless and mesmerizing songwriting that has comprised Rowan’s illustrious career.

Rowan’s band is made up of much younger players, and they bring much energy and are full of sharp ideas that illuminate the mountain music that Rowan has been at the forefront of for so many decades. Now 80 years old, he shows no signs of slowing down, and we’re all better off for it.

Travels well with: Lonesome River Band- Singing Up There: A Tribute To The Easter Brothers; The Grascals- Up All Night

Jonny Greenwood

Spencer

Mercury KX/Neon, 2022

9/10

Listen to Spencer

It’s getting to the point where Jonny Greenwood might best be known for his film scores rather than being the lead guitarist for Radiohead. Spencer, a historical, psychological drama, see the multi-instrumentalist expanding on jazz and classical ideas into an unclassifiable listen that’s heavy on mood and texture.

“Arrival” starts the listen with a mysterious meshing of strings and horns that are layered with much awe and warmth, and “Ancient And Modern” follows with an ambient version of classical sounds that are filled with much eloquence.

The remainder of the album, thankfully, doesn’t waver too much from this formula, and includes the manipulated strings of “Frozen Three”, as well as the timeless progression of the stirring “The Boys”. “Partita In Five For Two Organs”, the album highlight, then emits a soothing quality amid the carefully played keys.

“Press Call” and “New Currency” exit the listen, where the former recruits firm keys in a hypnotic fashion, and the latter moves with a emotive component that benefits from plucked bass, soulful trumpet and a charming dreaminess.

An effort that’s often delicate and sometimes haunting, Greenwood’s dark sophistication makes for a compelling journey into one of the most talented minds of this generation.

Travels well with: Clint Mansell- Stoker; Colin Stetson- Hereditary

Ken Yates

Cerulean

Self-Released, 2022

8/10

Listen to Cerulean

A Canadian songwriter who knows his away around a melody you won’t soon forget, Ken Yates is in some fine company across these heartfelt and lyrically rich songs that sometimes seem like lullabies for adults.

“The Big One” opens the listen and brings Kathleen Edwards along on backing vocals for the dreamy, atmospheric haze that benefits from Peter Von-Althen’s thumping drums, and “The Future Is Dead” follows with Yates’ warm guitar amid the breezy melodies of the cozy Americana.

Deeper into the listen, “Small Doses” carries a poetic quality that showcases Philippe Charbonneau’s precise bass playing, while the swift “Honest Light” allows Caroline Marie Brooks to add backing vocals to the scrappy folk tune that swirls with a very harmonic appeal.

Further still, “Good Things” takes help from Liz Longley for the reflective album highlight, and the title track exits the listen with a bare eloquence that radiates so much beauty in its sublime vision.

An album that takes grief and loss and molds it into hope and peace, Yates brings a rare intimacy to indie-folk nods on this very compelling and uniquely intimate record.

Travels well with: Brooke Annibale- Hold To The Light; Lowland Hum- At Home

Secret People

Secret People

Out Of Your Head, 2022

8/10

Listen to Secret People

The very detailed trio of Nathaniel Morgan (alto saxophone), Dustin Carlson (guitar, bass), and Kate Gentile (drums, vibraphone), as Secret People they’ve been plugging away for a decade (first just as Carlson and Gentile) with their inimitable jazz, metal, classical, and avant-garde rock hybrid that’s also quite familiar with improvisation.

“Choc(h)oyotes” opens the listen with the brass, guitar and drums interacting with much adventurousness in a very charming, free jazz sort of way that’s capable of both calm moments as well as busy bouts, and “Legitimate Perseverance” follows with acrobatic drumming, firm sax and hypnotic guitar in the mesmerizing climate.

“Peephole” and “Ascetic Dust” lands in the middle, where the former emits a swirling noise-rock approach to the jazz tendencies, while the latter is a calmer affair of more straight forward jazz ideas. “Swamp Gaze” exits the listen, and brings back the fury of energetic drums, wild sax and an almost tribal like feel amid the iconoclastic song craft.

A very peculiar effort, you’ll experience intense moments alongside near silence, as the very capable hands here manipulate space and tension like a refined art form on this fascinating body of work.

Travels well with: Curt Sydnor- Deep End Shallow; David Leon- Aire De Agua

Various Artists

Putumayo Presents World Chill

Putumayo, 2022

9/10

Listen to Putumayo Presents World Chill

Yet another outstanding global affair from the Putumayo label, World Chill is just that, a collection of diverse artists from Argentina to Senegal and their relaxing yet adventurous sounds.

Wasis Diop’s “Anna Mou” starts the listen with a very warm and elegant version of folk sounds that pair baritone singing with delicate, cultured guitar and drums in a haunting fashion, and Michael McGoldrick’s “Buain na Choirce” follows with pretty singing alongside the Celtic lounge spirit of poetic song craft.

In the middle, Hang Playing Hedge Monkeys brings us the bare but impactful steel drum sounds of the instrumental “North East West South”, while Kristi Stassinopoulou’s “Close My Eyes” emits a breezy feel amid the soulful backing vocals of the relaxing album highlight that even recruits electronica.

Approaching the end, Rikhy Ray makes an impression with the spacey exploration and soothing melodies of the jazz friendly “Indian Christmas”, and Ramon Bermudez, Jr.’s “On The Road To My Father’s House” exits the listen with precise and timeless flamenco guitar populating the agile finish.

The first digital only compilation from the label, the physical package consists of a download card and booklet about the artists and songs, and will certainly appeal to those who appreciate music from all corners of the earth.

Travels well with: Putumayo Presents: Acoustic Paris; Putumayo World Café

Aznavoorian Duo

Gems From Armenia

Cedille, 2022

9/10

Listen to Gems From Armenia

An exceptional first record from the cellist Ani Aznavoorian and pianist Marta Aznavoorian, the pair highlight the sounds of their heritage on this collection of interpretations of Armenian composers, and they even toss in a Peter Boyle world premiere, too.

Komitas Vartabed’s work opens the listen with 5 segments that emit much intimacy between the keys and strings, where the duo showcase meticulous attention to detail and display their respective strengths with a sublime spirit.

Deeper into the affair, Arno Babajanian’s “Elegy” carries a timeless beauty as the mesmerizing piano progressions have us hanging on every note, while Avet Terterian’s “Sonata For Cello And Piano” unfolds across 3 chapters of very exciting and sometimes swift musicianship where the two interact playfully with much warmth.

Peter Boyle’s “Mount Ararat” graces our eyes for the first time at the end, and pays much attention to mood, as the keys and strings are both firm and delicate in the very capable hands of the sisters.

A debut that spotlights music that is severely overlooked in the west, the Aznavoorians present a profoundly cultured classical experience. Both have had much success on their own, and together their combined talent is nothing short of stunning.

Travels well with: Will Liverman- Dreams Of A New Day; Dover Quartet- Beethoven Complete String Quartets Volume 2: The Middle Quartets

Composers Inside Electronics

David Tudor’s Rainforest IV

Neuma, 2022

8/10

Listen to David Tudor’s Rainforest IV

A long running outfit that consists of Paul DeMarinis, John Driscoll, Phil Edelstein, David Poyurow, Prent Rogers, David Tudor and Bill Viola, as Composers Inside Electronics the ensemble present a one of a kind performance where everyday and crafted objects vibrate curiously.

The album consists of a single track that’s 68 minutes, and floats with a highly creative electronic ambience that’s a bit futuristic, unpredictable and mesmerizing from beginning to end.

Somehow, despite the abundance of man made sounds present, you’ll still likely detect traces of forest sounds within, almost as if an ecosystem of animals and insects are having a conversation amongst themselves.

Tudor passed away in 1996, and his legacy lives on in this fourth incarnation of his work that pushes the boundaries of technology in fascinating and unforgettable ways.

Travels well with: MC Maguire- Transmutation Of Things; Lawson & Merrill- Signals

Mama's Broke

Narrow Line

Free Dirt, 2022

8/10

Listen to Narrow Line

A Canadian folk duo consisting of Lisa Maria and Amy Lou Keeler, as Mama’s Broke the multi-instrumentalists bring plenty of vocal harmonies to their diverse Americana that welcomes a few guests, too.

“Just Pick One” starts the listen with warm, stirring acoustic guitar, where Andrew Horton’s upright bass and Joe Grass’ dobro complements the reflective tone, and “Oh Sun/Pale Night/Forgetting Reel” follows with banjo and fiddle interacting in a playful Americana sort of way.

“Narrow Line’, the best track, lands in the middle and recruits Maria’s banjo and Pierre Alexandre-Maranda’s upright bass in the very poetic delivery, while “Pick The Raisins From The Paska” spotlights Lou Keeler’s fiddlesticks via the dynamic instrumental.

Near to the end, “The Wreckage Drone” makes great use of Maria’s cello amid Keeler’s banjo acrobatics, and “Windows” exits the listen with soothing acoustic guitar and an emotive spirit to the very cautious and lyrically rich finish.

A very thoughtful record that touches on folk, blues, ragtime and old time sounds, too, thematically, the pair surround the cycles of life and death, and it makes for a very substantial body of work.

Travels well with: Allison de Groot & Tatiana Hargreaves- Hurricane Clarice; Justin Golden- Hard Times And A Woman

MC Maguire

Transmutation Of Things

Neuma, 2022

9/10

Listen to Transmutation Of Things

The Toronto artist MC Maguire sure does posses a very unique position when it comes to making music. A master of deconstructing pop songs, he then rebuilds them in his studio into an unrecognizable display of giant swells of abstract and artistic song craft.

“Predisposition” starts the listen with a dreamy ambience, where both synthetic and organic sounds enter in ways that are often cinematic and manage to sound classical, electronic and pop-friendly. Deeper into the 30 minutes, the setting gets symphonic and busy, but is also capable of calm moments of beauty via orchestral nods.

The back half consists of “Apophis”, and in its 20 minute running time it explores other worldly ideas as well as plenty of synth acrobatics and classical manipulation. Much like the asteroid of the same name, the composition swirls and shifts with unpredictability, and makes precise use out of space and tension.

You might detect traces of Ariana Grande’s music in this listen, and it’s put through a filter of atypical electro-acoustic moments and sampling, exotic plugins, and digital editing. The end result is truly exciting and atypical, and simply must be heard by all ears for the unconventional.

Travels well with: Lawson & Merrill- Signals; Nick Vasallo- Apophany

Early Times & The High Rollers

Electric City

Dealer’s Choice, 2022

9/10

Listen to Electric City

Early Times and company return with 11 new originals, where street wise wordplay, unpredictable rhythm, vocal contributions from the legendary Bobby Rush and a duet with the Detroit luminary Eliza Neals help make for an outstanding blues listen.

“Aloha, Leilani” gets the record off to a rhythmic start, where thumping drums, warm bass and spirited guitar complement the soulful singing, and “Good Soul Music” follows with help from Bobby Rush on the groove friendly climate that will get your body moving.

Into the middle, “American Kid” brings both grit and melody to the rock’n’roll appeal, while “Ching-a-ling” recruits a firm blues demeanor that’s as timeless as it is infectious.

Approaching the end, “Tips For The Crew” recruits some fluid funk nods to the dynamic formula, and “Succubus” exits the affair with intricate guitar solos, crisp drumming, well timed organ and acrobatic bass lines populating the meticulous instrumental.

An artist with unparalleled skill at guitar, singing and storytelling, if you haven’t familiarized yourself with Early Times yet, you may as well start here, cause it’s some of his best work yet, and the High Rollers are in peak form, too.

Travels well with: Jose Ramirez- Major League Blues; Bob Stroger & The Headcutters- That’s My Name

Douglas Wayne

Coyote

One Horse, 2022

8/10

Listen to Coyote

Although he cut his teeth playing clubs in DC, these days Douglas Wayne calls Nashville home, and these rugged yet very tuneful songs showcase his very memorable version of Americana.

“A Buck Ten” starts the listen with Wayne’s warm vision of thoughtful rock embracing agile acoustic guitar and soothing vocal harmonies, and “High Wire” follows with banjo and fiddle making for an emotive and more country focused display of timeless skill.

The title track lands in the middle and brings organ and some firm grooves to a very versatile landscape, while “Bourbon & Water” is a bit frisky with some folky ideas present in the charming delivery.

Near to the end, the piano rock fun of “Ain’t Young Ain’t Pretty” will get you on the dance-floor, and “Primrose Mile” exits the listen full, lush and packed with a breezy, rootsy appeal that’s full of glowing melodies in a sing-along finish.

Sometimes reminiscent of the ‘70s, and other times taking nods to classic rock, Wayne knows his way around a song you won’t soon forget, and this is an excellent debut from an artist who has paid his dues and then some.

Travels well with: Wood Willow- Southern Intentions; Ash & Eric- Sure

Lela Kaplowitz

To One

Big Round, 2019

8/10

Listen to To One

A Croation born songstress who embodies the spirit of decades past, Lela Kaplowitz brings pop, soul, jazz and folk ideas to the fluid and timeless To One.

“Liila” starts the listen with strong vocal work from Kaplowitz as the music remains soft and emotive with strings and folk influences, and “Human Tapestry” follows with an upbeat spirit where guitar solos really add to the landscape.

In the middle, the romantic and funky “Love Is All There Is” recruits trumpets in the soft-rocker, while “Dreamland” is indeed dreamy with twinkling keys amid the spiritual setting.

Near the end, “You Will See” is one of the most adventurous tunes as lively violins complement the fun, and “Love Prayer” exits the listen with a calm but powerful beginning that abruptly moves into stunning violin acrobatics.

A professional singer since the age of 16, Kaplowitz brings a wealth of experience to these eclectic songs that sound like they could have been penned in any decade since the ‘70s, and will likely remain embraceable for many decades to come.

Travels well with: Laura Nyro- Nested; Sheila Jordan- Playground