Sunday Afternoon
Self-Released, 2026
9/10
This sophomore album from songwriter and musician Kate Prascher moves between time and place, both real and imagined, and uses an excellent cast for her diverse vision.
“Jubilee” opens with a haunting mood, where Lauren Saks’ soft fiddle suits Prascher’s cozy vocals, and “Sunday Afternoon” follows with a folk strummer that utilizes Adam Schwind’s gentle drums amid the dreamy guitar and emotive singing.
“Come & Gone” occupies the middle spot and carries traces of jazz via the poetic demeanor and soothing textures, while “Memphis To Mobile” benefits from Maggie Chafee’s gorgeous cello that complements the heartfelt vocals of the touching delivery.
“Cold Harbor” and “Sing Again” exit the listen. The former allows for Prascher’s lush mandolin to help illuminate the rural beauty of the album’s best, and the latter is an upbeat, country fueled finish that spotlights Bennett Sullivan’s lively banjo.
A really stirring blend of country, folk and bluegrass sounds, Prascher’s voice touches the soul and the songs resonate with a timelessness that can draw comparisons to Alison Krauss or Gillian Welch.
Travels well with: Carly King- Loving You Is Easy; Maisy Owen- Dark On A Sunny Day