Paul Kendall

Whisper Not

Zoho, 2024

8/10

Listen to Whisper Not

The tenor sax master Paul Kendall brings us a dozen bebop friendly and modern jazz tracks, where Rudy Petschauer and Dan Kostelnik are in attendance.

The cautious landscape of the title track opens the listen with Kendall’s soulful brass alongside Petschauer’s proficient drums, and “Airegin” follows with a frisky demeanor that showcases swift sax patterns amid the crisp drumming and moody keys from Kostelnik.

Halfway through, “These Foolish Things” emits a reflective climate of warmth that radiates creativity from the organ delivery, while the bright and snappy “Just Friends” meshes the keys and drums alongside Kendall’s cozy sax.

Near to the end, “Nardis”, the album’s best, is a dynamic and stylish peek at today’s jazz, and “Quick Drink” exits with no lack of melody entering the meticulous interaction between the skilled trio.

An inviting listen that doesn’t shy away from balladry and grooves, Kendall and company create music that will satisfy jazz fans from any generation.

Travels well with: Andy Pratt- Trio; Rob Susman- Top Secret Lab

Steeleye Span

Live At The Bottom Line 1974

Omnivore, 2024

8/10

Listen to Live At The Bottom Line 1974

The British folk-rockers Steeleye Span got underway in the late ‘60s, when Ashley Hutchings and Sandy Denny left Fairport Convention and joined up with the duo of Tim Hart and Maddy Prior. Toss in Terry and Gay Woods, and you’ve got a bit of a supergroup, who released 10 albums through the ‘70s.

“Beg Your Leave” opens the listen with group vocals that harmonize with a campfire-esque feeling, and “Irish Jigs” follows with Peter Knight’s swift strings alongside Nigel Pegrum’s thumping drums for the rhythmic, Celtic climate.

Further into the set, “John Barleycorn” showcases Prior’s radiant tone amid Tim Hart and Bob Johnson’s warm guitars in the setting that’s danceable, while “Saucy Sailor” carries a mesmerizing spirit that makes great use of Rick Kemp’s skilled bass.

Deeper yet, “Thomas The Rhymer” carries plenty of classic rock nods, but not without Irish bouts that populate the busy versus calm disc highlight, and “The Mason’s Apron” exits with the fiddle acrobatics suiting the frisky bass, jangly percussion and buzzing guitars that build into a lightning fast finish.

This set captures the band on one of their most successful tours, and with their evolving live band in attendance. Steeleye Span are still active today, with Prior still at the front of the stage, and this previously unissued performance documents how great they were during their formative years.

Travels well with: Terry Adams- Terrible; The Babys- Live At The Bottom Line, 1979

Richard Nelson

Dissolve

Adhyâropa, 2024

8/10

Listen to Dissolve

The composer and guitarist Richard Nelson meshes jazz and classical ideas across these 3 involved pieces, where the 15 piece Makrokosmos Orchestra accompanies him for the exploratory improvisation.

The title tracks starts the listen with Latin influenced drumming amid the bright flutes and grooves via the bass for a festive display that’s capable of tense, even furious bouts of song craft.

The middle belongs to “Float”, where Tim O’Dell’s skilled sax and Nelson’s meticulous solo weave around the dreamy melodies and Alan Brady’s charming bass clarinet, while “Cohere” exits with cautious textures that benefit much from Scott Neumann’s clever drums and soulful, unpredictable brass that suits the stylish, cultured presence.

Nelson’s got an impressive resume that includes 4 albums of original material, and this excellent installment with his creative ensemble continue the consistency with a Big Band adventure that few could parallel.

Travels well with: Kevin Sun- The Depths Of Memory; Satoko Fujii Tokyo Trio- Jet Black

Terry Adams

Terrible

Omnivore, 2024

9/10

Listen to Terrible

The debut solo album from the NRBQ founder Terry Adams, Terrible sees the reissue treatment with 4 bonus tracks, where a large handful of well known musicians are in attendance for the diverse listen.

The crisp and fluid “Toodlehead” starts the listen with Adams’ flowing keys alongside Jim Hoke’s bright sax and Roswell Budd’s agile trombone, and “Venusian Sunset” follows with rich textures via Marshall Allen’s elegant sax, Dave Gordon’s moody trumpet and Johnny Spampiganto’s warm guitar.

Deeper into the original album, “I Feel Lucky” makes great use of Adams’ intimate piano that builds into fuller territory thanks to Tom Ardolino’s agile drums and Spampinato’s meticulous bass and guitar, while “Little One” has Adams handling harmonica, as a trio of flutes enter amid Bobby Previte’s exceptional drumming.

Rounding out the formal LP is the thumping and bluesy appeal of “These Blues”, where Jimmy Gordon’s harmonica shines, and, of the bonus material, “Say When (TK 2)” offers a booming display from Knoel Scott’s lively sax, Donn Adams’ well timed trombone and Pete Tiogo’s frisky bass.

A body of work that involved a request from New World Records, this all original jazz album sure has aged well, and here is comes with a new cover, remastered audio, a couple of new names for the songs, and top notch bonus material.

Travels well with: NRBQ- Tiddlywinks; Jimmie Vaughan- The Jimmie Vaughan Story

Filip Dinev

Romann

New Start Kultur, 2024

9/10

Listen to Romann

The inimitable guitarist and composer Filip Dinev brings us 7 tracks with Tilman Oberbeck and Jan Zeimetz, and they radiate blues, jazz, classical and Balkan ideas with fluidity.

The smooth and atmospheric “Reindeers Quit” starts the record with Dinev’s smooth guitar alongside Zeimetz’s frisky drums for the complex climate, and “Should Be Easy” follows with Oberbeck’s meticulous bass plucking amid warm jazz textures.

Halfway through, the rumbling and dense “The Magic Kaval” is both rugged and harmonic, while “The Last Dance” shimmers with beauty and poeticism thanks to Dinev’s strategic guitar progressions.

“Hamburg” exits the quick listen and uses space skillfully, as a reflective tone is emitted from the pensive guitar and the subtle bass lines.

Dinev is a Macedonia native who has played much internationally, and his distinct guitar playing makes an immediate and lasting impression across this organic, sometimes distorted and highly melodic experience.

Travels well with: Ellas Kapell- For All We Know; Roger Lin- Exploitation Suite

Julie Kelly

Freedom Jazz Dance

Laurelwood, 2024

8/10

Listen to Freedom Jazz Dance

The veteran jazz vocalist Julie Kelly returns with a 9th album, where jazz, pop and Brazilian ideas aren’t off the table across 11 energetic and thoughtful songs that are quite stylish.

The playful and warm “Sunday In New York” opens with Kelly’s frisky voice alongside Josh Nelson’s cozy keys and Dan Schnelle’s agile drumming, and “Take Me To The Alley” follows with Danny Janklow’s soulful sax helping cultivate an intimate climate.

The title track occupies the middle spot, and indeed will get your body moving to the lively delivery that uses firm keys and glowing brass, while “Early Morning Rain” tugs on the heartstrings with its soft guitar and emotive, poetic singing from Kelly’s graceful pipes.

Further along, “Nothing Like You” offers a scrappy and melodic delivery that benefits from Luca Alemanno’s skilled bass and, of course, Kelly’s diverse range, and “Ponteio” exits with cultured singing and Janklow on flute for the dreamy finish.

Kelly’s velvety voice draws us in immediately, and the swinging moments don’t disappoint, nor does the balladry across this worldly jazz affair.

Travels well with: Betty Bryant- Lotta Livin’; Judy Whitmore- Come Fly With Me

Cliff Beach

You Showed Me The Way

California Soul, 2024

8/10

Listen to You Showed Me The Way

The singer, pianist and composer Cliff Beach brings a wealth of talent and imagination to these 13 lively tracks that are centered around jazz, but don’t shy away from many other genres, too.

The lively and soaring “That Old Time Feeling” starts the listen with the bright brass and Munenori Kishi’s glowing keys complementing Beach’s soulful pipes, and “Round Midnight” follows with a calmer approach of fluid drumming thanks to Satoshi Kirisawa and Andy Moreski’s warm guitar.

Moving towards the middle, the funky and groove filled “Honeysuckle Rose” makes great use of mood alongside Luis Cárena-Casillas’ and Joe Ferruzzo’s radiant trumpet, while “I’m Beginning To See The Light” showcases smooth melodies amid the expressive singing from Beach.

Close to the end, the intimate “You Showed Me The Way” places the mature keys into a dreamy landscape of beauty and grace, and “The Gift Of The Blues” exits with lively horns, thumping drums and an indeed bluesy presence that illustrates just how versatile Beach’s pipes are.

This is Beach’s first step into jazz standard territory as far as an LP goes, and his influences from Stevie Wonder and Ella Fitzgerald sure are appreciated. Though we’ve all heard these songs covered before, they’ve never sounded quite like this thanks to the colorful and swingin’ fun.

Travels well with: Mark Winkler- The Rules Don’t Apply; Jeremy Monteiro- Sings

Yu-Hui Chang

Mind Like Water

New Focus Recordings, 2024

9/10

Listen to Mind Like Water

The esteemed composer Yu-Hui Chang presents 3 ensemble pieces and a lone solo piece here, where the Lydian String Quartet, Dinosaur Annex Music Ensemble, Composers Conference Ensemble and Rhonda Rider flesh out the constrasting and expressive selections.

“In Thin Air” starts the listen with the Dinosaur Annex Music Ensemble highlighting the anxious energy that bursts with atypical rhythms and non-pitched percussive bouts, as Gabriela Diaz’s strategic violin and Robert Schulz’s iconoclastic percussion complement Donald Berman’s colorful keys.

The middle belongs to the Composers Conference Ensemble, where a distinct intimacy radiates via Barry Crawford’s flute/piccolo, Benjamin England’s bass clarinet, Adda Kridler’s violin and Chris Gross’ cello, while “Mind Like Water” uses the Lydian String Quartet for 13+ minutes of space and vigor populating the cinematic and climactic strings.

The record exits with Rider’s meticulous cello across “Alter Ego”, as 3 segments allow for purposeful tinkering, off kilter phrasing and elegant string manipulation.

Chang’s resume includes a wide variety of music, and this modern chamber and classical inspired outing certainly continues her cultured, stylish and complex vision with much appeal.

Travels well with: Douglas Boyce- The Bird Is An Alphabet; David Shapiro & The Crossing- Sumptuous Planet

Tucker Brothers

Live At Chatterbox

Midwest Crush, 2024

8/10

Listen to Live At Chatterbox

The siblings Joel Tucker (guitar) and Nick Tucker (bass) are joined by Sean Imboden and Carrington Clinton for this live set in Indianapolis.

Joel’s meticulous guitar and Nick’s playful bass starts the listen with “Skylark”, as Clinton’s frisky drums enter alongside Imboden’s soulful sax, and “Shakshuka” follows with rich interaction between the quartet that’s rhythmic and animated.

“Mantra” and “Away” occupy the middle spots, where the former showcases Nick’s careful bass plucking, as the mood turns reflective, while the latter allows Imboden’s soaring brass to shine amid the lively rhythm section’s radiant grooves.

The final selection is the bright and unpredictable “Rhythm Changed”, where reharmonized rhythm and charged solos won’t go unappreciated.

A set that isn’t short on unique time signatures, intricate solos or creative versions of standards, the Tucker brothers and company also touch on blues and funk for these high energy, modern jazz pieces.

Travels well with: Commodore Trio- Communal; Jose Gobbo Trio- Current

Stix Bones-Bob Beamon

Olimpik Soul

Bone, 2024

8/10

Listen to Olimpik Soul

The New York drummer Stix Bones and Olympic Gold Medalist and percussionist Bob Beamon come together with an excellent cast, i.e. the BONE squat, for this jazz meet hip-hop EP.

“Leap” gets the listen off to an energetic start, where plenty of grooves interact thanks to the chunky bass and lively horns, and the title track follows with bursts of funk flavor from Bones’ acrobatic drumming and Beamon’s animated percussion.

At the midpoint, “My Lady” showcases Densen Curwen’s skilled key prowess amid smooth, Latin melodies, while the roaring brass and dense bass of “Funkatonic” will get you searching for the nearest dance floor.

Close to the end, Abiodun Oyewole’s expressive spoken word populates the busy and fluid album highlight, “Price Of Freedom”, and “Dreams Come True” exits with Melvin Smith’s glowing tenor sax and rich textures that we could never tire of.

A highly creative and stylish 3rd EP from Bones, along with Beamon and company he blends jazz, hip-hop and soul into an infectious and rhythmic 8 tracks.

Travels well with: Jose Gobbo Trio- Current; Commodore Trio- Communal

Jose Gobbo Trio

Current

Self-Released, 2024

8/10

Listen to Current

The Brazilian guitarist and singer Jose Gobbo takes help from Max Beckman and Jay Ferguson for these 7 cultured and rich tracks that take lyrics from Deuler Andrade.

“Mais Felix” starts the listen with Beckman’s thick bass plucking amid a mysterious ambience that has Gobbo singing expressively, and “Dia Das Criancas” follows with Gobbo’s soft guitar amid Ferguson’s atmospheric drumming that adds a bit of dreaminess to the climate.

Into the middle, the playful bass playing of “Clareou” is met with frisky drums and agile singing via the three note progressions, while “Father’s Day” is a mid-tempo ballad which carries a rare intimacy.

“Hope”, the final and best track, brings a textured delivery of upbeat and meticulous interaction between the trio’s enormous skill.

Gobbo, Beckman, and Ferguson have been working together since 2022, and let’s hope there is much more of this colorful and melodic, contemporary jazz from the trio coming soon.

Travels well with: Rob Susman- Top Secret Lab; Andy Pratt- Trio

Commodore Trio

Communal

Self-Released, 2024

8/10

Listen to Communal

An instrumental outfit from Indianapolis, Joel Tucker, Brendan Keller-Tuberg and Justin Clark, i.e. Commodore Trio, bring us 5 meticulous songs that are strong on atmosphere and creativity.

The soothing “We Are Surprised” begins the listen with the sounds of nature alongside Tucker’s soft guitar and eloquent spoken word, and “Communal” follows with dynamic, post-rock tendencies thanks to Clark’s drumming acrobatics and the mesmerizing guitar.

The back side of the listen brings us the intimate “Soundscape 1” and “Soundscape 2”, where space and tension are used strategically and in a cinematic fashion. These 2 selections have the ability to build into powerful, ebullient highs as well as gentle ebbs of graceful, sparse song craft.

The final track, “Switzerland”, is among the best, and places light keys from Keller-Tuberg amid the crisp drums, spirited guitar and precise bass.

A highly artistic and improvised effort, the 5 songs here end entirely too quick, and sound even better on subsequent listens.

Travels well with: The Royal Arctic Institute- Sodium Light; Limina- Hidden Spaces

Scott Sean White

Even Better On The Bad Days

Self-Released, 2024

8/10

Listen to Even Better On The Bad Days

A very thoughtful and reflective singer-songwriter, Scott Sean White pens 10 songs of a heartfelt, relatable and timeless demeanor.

“Pulling Weeds” starts the listen with the cozy acoustic guitar and White’s expressive singing populating the folk delivery that hints at country, too, and “Hope You Never Do” follows with Radney Foster’s gorgeous harmony vocals that help make for a lush climate.

The middle spot belongs to the atmospheric “Keeper”, where a stirring dreaminess enters alongside the poetic singing and, later on, the thicker presence, while “Small World” is a gentle moment of mature keys and sophisticated strings.

Close to the end, “Just Not Today” welcomes Helene Cronin’s inimitable pipes for the stunning beauty of the album’s best, and “12 Notes And 26 Letters” exits with soothing harmonica complementing the breezy melodies and uplifting finish.

A record with much tenderness to absorb, White makes an impact whether it’s bare or fuller selections across this country, folk, roots and Americana outing.

Travels well with: Eric Brace & Thomm Jutz- Simple Motion; Rod Picott- Starlight Tour

Eric Brace & Thomm Jutz

Simple Motion

Red Beet, 2024

9/10

Listen to Simple Motion

The esteemed guitarists and singers Eric Brace and Thomm Jutz come together for this debut album that showcases rich songwriting in the company of Mark Fain, Lynn Williams, Tammy Rogers, Mike Compton, Richard Bailey, Justin Moses and Jeff Taylor.

The warm and fluid “Frost On The South Side” opens the listen with Tammy Rogers’ agile fiddle and Richard Bailey’s flowing banjo adding much to the harmonic climate, and “Burn” follows with poetic singing alongside cozy acoustic guitar for the timeless folk appeal.

Elsewhere, the intimate and articulate “Just A Moment” benefits much from Lynn Williams’ skilled drums and Mike Compton’s stirring mandolin, while “When London Was The World” welcomes Justin Moses on dobro via the playful and upbeat album highlight.

Deeper into the back half, Jeff Taylor’s spirited tin whistle gives “Adam & Eve” a hint of a Celtic influence, and “Sea Fever” exits with calming melodies populating the old time folk tune.

Brace and Thomm both recorded music with Peter Cooper, who passed away in 2022. They honor his spirit here with duo settings and fuller selections that radiate their authentic and eloquent version of Americana that covers beauty, sadness, love and other universally relatable topics.

Travels well with: Rod Picott- Starlight Tour; Malcolm MacWatt- Dark Harvest

Rod Picott

Starlight Tour

Welding Rod, 2024

9/10

Listen to Starlight Tour

The vocalist and guitarist Rod Picott brings his timeless songwriting to these dark and cinematic songs that welcome Lex Price, Juan Solorzano and Neilson Hubbard to the 10 tracks.

“Next Man In Line” starts the listen with Picott’s husky voice alongside Hubbard’s cozy drumming in the expressive climate, and “Digging Ditches” follows with much of grit, where Solorzano’s frisky keys guide the bright storytelling that suits the blue collar nods.

Halfway through, “Combine” is quite intimate and poetic, as Picott’s soft pipes are met with cozy acoustic guitar, while the rich and breezy “Homecoming Queen” makes great use of Solorzano’s glowing pedal steel.

“Pelican Bay” and “Time To Let Go Of Your Dreams” exit the listen, where the former is particularly bare and vulnerable, and the latter is very much vocal focused, and showcases Picott’s eloquent singing and well timed trumpet from Solorzano.

Picott has released 12 albums, authored 3 books and played thousands of shows. His art is steeped in blue collar traditions, and this installment of his work, like everything he’s done, is packed with sincerity, ruggedness and a rough beauty that comes with decades of hard work.

Travels well with: Rod Picott- Paper Hearts And Broken Arrows; Malcomb Holcombe- Tricks Of The Trade

Malcolm MacWatt

Dark Harvest

Need To Know, 2024

8/10

Listen to Dark Harvest

The Scottish artist Malcolm MacWatt returns with another batch of thoughtful songs, where Americana and British folklore are fleshed out alongside Celtic influences.

“Strong Is The North Wind” opens the listen with MacWatt’s expressive voice alongside spirited harmonica and lively percussion, and “The Church & The Crown” follows with vivid storytelling via the warm guitar and flowing vocals.

Deeper into the listen, “Out On The Western Plain” recruits Pat McManus on electric guitar for the rich and intimate songwriting, and “Buffalo Thunder” places Dave Martin on bodhran that helps make for a cultured and harmonic album highlight.

“Drowsy Maggie” and “Semi Scotsman” exit thte listen, where the former allows Gillian MacWatt’s swift fiddle to guide the Celtic spirit, and the latter benefits from Phil Dearing meticulous piano and electric guitar that emits a pensive finish.

MacWatt plays the bulk of the instruments here, and even incorporates improvisation to the modern folk experience that embraces serene melodies and a sublimely somber mood that’s never short on beauty.

Travels well with: Ben Gage- Two Singing Songs; Jim Patton & Sherry Brokus- Big Red Gibson

The Babys

Live At The Bottom Line, 1979

Omnivore, 2024

9/10

Listen to Live At The Bottom Line, 1979

The Brit-rockers The Babys made quite a name for themselves for not only their 3 well received records in the ‘70s, but also being the highest paid contract when they signed to Chrysalis in 1976. These 11 tracks were captured across 2 nights in 1979, and features previously unissued performances.

The rockin’ and rhythmic “Head First” starts the listen with John Waite’s distinct pipes guiding the rugged yet melodic delivery, and “Give Me Your Love” follows with Tony Brock’s thumping drums and Wally Stocker’s thick guitar populating the dense climate.

Deeper into the set, “California” showcases Ricky Phillips playful bass amid the bouncy and harmonic setting, while “Stick To Your Guns” carries a mesmerizing spirit via Jonathan Cain’s meticulous keyboards and Stocker’s spirited guitar work that illuminates Waite’s diverse voice.

Close to the end, “Lookin’ For Love” could soundtrack a night on the dance floor with its infectious energy and lush instrumentation, and “Loaded” exits the listen with buzzing synth and a muscular rhythm section that’s aligns with the gritty dynamics.

Stocker and Brock still play in The Babys to this day. Waite, of course, has had an excellent solo career, Cain is currently in Journey and Phillips played in Styx until recently. This superb recording catches some legendary musicians as the peak of their creativity, and is important pieces of ‘70s rock history.

Travels well with: Foghat- Sonic Mojo; Robin Trower- Joyful Sky

The Korgis

Orchestrations

Omnivore, 2024

9/10

Listen to Orchestrations

The Brit-pop legends The Korgis made everyone a fan with 1980’s “Everybody’s Got To Learn Sometime”, and here they revisit 4 decades of songs from their catalog and put a fresh coat of paint on with the Rialto Symphony Orchestra in attendance.

The powerful and intimate “ Everybody’s Got To Learn Sometime” starts the listen with the rich strings complementing James Warren’s soulful pipes, and “Something About The Beatles” follows with graceful piano and gentle strings that abruptly shifts to a quicker pace, where Paul Smith’s drums make an impact.

The middle track, “Don’t Look Back”, is among the best, and recruits plenty of dreaminess amid the mature bowing and poetic singing, while “If I Had You” twinkles with a cinematic presence, as Al Steele’s fluid guitar enters along with Smith’s thumping drums.

Close to the end, “Bringing Back The Spirit Of Love” offers a bright and pop friendly moment that makes great use of John Baker’s pipes via the glorious harmonies, and “This World’s For Everyone” exits with rich textures of beauty and sophistication via the gripping strings, emotive singing and sweeping delivery.

The band resurfaced in 2017 and have been quite active. This collection is a great way to arrange their classic songs in a new light, and even if you’re not familiar with The Korgis, there’s much to appreciate here from a band who continue to impress nearly 50 years after their inception.

Travels well with: Roxy Music- Roxy Music; Dexy’s- One Day I’m Going To Soar

Danette McMahon

No More Excuses

Self-Released, 2024

8/10

Listen to No More Excuses

The 72 year old vocalist Danette McMahon tells stories of heartbreak, adoption and self-discovery here, where mostly originals unfold with strong attention to mood and melody thanks to the excellent help on hand.

“Innocent Bystander” starts the listen with Joe LoCascio’s warm keys and Paul Chester’s fluid guitar complementing McMahon’s expressive voice, and “Come Dance With Me” follows with Anthony Sapp’s cozy upright bass and Mark Simmons’ fluid drumming that suits the soulful spirit.

Deeper into the listen, “Naughty Girl” allows Ed Lowe’s bright trombone to shine in the frisky climate, while “Wonderwall” is an intimate version of the Oasis classic, where Patrick Moore’s cello and Andrew Lienhard’s piano match McMahon’s stirring voice.

Further still, “You And Me”, by Dave Matthews, benefits from the soft melodies via Milton Comeaux’s percussion, Lay Arredando’s flugelhorn, and, of course, McMahon’s smooth vocals, and “The Lady I Never Knew” exits with Phillips Jones’ animated organ skills adding much flavor to the rich finish.

A highly personal body of work, there’s much emotion and heartfelt appeal here, as McMahon tells her life story in song with much sincerity and relatability.

Travels well with: Linda Purl- This Could Be The Start; Jan Cronin- I Thought About You

Randy Lewis Brown

Red Crow

Berkalin, 2019

9/10

Listen to Red Crow

A songwriter with a penchant for storytelling and poetic wordplay, Randy Lewis Brown was born and bred in the south, and his work follows suit with authentic Americana on Red Crow.

“One Horse Town” gets the listen started with warm strumming and breezy melodies as Brown’s wise and soothing vocals guide us through the spirited Americana, and “Trouble With Me” follows with an introspective setting as strings complement the mood with grace.

Near the middle, “She’s The Only Woman” offers a shuffling pace of honky tonk fun and a bouncy bass line, while “Trust The Sun” takes a turn into rootsy balladry that’s as timeless as it beautiful.

Deeper cuts include the vocally strong and rugged “Other Campfires”, and “Barlow Road” embraces folk ideas with great results. “Goodnight Good Luck” ends the album with cautious contemplation, as Brown exits the listen as skilled as he started it.

A listen with strong, vivid imagery and incredible musicianship, Randy Lewis Brown has been at it for 5 decades now, and it certainly shows in his stirring, calculated and instantly memorable song craft.

Travels well with: Terry Klein- Tex; Chad Richard-Worthy Cause