The Big Pitch
Reconcile, 2021
8/10
The recording moniker of J. Frederick Millea, as L.A. Cowboy the industry outsider began the groundwork for this album many decades ago, and saw plenty of interest in his songs. However, contempt for the major label game put the project to rest, until now.
“Stories To Tell” gets the listen off to a smooth and memorable start with bright brass, punchy drumming from Claudius Kannbanger, and, of course, infectious singing from Cowboy that welcomes soulful backing vocals, and “Forget About Her” follows with Sam Hirsch’s piano skills alongside Fino Roverato’s warm guitar lines punctuating the melodic climate.
“Angel In L.A.” occupies the middle spot, and shuffles with a rhythmic approach that embraces well timed sax alongside Cowboy’s versatile pipes, while “The Museum” offers a calmer landscape of timeless jazz nods as agile keys and light drumming complement the gentle singing.
Close to the end, the festive “Love Songs” emits a playful, upbeat and swinging album highlight, and “Why Do I?” exits the listen with a charming duet of beauty, grace and fusion ideas that transcend time.
L.A. Cowboy also penned a record that his daughter, Lady Millea, just released, and his keen attention to detail and diverse influences make both the albums worth checking out for the jazz inclined.
Travels well with: Bob Gorry- GoBruCcio; Pearring Sound- Socially Distanced Duos