Shadow Of The Cyclone
Self-Released, 2020
8/10
Listen to Shadow Of The Cyclone
Philadelphia’s Aaron Nathans and Cincinnati’s Michael G. Ronstadt come together for the 3rd time here, where their textured and often darker song craft shines with traces of folk and Americana alongside very eloquent wordplay.
“Ghost Writer” starts the listen with warm, poetic singing from Nathans as his acoustic guitar works well alongside Ronstadt’s cello that guides the soaring folk ballad, and “Strongman” follows with Ronstadt taking vocal duties as Serenity Fisher’s playful piano adds much to the organic beauty and very versatile singing.
Closer to the middle, “I Go Low” displays Nathans’ baritone as a bare setting slowly adds mandolin and accordion to the reflective atmosphere, while “Englishman In New York” has both members singing amid rhythm and melody in the creative Sting remake. "One More Minute”, the album standout track, then shifts from calm to quick bursts of almost cinematic bouts as the friskyl climate unfolds with a charming demeanor.
As we get to the end, “Come On Sun” benefits greatly from an electric guitar solo from Nathans, though Stan Ginn’s proficient drumming is certainly noteworthy in the robust folk balladry, and “Carry A Tune” finishes the album with a glorious waltz that exits the varied listen with much richness.
Both Ronstadt and Nathans have exceptional resumes, and together their combined skill, although very much focused on the cello, offers many surprises as between the pair they can play 30+ instruments. Not so surprisingly, this vast talent lends itself to a very unique version of folk/Americana.
Travels well with: Eric Anders/Mark O’Bitz- American Bardo; Will Stewart- County Seat