Bastard
STTT, 2025
9/10
The New York City trio The Wants return with a sophomore album, where their electronic, post-punk formula impresses us across 11 powerful and nostalgic tracks.
“Void Meets Concrete” opens with Madison Velding-VanDam’s glitchy synth work alongside a mysterious back drop that suits the dark textures, and “Data Tumor” follows with Jason Gates’ thumping drums that complements the alt-rock ideas and buzzing bouts.
Landing closer to the middle, “Disposable Man” comes with rhythm and melody amid the dance floor ready energy, while “Cruel” is a calmer moment that unfolds via an intimate haze.
Deeper still, “Lover Sister Mother” makes great use of Yasmeen Night’s playful bass lines alongside a raw post-punk flavor, and “No Need” exits with strong attention to atmosphere, where a distinct dreaminess and eastern influences enter the creative and unique finish.
Somewhere between Depeche Mode, The Smiths, Public Image Ltd., Gang of Four, Interpol and Massive Attack, the techno-punk ways and ‘90s alt-rock stabs are certainly memorable, as The Wants throw their hat in the ring as one of the best modern post-punk outfits.
Travels well with: Hiatus- Is; Devarrow- Heart Shaped Rock