Exaudia
Self-Released, 2022
8/10
The always impressive artist Lisa Gerrard finds herself aligned with the producer and composer Marcello De Francisci for this richly textured and cinematic listen that welcomes the musicians Bahar Shah, Astrid Williamson, Daniela Arbizzi and Farhad Behoozi to the haunting yet gorgeous 7 tracks.
“When The Light Of The Morning Comes” starts the listen with much warm atmosphere, as Gerrard’s profoundly expressive pipes guide the glowing synth and subtle strings, and “Until We Meet Again” follows with a twinkling and jangly appeal that’s nearly pop music with its strategic guitar, keys and harp.
The title track lands in the middle and emits a sublime Middle Eastern feel as orchestral moments complement the cultured landscape, while “Stories Of Love, Triumph & Misfortunes” brings in Bahar Shah for a dreamy album highlight that makes good use of acoustic guitar and very charming vocal manipulation.
“Stay With Me”, another exceptional track, resides near the end, and puts much emphasis on percussion and synth, as Gerrard’s inimitable pipes help the tune build into a soaring, majestic finish that truly puts an exclamation point on the meticulous nature of the entire affair.
Gerrard, of course, is part of the globally adored outfit Dead Can Dance, and has become one of the most highly acclaimed film composers. De Francisci has a background in visual arts, and also has experience with movie soundtracks. Together and with the exceptional player’s contributions, Exaudia is an acutely moving body of work that’s quite empowering.
Travels well with: Lisa Gerrard & Jules Maxwell- Burn; Dead Can Dance- In Concert