No More Apologies
Openmind, 2021
9/10
The jazz professor Damani Phillips brings his sax and scatting talent to this unique listen, where violin, viola and cello all enter the jazz filled climate that tips it hat to African American culture and welcomes William Menefield (piano, Rhodes), Brandon Meeks (bass) and Cassius Goens (drums).
“So In Love (A Nod To Cannon)” starts the listen upbeat and agile, where warm sax and dancing keys are met with frisky drumming and elegant strings, and “Sunset’s Last Embrace” follows with the soulful brass front and center, where sweeping strings help set a very adventurous mood.
“Corcovado” and “Hymn (For Trayvon)” occupy the middle spots, as the former showcases acrobatic drumming amid very meticulous and flowing sax prowess, while the latter brings cautiousness into the textured and emotive landscape.
Near the end, “Midnight Sun” radiates a sublime and glowing delivery in its timeless jazz appeal, and “But Beautiful” exits the listen with the orchestral strings and dynamic rhythm section making for a very precise and atypical finish.
An album that grooves in a very unique fashion, the many string players contribute an immense amount of talent, and it results in a powerful brand of Black music thanks to Phillips’ inimitable vision.
Travels well with: Thomas Heflin- Morning Star; Randal Clark- Imaginary World