Oceans Eat Cities
Albany, 2021
8/10
A pioneer who introduced computers to music way back in the late ‘70s, Neil Rolnick’s esteemed use of digital sampling, interactive media, acoustic vocal, chamber and orchestral sounds has been present on over 20 recordings, and here he welcomes several players to flesh out 3 very elaborate compositions.
“No Change In Carbon Emissions, RCP 8.5” starts the listen with quivering strings and no lack of atmosphere as the mood shifts from haunting to mysterious alongside plenty of glowing work from Wendy Law’s cello, Erik Peterson’s viola, and violins by Emily Ondracek and Galina Zhdanova.
“Mirages” lands in the middle, and hosts Rolnick’s profound talent on piano and computer, as low rumbling and exploratory key work covers themes related to the chapters “Water”, “Desert” and “Highway”. The album ends with “Deal With The Devil”, where Jennifer Choi lends her violin talent, and Katherine Supové’s piano and Rolnick’s computer skills make for a very playful, meticulous and unconventional form of chamber and orchestral hybrid.
Tragedy struck Rolnick in 2018 with the passing of his wife, Wendy. He vowed to continue with his music, while keeping her spirit alive with his art. It’s safe to say that his inimitable vision is still as exciting today as it was decades ago, and he’s certainly keeping his word to his late wife with some of his most creative work yet.
Travels well with: Anais Reno- Lovesome Thing; John Daversa- All Without Words