Matthew Mcdonald

The Long Wait

BJU, 2024

8/10

Listen to The Long Wait

The trombonist and composer Matthew McDonald is joined by some excellent players for a lively jazz affair that touches on swing, Big Band and improvised ideas.

McDonald’s warm trombone starts the listen, where the title track welcomes Mark Whitfield Jr.’s frisky drums to the stylish climate, and “Liebish” follows with Yasushi Nakamura’s colorful bass amid Manuel Valera’s lively keys.

Halfway through, “Dealin’” welcomes Alex Norris’ vibrant trumpet that adds much to the animated delivery and flowing melodies, while “A Chance Encounter” is an intimate moment that benefits much from Janet Alexrod’s dreamy flute and Ben Kono’s eloquent English horn.

Close to the end, “Feng-I” makes great use of Na-Cheng Chen’s cello, Meg Okura’s violin, Yu-Ping Tsai’s violin and Andy Lin’s viola for the poetic and heartfelt album highlight, and “Going Back, Moving Forward” exits with a busy approach, where McDonald’s skilled trombone guides the scrappy and swift display of timeless jazz.

A record that embraces the complicated, fast-paced and vibrant life in New York City, McDonald and company make every track here worth repeated listens.

Travels well with: Tone Forest- Tone Forest; Stephen Philip Harvey Octet- Live At Radio Artifact

Jon Gordon

7th Ave South

ArtistShare, 2024

8/10

Listen to 7th Ave South

The esteemed saxophonist and composer Jon Gordon takes a trip back to the ‘80s and Greenwich Village, where plenty of guests accompany him for the 10 adventurous jazz tracks.

“Witness” starts the listen with harmonizing voices from Joanna Majoko and Erin Propp, where Will Bonness lends his elegant piano skills, and the title track follows with Fabio Rangnelli’s proficient drumming that suits Alan Ferber’s well timed trombone.

“Here, There” arrives in the middle, and showcases gorgeous singing amid Walter Smith III’s soulful sax, while “Visit” allows for charming vocal scatting alongside intimate brass, soft keys and light drumming.

Close to the end, “Spark”, the best track, showcases Julian Bradford’s skilled bass and John Ellis’ meticulous bass clarinet for the textured and melodic spirit, and the reprise version of the title track exits with sax acrobatics, playful drums and soaring, wordless vocals.

Gordon was present during the this time period, and he captures the exciting jazz sensibilities of that era with an exciting cast that creates timeless jazz that will always be relevant.

Travels well with: Omar Thomas Large Ensemble- Griot Songs; Trio San- Hibiki

Joel Chadabe

Emergence

Intelligent Arts, 2024

9/10

Listen to Emergence

A pioneer in the area of electronic music, the work of Joel Chadabe is presented here, where new renditions of old works and more recent compositions unfold with much intrigue.

“Diversions” starts the listen with dense keys as well as cinematic, unpredictable moments make for 8+ minutes of adventurousness, and “Prelude To Naples” follows with the atypical winds and well timed keys interacting with a very distinct mood.

Deeper into the listen, “Monomusic” unfolds across 4 chapters that emit bright flutes amid a rich climate, while “Witness” recruits expressive singing for a soulful and vocally fluid moment.

Further still, the animated landscape of “Birdbath” recruits playful vibes and plenty of lively percussive sounds, and “One World 2” exits with what seems like field recordings that illuminate Chadabe’s iconoclastic and artistic vision.

Chadabe’s contributions to interactive music are countless, and this fifth installment in a series of archival releases puts an inimitable spin on chamber music that will keep is legacy alive indefinitely.

Travels well with: Jeremy Gignoux- Odd Stillness; Tim Brady- Imagine Many Guitars

Jeremy Gignoux

Odd Stillness

Self-Released, 2024

8/10

Listen to Odd Stillness

The musician and composer Jeremy Gignoux enlists a small handful of players for these experimental and ambient sounds that unfold across 7 unconventional tracks.

“Quimse” starts the listen with Mark Dejong’s well timed clarinet that help cultivate a uniquely soothing climate, and “Grouny” follows with Keith Rodger’s dense bass plucking that segues into waves of ambience.

Further along, “Curmission” benefits much from Robin Tufts’ wild drumming skills amid minimalistic ideas, while “Meditempt” spends 5+ minutes mesmerizing us with its distinct droning and Rebecca Bruton’s wordless vocals.

The last selection, “Repeath”, is among the best, where Gignoux’s violin manipulation is met with a chilling landscape that’s cinematic and haunting in an intriguing and memorable finish.

In addition to the above, André Wickenhesier’s trumpet and Carsten Rubeling’s trombone are in attendance, and it makes for introspective and tonally fascinating affair where each track focuses on a single instrument that’s multi-tracked.

Travels well with: Nick Fraser and John Kameel Farah- Farahser; Tim Brady- Imagine Many Guitars

John Kameel Farah & Nick Fraser

Farahser

Elastic, 2024

8/10

Listen to Farahser

The drummer Nick Fraser and multi-instrumentalist John Kameel come together for these 8 free jazz, improvised and electronic fueled songs that might bring to mind names like Matthew Shipp, Vijay Iyer and Eli Keszler.

“Flatland” starts the listen with a dense background amid playful keys and much attention to ambience in a mysterious fashion, and “Twigs” follows with electronic tinkering and mesmerizing piano that blends synthetic with organic in interesting ways.

At the halfway point, “Waltz” matches firm keys with unpredictable drumming, while “Dirge” finds a lower place to reside, where some buzzing and drumming acrobatics make this the album’s best.

“The Churn” and “Elevator” exit the listen, The former is intimate and soft, where a cinematic quality enters, and the latter emits a dreaminess that swirls with intrigue.

An often ghostly, chromatic and pulsating affair, Kameel and Fraser create an ethereal and tonally expressive body of work that you could never listen to just once.

Travels well with: Tim Brady- Imagine Many Guitars; Nova Pon- Symphonies Of Mother And Child

Inna Faliks

Manuscripts Don’t Burn

Sono Luminus, 2024

10/10

Listen to Manuscripts Don’t Burn

The always fascinating pianist Inna Faliks presents works that touch on her Ukrainian home, where the works of Clarice Assad, Ljova Zhurbin, Veronika Krausas, Maya Miro Johnson, and Mike Garson are executed flawlessly.

“Master and Margarita Suite For Speaking Pianist” opens with spoken word, before the elegant and articulate keys guide us through 7 movements of diverse progressions, and “Gretchem am Spinnrade” follows with flowing, gorgeous finger acrobatics that are mesmerizing.

The title track lands closer to the middle, and it emits soft and unpredictable moments that are both intimate and cinematic, while “Am Meer (By The Sea)” is a poetic album highlight that’s heartfelt, emotive and full of beauty.

Residing close to the end, the dreaminess of “Voices” swirls with mystery and historical recordings, and the swift, animated “Hero” showcases Faliks’ stunning abilities that are gripping and memorable.

A body of work that illustrates her love of dialogue between music and words, the text present truly does add another avenue of Faliks’ unparalleled piano prowess.

Travels well with: Vedrana Subotić- Chiaroscuro; Ulysses Quartet- Shades Of Romani Folklore

Matt The Cat Hillyer

Bright Skyline

State Fair, 2024

9/10

Listen to Bright Skyline

A long running singer-songwriter, Matt The Cat Hillyer knows his way around a country fueled song you won’t soon forget, and the 11 here welcome honky tonk, outlaw ideas and western swing.

The breezy and fluid climate of “What Are You Doing Now” starts the listen with Hillyer’s warm voice alongside Heather Stalling’s glorious fiddle, and “Moving Away” follows with plenty of rural swagger thanks to Arjuna Contreras’ agile drumming and Kevin Smith’s well timed bass.

Closer to the middle, the dance floor rhythm of “If I Didn’t Have You” benefits much from Lloyd Maines’ strategic pedal steel, while the title track recruits rugged guitar and gets a bit psychedelic, where intimacy is also part of the formula.

Residing close to the end, the best tune, “If I Had Everything I Want”, showcases melodic singing, scrappy instrumentation and harmonic country rock, and “A Daily Fight” exits with fiddle acrobatics, vocal harmonies and a timelessness you can’t not admire.

Hillyer’s resume includes fronting the honky tonk heroes Eleven Hundred Springs for over two decades, and on his own he’s equally great, as evidenced by this fun and memorable effort.

Travels well with: Austin Gilliam- I’m Sorry, I’m Fine; JD Graham- A Pound Of Rust

Jihee Heo

Flow

OA2, 2024

9/10

Listen to Flow

The esteemed pianist Jihee Heo is aligned with Alexander Claffy, Joe Farnsworth and Vincent Herring for these mostly trio selections that embrace Heo’s time in South Korea, Amsterdam and New York City- her current home.

“New Yorker Step” opens with Heo’s swift keys that are complemented by Farnsworth’s frisky drums and Claffy’s lively bass lines, and “I Can See Only One Step Ahead” follows with much melody, where the trio interact with grace and warmth.

Moving into the middle, “Extreme Noise Blocker” uses scrappy drumming and firm keys for an animated moment of beauty, while “The Hidden Giant” recruits Herring’s bright tenor sax prowess to the rhythmic album highlight.

Deeper still, “In A Sentimental Mood” is indeed introspective, where much intimacy is present from the calm keys and minimal drumming, and “The Late Bloomer” exits with Herring back for a swift and dynamic finish that’s gritty, exciting and meticulous.

A very colorful and expressive outing, Heo’s studies in classical, bop and experimental jazz are certainly present and appreciated across this entire harmonic and detailed effort.

Travels well with: Live Edge Trio- Closing Time; Chuck Owen- Magic Light

Lawrence K. Moss

Unseen Paths

Navona, 2024

8/10

Listen to Unseen Paths

The late composer Lawrence K. Moss treats us to 7 varied pieces that unfold across 2 discs of unpredictable and memorable chamber sounds.

“String Quartet No. 5” opens with the Benda Quartet’s exciting strings interacting in playful, cinematic and stirring ways that emit much emotion, and “Clarinet Duo” follows with Rane Moore and Nicholas Brown’s precise clarinets that make for upbeat and animated gestures across 2 chapters.

Further along, “For Flute and Piano” welcomes Jessica Lizak’s flute and Yoko Hagino’s piano that use both lower registers and dreamy bouts for a highly eloquent moment, while “A Life” exits disc 1 with Kadisha Onalbayeva’s stunning piano acrobatics that elicit 12 movements to captivate us.

Disc 2 is largely occupied by “La Serva Padrona”, where Aliana de la Guardia’s soprano, Omar Najmi’s tenor, Brian Church’s baritone and Yoko Hagino’s piano showcase vivid storytelling and powerful singing.

Moss was well regarded for his vision that spanned vocal, instrumental, and electronic works, and his artistic voice lives on here with flute and piano duos, music for string quartet, operas and more.

Travels well with: Voices From The Other Side; Songs For A New Century

Roger Kellaway

Live At Mezzrow

Cellar, 2024

8/10

Listen to Live At Mezzrow

The legendary pianist, composer and Roger Kellaway brings along Dennis Mackrel, Jay Leonhardt and Roni Ben-Hur for these 9 live tracks that tip their hat to the greats, i.e. Miles Davis, Thelonious Monk and Billy Strayhorn, to name a few.

“Try To Remember” opens the listen with Kellaway’s dreamy and fascinating key progressions that radiate much beauty in a solo setting, and “All Blues” follows with Mackrel’s fluid drumming that suits the expressive and stylish mood.

Halfway through, “Pages Of Life” pairs the elegant keys with tribal like drumming for much intrigue, while “Good Morning Bahia” benefits much from Ben-Hur’s lively guitar acrobatics that create melody and playfulness.

Close to the end, “All My Life” illustrates Kellaway’s sublime talents in the album’s most intimate piece, and “Take The A Train” exits with a rich and animated finish that welcomes Leonhardt’s precise bass lines for the set’s best tune.

Kellaway’s career goes all the way back to his debut in 1963, and now 60+ years into his work he’s still making timeless and exciting jazz sounds that are highly melodic in nature.

Travels well with: Jack Walrath- Live At Smalls; Jim Rotondi- Finesse

Sean Hong Wei & Jeremy Monteiro

The New Jersey Sessions

Jazznote, 2024

8/10

Listen to The New Jersey Sessions

On this 48th album, the Singapore pianist and composer Jeremy Monteiro brings along the tenor wizard Sean Hong Wei for 8 standards and an original.

“Dewey Square” starts the listen with Evan Sherman’s frisky drums that complement Wei’s lively sax bouts and Monteiro’s graceful keys, and “A Weaver Of Dreams” follows with mature keys and soulful sax, as Jay Anderson’s well timed bass makes an impression, too.

Moving into the middle, “Nothing Ever Changes My Love For You” radiates tremendous beauty via the warm piano and flowing sax, while “When Sunny Gets Blue” tugs on the heartstrings via its romantic spirit and sublime interaction between Monteiro and Wei.

Close to the end, “Life Goes On” welcomes Alex Sipiagin’s trumpet to the careful and poetic album highlight, and “Sophisticated Lady” exits with timeless jazz sensibilities that emit much care and meticulousness.

Even though Wei is just 25 years old, he delivers like a seasoned vet, and, together with Monteiro’s inimitable vision, the selections here focus on bop ideas and even touch on Latin Swing with strong attention to detail.

Travels well with: Jeremy Monteiro and Alberto Marsico- Jazz-Blues Brothers; Jeremy Monteiro/ Jay Anderson/Lewis Nash- Live At No Black Tie Kuala Lumpur

Jihye Lee Orchestra

Infinite Connections

Motéma, 2024

9/10

Listen to Infinite Connections

The esteemed composer and conductor Jihye Lee leads her 18 piece jazz and classical orchestra through these 9 songs that revolve around grief, immigrant struggles and self-identity.

“Surrender” starts the listen with Ambrose Akinmusire’s bright trumpet that suits Jared Schonig’s drumming acrobatics and plenty of detailed winds, and “We Are All Under The Same Stream” follows with the animated winds and Alex Goodman’s flowing guitar for a rich and textured landscape.

Into the middle, “Eight Letters” is percussively strong and benefits much from Adam Birnbaum’s meticulous piano, while “Karma” shifts from calm waves of beauty to Big Band prowess that meshes so many sounds into a calculated but sometimes busy album highlight.

Landing close to the end, “Nowhere Home” showcases the detailed horns and charming winds, where Alan Ferber and Nick Grinder’s trombones are especially agile, and “Crossing The River Of Grace” exits with a distinct intimacy thanks to plenty of unpredictable interaction between winds, brass, drums and guitars.

An eclectic affair that recruits Korean folk rhythm and no lack of western ideas, Lee guides her orchestra through timeless and captivating jazz sounds.

Travels well with: Mamiko Watanbe- Being Guided By The Light; Yotam Silberstein- Standards

Jared Deck

Head Above Water

Self-Released, 2024

9/10

Listen to Head Above Water

The Oklahoma artist Jared Deck stays true to his blue collar roots with these 10 honky tonk fueled songs that welcome Clint Pope and Jake Simpson of The Lil Smokies.

“Three Things” opens the listen with plenty of energy, where ruggedness and melody meet with plenty of country-rock flavor that recruits James Cook, and “Head Above Water” follows with some gospel influence that’s powerful and bluesy.

“Fired Up” occupies the middle spot and it’s full of Deck’s sturdy vocal acrobatics and thumping drums with a call and response via the background singers, while “Mountain Valley Road” recruits fluid acoustic guitar and soaring singing that’s anthemic and uplifting.

“Midamericana Blues” and “Songs About Love” exit the listen. The former is loud, gritty and dripping with thick songwriting and the latter is an eloquent and ebullient finish of spirited guitar and booming vocals.

It’s not hard to see parallels to Woody Guthrie in Deck’s work, and Oklahoma’s ‘red dirt music’ influence isn’t too far away either, as he finds a very heartfelt place to reside in modern Americana.

Travels well with: Shannon Vetter- Holding Pattern; Ross Cooper- Lightning Heart

Jared Hall

Influences

Origin, 2024

9/10

Listen to Influences

The trumpet wizard Jared Hall tips his hat to those who influenced him for 8 originals and a Gigi Gryce cover, where Tal Cohen, Michael Glynn and John Bishop are all in attendance.

“Songs For Shaw” opens the listen with Hall’s swift horn that’s complemented by Cohen’s frisky keys, and “Dear Roy” follows with a calm, emotive spirit, as Bishop’s subdued drums help create much elegance.

In the middle, “One For Wallace” is a rich and well crafted album highlight that meshes soulful trumpet with warm keys and meticulous drumming, while “Beyond The Horns” is a dreamy moment of sublime intimacy that allows for Glynn’s skilled bass plucking to shine.

Arriving close to the end, “Minority” focuses on Hall’s trumpet prowess for a frisky and bouncy mood, and “Dream Steps” exits with a collaborative effort where all 4 player’s respective talents are illuminated.

This is Hall’s 2nd release for Origin, and much like his first, it’s an expressive affair with ‘70s nods, Latin flavor and an expansiveness that fans of jazz will gravitate towards.

Travels well with: Live Edge Trio- Closing Time; Ben Patterson Jazz Orchestra- Groove Junkies

Lauren Henderson

Sombras

Brontosaurus, 2024

8/10

Listen to Sombras

The vocalist, composer and songwriter Lauren Henderson is joined by Joel Ross, Sean Mason, Jonathan Michel and Joe Dyson for these 9 jazz fusion selections that are full of Latin influences.

“Fuego” starts the listen with Dyson’s playful drums and Ross’ bright vibes that suit Henderson’s cultured and expressive voice, and “Seasons” follows with Mason’s flowing piano that adds much beauty to the mature delivery.

Moving into the middle, the animated vocals of “Sombras” showcases Michel’s strategic bass amid the mesmerizing climate, while “Tormento” is a rich and emotive album highlight that meshes the gorgeous singing with an eloquent rhythm section and vibrant keys.

Close to the end, “Dignidad” welcomes frisky keys, moody vibes and dense bass via a hint of mystery, and “Shadows” exits with a stirring intimacy that’s dreamy and gripping.

A well thought out listen that embraces R&B, soul and, of course, jazz, Henderson’s voice is nothing short of captivating, and the musicians present make every moment here warm and exciting.

Travels well with: Vanisha Gould- She’s Not Shiny, She’s Not Smooth; Alyssa Allgood- From Here

Jo Harrop

The Path Of A Tear

Lateralize, 2024

9/10

Listen to The Path Of A Tear

The English vocalist Jo Harrop is surrounded by Jim Cox, Anthony Wilson, Victor Indrizzo, David Piltch and Larry Klein for these 8 originals and 3 covers that emit a bluesy, soulful spirit.

The cozy and stylish “Beautiful Fools” starts the listen with Wilson’s warm guitar that complements Harrop’s smooth and expressive pipes, and “Whiskey Or The Truth” follows with Cox’s mature keys, powerful singing and Piltch’s strategic bass emitting much soul.

Closer to the middle, “Traveling Light” benefits much from Klein’s skilled bass amid emotive singing in a mysterious climate, while “You’ll Never Be Lonely In Soho” makes great use of Indrizzo’s subdued drumming and the meticulous keys, not to mention Harrop’s vocal acrobatics.

Deeper yet, “Hurt” emits a distinct intimacy that tugs on the heartstrings, and “Stay Here Tonight” exits with a soft and sublime finish of smoky singing and personal storytelling that’s universally relatable.

A record with a lot of heart and soul, Harrop’s already made a name for herself in the area of British jazz, and this often romantic body of work will certainly bring plenty of much deserved attention, too.

Travels well with: Veronica Thomas- They Say It’s Wonderful; Tania Grubbs Quintet- The Sound Of Love

Jack Walrath

Live At Smalls

Cellar, 2024

9/10

Listen to Live At Smalls

This 8th release in the SmallsLIVE Living Masters series brings us the Grammy nominated trumpet extraordinaire, Jack Walrath, alongside Abraham Burton, George Burton, Boris Kozlov and Donald Edwards for 6 tracks captured in April, 2023.

The frisky “Roadkill” starts the listen with Edwards’ lively drums and Walrath’s bright brass that complements calmer moments with Kozlov’s meticulously plucked bass, and “A Bite In Tunisia” follows with an intimate soulfulness, where George Burton’s mature keys suit the elegant sax from Abraham Burton.

At the halfway point, “Left Turn On 86th Street” offers a frisky mood via the bouncy, scrappy drums and animated brass, while “Grandpa Moses” quickly escalates into a busy album highlight that’s collaborative in spirit and adventurous in its execution.

The last selection, “Sacrifice”, is initially drum focused, before Burton’s glorious tenor sax and Walrath’s well timed trumpet enter the flowing jazz dynamics.

Walrath has an impressive resume that includes working with Ray Charles, Charles Mingus and Miles Davis, to name a few, and now well into his ‘70s he’s proving that his timeless jazz spirit has not waned at all.

Travels well with: Jim Rotondi- Finesse; Cory Weeds- Home Cookin’

Richard Thompson

Ship To Shore

New West, 2024

10/10

Listen to Ship To Shore

The legendary Richard Thompson seems to be getting better with age, and this collection of 12 new songs welcomes Bobby Eichorn, Taras Prodaniuk, Michael Jerome, Zara Phillips and David Mansfield.

“Freeze” starts with Jerome’s thumping drums and a Celtic spirit that suits Thompson’s husky pipes and gritty version of folk-rock, and “The Fear Never Leaves You” follows with a nearly tribal like demeanor that benefits much from a soulfulness, too.

Moving into the middle, “The Day That I Give In” offers a pretty moment of tuneful guitar from Eichorn, as Phillips’ lends cozy backing vocals, while “Lost In The Crowd”, the album’s best, emits a raw yet melodic and rootsy mood of both beauty and ruggedness.

Arriving close to the end, “Life’s A Bloody Show” showcases Prodaniuk’s meticulous bass progression amid poetic singing from Thompson in an intimate climate, and “We Roll” exits with a friskiness that makes great use of Mansfield’s cozy fiddle and the bouncy rhythm section.

An institution in the area of songwriting, Thompson has been active for 50+ years now, and his brand of British folk-rock sounds better than ever here, where he plays guitars, mandolin and accordion, as well.

Travels well with: Pernice Brothers- Who Will You Believe; Caroline Rose- The Art Of Forgetting

The Retro Legion

American Undertow

MoonLake, 2024

8/10

Listen to American Undertow

An effort spearheaded by Brian Turner but that brings in many guests, The Retro Legion pen songs that embrace present and past, love and grief, and living and dying, and pulls from a variety of genres.

“Gasoline Love” opens with Brian Voight’s warm acoustic guitar and Turner’s strategic bass that complements the expressive singing, and “Broken Down Lovers” follows with Bobby Koelble’s spirited guitar and Chantal Thompson’s soulful pipes alongside Turner’s inimitable voice.

Further along, “Wayward Traveler” welcomes Terri Kent’s gorgeous voice and Benjamin Kramer’s strings for the mature and melodic album highlight, while “Monochrome” benefits from Ilyse Kusnetz’s well timed singing amid much mood and sound manipulation.

Deeper yet, “Slow 70s Groove” emits T.R. Hummer’s impressive sax bouts for the rich and indeed groove filled climate, and “The Way It Is” exits with a louder, rock’n’roll fueled delivery that’s populated by Lee Baggett’s guitar, Russ Conrad’s vocals, and an animated rhythm section.

An effort that touches on blues, jazz, folk, rock and soul, Turner and company turn in an authentic and timeless body of work that will certainly age very well.

Travels well with: Karen Haglof- One Hand Up; Kaia Kater- Strange Medicine

Brass Box

The Cathedral

Dune Altar, 2019

9/10

Listen to The Cathedral

A Los Angeles outfit with a penchant for punk, shoegaze and pop sounds, this debut album from Brass Box tosses in everything we love about the aforementioned genres, and adds their dark, reverb friendly formula to the captivating listen.

“Bats” dives right into an introduction heavy on atmosphere and calculated dream-pop ideas with pretty vocals from Ammo Bankoff, and “Golden” follows with much attention to detail as the busy tune unfolds with textured haze and melody.

Elsewhere, “Surrender” has the band poking and prodding at post-punk ideas while still very much residing in syrupy shoegaze, while “Waves” recruits a darker spirit with crisp percussion and moody tension.

Deep in the album we are treated to “Roses”, where a calmer setting of acoustic guitars finds its way into the cautious highlight, and “Ivory Skies” pushes and pulls with gorgeous interplay between the instruments and even more sublime vocals. The record ends on “Parting Ways”, where Brass Box put their ominous twist on indie-rock with shimmering, mysterious and addictive fun.

The members of Brass Box have paid their dues in groups like Magic Wands, War Tapes, Rituals and Black Flamingo, but in this ensemble their respective talents shine the brightest. A record that would be relevant in any decade since the ‘80s, The Cathedral is a must for those who adore names like Smith, Marr, Sumner and Murphy

Travels well with: The Cure- Disintegration; Chasms- On The Legs Of Love Purified