Tradisyon
Cumbancha, 2022
9/10
The Haitian-Canadian songwriter, guitarist and producer Wesli returns to his roots with a record that tells the story of Haiti’s past as well as its future, and it comes with a very diverse skillset that’s all over the spectrum in its cultured presence.
“Peyizan Yo” starts the listen vocally strong, where the traditional Haitian Nago Rhythm is quite warm and spirited, and “Fé Yo Wé Kongo Banda” has Wesli’s soaring pipes guiding the Haitian Congo rhythm amid Ronald Nazaire’s swift percussion.
Further on, “Rara Mawoulé” moves with a very dynamic and percussively fluid delivery thanks to Duverné Racine’s inimitable contributions to the Haitian Pétro Rhythm, while “Simbi” places much emphasis on Wesli’s shimmering guitar, though Moise Matey Yawo’s calabash and udu make an impression as well.
Inching towards the end, “Ay Lina”, the album’s best, carries a festive demeanor that embraces banjo, guitars, accordion, cello and bass for the playful textures, and “Tifi a leve” exits with an upbeat display of Haitian Twoubadou Style that hints at carnival-esque sounds that are quite charming.
This is Wesli’s 6th album, and like everything he’s done, it’s a very worldly affair that resonates much creativity and touches on traditional chants from voodoo religion, no lack of rhythm and folk friendly moments. Thankfully it’s the first of a two-part project, too.
Travels well with: Kolonien- Till Skogen; Lakou Mizik- HaitiaNola