the apocalypse is not the end but the unveiling
New Amsterdam, 2025
9/10
Listen to the apocalypse is not the end but the unveiling
The cellist and composer Zeelie Brown fleshes out an impressive debut that discusses the communities, environments, and people affected by the mechanics of colonialism via plenty of diverse and detailed songwriting across 9 tracks.
“let go, let god” opens with YATTA’s vocals for the talking and singing that unfolds with a warm ambience that’s inviting, and “gossamer” follows with a softness which is heartfelt amid the elegant singing.
In the middle, “interlude one” plucks slowly thanks to Brown’s moody cello that builds into a rich climate, while “maché (for nathou)” is strong on tonality and drones mysteriously thanks to the atmospheric album highlight.
Close to the end, “mbele” is percussively strong and blends the strings with wordless vocals, and “farewell (love you dre)” exits with gentle keys and intimate spoken word and gorgeous singing alongside the dreamy finish.
An enlightening effort that embraces African rhythm, eerie vocals and timeless blues, every moment here is eloquent, unpredictable and relevant.
Travels well with: Daniel Wohl- Artificial; Adam Tendler- Inheritances