Sequoia
Self-Released, 2024
9/10
The Canadian artist Kylie Fox returns with a sophomore album, where plenty of ‘70s ideas unfold with a fusion exploration that might bring to mind Sharon Van Etten.
The atmospheric title track starts the listen with Fox’s alluring voice alongside Camilo Villamizar’s dense bass and Sean Hutchins’ rich guitar, and “Brandi Baby” follows with Ryan Barrie’s thumping drums and a distinct dreaminess that swirls with wonder.
Further along, “Flush” recruits Kelly Waterhouse’s well timed flute and retro grooves to the nostalgic fun, while “Alberta” is an intimate moment of sublime beauty via the soft keys and hints of jazz.
“Ali’s Wedding” arrives close to the end, and it showcases Fox’s tremendous pipes amid subdued, rich musicianship that comes with vivid storytelling, and “Certain” exits with a unique warmth, where Daniel Ledwell’s pedal steel makes an indelible impression.
A record that’s steeped in Canadiana elements, Fox blends rock, pop, jazz and folk into her own brand of Americana, and it’s full sincerity and relatability that draws us in.
Travels well with: The Magnolia Janes- The Light Years; Evan Boyer- The Devil In Me