Axolotl
Neuma, 2024
9/10
An assembly of 6 selections for violin and electronics, Lina Bahn’s esteemed strings are aligned with much exploration for the electroacoustic affair.
Pamela Z’s “Four Movements” begins the listen with Bahn’s elegant and moving violin playing that can be frisky, too, before finishing the movements with animated and cinematic manipulation.
“Deadhorse Paint”, by John Drumheller, then showcases tremendous attention to mood via the quivering strings and electronic gestures, while Morton Subotnick’s “Axolotl” radiates a distinct intimacy, that, closer to the end of the 12 minutes, becomes frantic and exciting.
The final 2 selections are equally memorable. Steve Antosca’s “One Becomes Two” is a bit haunting and flows with meticulous string dynamics, and Daniel Wohl’s “Disappearance” completes the record with classical nods thanks to Bahn’s pretty and timeless violin prowess.
Bahn brings a wealth of talent and passion to the affair, and, with the atypical electronics present, it makes for both striking solo moments and unconventional songwriting that’s modern and unpredictable.
Travels well with: Elisabet Curbelo- Resonance Unbound; Cobus du Toit- From The Rooftop