Lord, How Come Me Here?
Navona, 2022
8/10
Listen to Lord, How Come Me Here?
The esteemed composer Shawn E. Okpebholo reimagines the works of enslaved Africans and American folk hymns here, where J’Nail Bridges, Will Liverman and Paul Sánchez contribute their inimitable talents to the critique of contemporary racial injustices.
“Shall We Gather At The River” leads with Sánchez’s intimate keys and Liverman’s stunning baritone in the very warm opener, and “He’s Got The Whole World In His Hands” follows with a stirring interpretation of the standard that has Bridges handling mezzo-soprano alongside the graceful piano.
Deeper into the listen, the rumbling, vibrant “Ride On, King Jesus” flows with a spiritual angle, while “Oh, Glory” moves calmly amid expressive singing and poetic keys.
Moving towards the end, “Two Black Churches” brings Liverman’s baritone back for the emotive album highlight, and “God Is A God” exits the listen with Liverman and Sanchez interacting sublimely and meticulously.
A collection of anthems that celebrates faith and hope over fear and hate, Okpebholo and company create a folk record of the utmost importance, where these songs are reborn with much attention to detail.
Travels well with: Joys Abiding- Soprano And Baritone Duets By Historical Women Composers; Soul Sanctuary- Spirituals & Hymns