Dear Onda Wahl
Self-Released, 2021
8/10
The Brooklyn outfit Lizzie & The Makers return with this sophomore album, where front woman Lizzie Edwards (songwriter), Greg McMullen (guitars, songwriting), Brett Bass (bass), Steven Williams (drums), and Rob Clores (keys) bring much skill and creativity to a superbly layered 9 tracks.
‘Lover By Proxy” stars the listen with some low buzzing before thick guitars and thumping drums enter, and it isn’t long until Edwards’ powerful vocals fill the bluesy climate, and “Mermaid” follows with some southern rock nods that are both rugged yet melodic amid the spirited guitar work and versatile singing.
In the middle, “Bottle” soars high with both souful and psychedelic ideas meshing with gritty energy, while the meticulous guitar playing of “Les Idiots” along with Edwards’ stunning, expressive pipes makes this the album’s best. “Waiting For The Teeth”, another very notable tune, then enters calmer territory with its dreamy, poetic demeanor and hazy backdrop.
Later in the listen, “Tell Her” lands in romantic areas where the atmosphere swirls with blurry beauty and eloquent singing, and “Mojo Hand” exits the listen with a theremin in attendance thanks to Reeves Gabrels that complements the diverse landscape that’s both gentle and loud, where the scene alternates from ebbs of intimacy to bouts of thick, pounding rock.
An outfit who find a very unique place to reside, you’re as likely to hear blues and roots moments just as you are shoegaze and psychedelic stabs, and it’s pretty likely that Edwards’ voice alone will make you a fan instantly.
Travels well with: Deb Ryder- Memphis Moonlight; Casey Hensley- Good As Gone