Shore Leave
Waveshaper, 2020
9/10
The 2nd portion in the 4 part series that makes up The Tyranny Of Fiction from the ex-Pere Ubu synth wizard Allen Ravenstine, Shore Leave finds the artist utilizing piano strategically alongside plenty of New Age nods in his inimitable, electronic formula.
The title track starts the 5 song listen with warm keys against light atmosphere, where Ravenstine’s precise delivery is quite stirring, and “In Order Of Memory” follows with light touches of percussion from Giacomo Liguori amid Ravenstine’s unconventional vision that makes for a fascinating EP highlight.
Deeper into the affair, “Pink Dust At The Point” brings in waves of atmosphere and glowing synth, where Victor Hugo Morales Avilán’s grand piano recruits much sophistication for the rich climate, while “Ninety Miles To The Spanish Harbor” puts further emphasis on Avilan’s piano prowess as much beauty and grace unfolds.
“Fleche D’or (Golden Arrow)” finishes the listen and is the most adventurous track, where many abstract noises enter the busy and focused exploration that benefits from William Blakeney’s digital synthesizer, as well as soundbites and low buzzing.
Largely considered one of the most unique synth players ever, Ravenstine furthers his legacy with a sonically engaging and musically mature effort that continues the theme of the series while also being distinctly different from Volume 1, Electron Music.
Travels well with: Allen Ravenstine- Electron Music; Lucie Vítková and James Ilgenfritz- Aging