Cello Unlocked
Neuma, 2024
9/10
The cellist and singer Bryan Hayslett blurs language and music here, where 7 composers see their vision interpreted through Hayslett’s very distinct delivery.
Caroline Shaw’s “in manus tuas” starts the listen with the low register of the cello, where brighter moments are placed amid the tense climate, and “and there was”, by Mary Kouyoumdjian showcases gorgeous and emotive string progressions.
Halfway through, Judith Weir’s “Unlocked” rumbles across 5 chapters that emit haunting bowing, playful plucking and cinematic swells of distinct and intriguing playing, while “r e c o v e r i n g (speech rhythm study I)” is an animated and unpredictable album highlight via the Anthony R. Green piece.
The final selection, Brent Michael Davids’ “Cello Chill”, pairs the expressive singing with lively cello dynamics that are vivid and memorable.
A truly atypical venture into classical ideas that welcomes avant-garde and experimental bouts, Hayslett explores the bounds of his instrument in highly articulate and bold patterns you can’t help but admire.
Travels well with: Matt Malsky- A Dill Pickle; Eunmi Ko + CAMP- 12 Views On Life