Miniature America
Cygnus, 2024
9/10
The guitarist Miles Okazaki assembles a cast of 10 musicians for these 22 vignettes of abstract, atmospheric and mysterious foundations.
“The Cocktail Party” leads the listen with Matt Mitchell’s warm keys, as some background ambience enters, and “The Funambulist” follows with playful manipulation of sound, where voices sounds like instruments and Okazaki’s guitar is used strategically.
Further along, “Follow That Car” showcases Anna Webber’s curious flute amid a cinematic backdrop, while “Promise Me” flows with a haze of textured beauty via the wordless singing and well timed trombone thanks to Jacob Garchik.
Residing close to the end, “Zodiacal Cloud” drones with a strong attention to mood that’s nearly sci-fi fueled, and “Pulsation Station” carries a blurry demeanor courtesy of Caroline Davis’ distinct alto sax and the rich layering.
Also in attendance are Patricia Brennan’s vibraphone and Jon Ibrbagon’s slide sax, who, along with the voices of Fay Victor, Jen Shyu and Ganavya, contribute much to the appeal.
A dizzying display of off kilter dynamics, Okazaki and company pen an artistic and experimental affair that makes use of traditional electric and acoustic guitars as well as quarter-tone and fretless guitars for a highly technical and unorthodox experience.
Travels well with: Christopher Zuar Orchestra- Exuberance; Jon Gordon- 7th Ave South