Oasis
Origin, 2022
8/10
The inimitable bassist Rodney Whitaker brings along Terell Stafford (trumpet/flugelhorn), Tim Warfield (tenor/soprano sax), Bruce Barth (piano), Dana Hall (bass) and Rockelle Fortin (vocals) for these songs that pay homage to Gregg Hill’s rhythmic and melodic legacy with strong attention to detail.
“Betty’s Tune” starts the listen with animated keys and frisky drumming, as Fortin’s soulful and expressive singing adds to the lively climate, and “Puppets” follows with a calmer pace of warm keys, soulful brass and a very reflective, timeless display.
In the middle, the upbeat and dance floor friendly “Sunday Afternoon” flows with a classic jazz demeanor, while “S’cool Days” benefits from acrobatic drumming amid the bright sax and dynamic musicianship.
Moving towards the end, “To The Well” showcases Stafford’s tremendous talent in both calm and busier moments that allow Fortin’s stirring vocals to shine, and the title track exits with a flowing rhythm that allows all the players a platform for their respective talents.
This is the 3rd album in this series, and Whitaker and company sure do justice to Hill’s vision with cautious textures, energetic moments and no lack of swing fun that’s anchored by Whitaker’s adaptable bass playing.
Travels well with: Lincoln Goines- The Art Of The Bass Choir; Eric Jacobson- Discover