Shadow Of Doubt
Self-Released, 2020
8/10
Though this is New York City Americana outfit Satin Nickel’s debut album, you certainly wouldn’t know it from their sharp, dynamic songwriting and keen sense of melody that touches on both folk and pop sensibilities, too.
“Train Song” starts the listen with warm acoustic strumming alongside expressive, soaring vocals and gradually builds into a spirited Americana-folk setting, and “Call It” follows with pretty female vocals from Samantha Aneson where an orchestral slant adds much beauty to the lush atmosphere.
Even though there’s just 9 songs, the band make the most of the listen, including the touching balladry of “Last Night”, where Ariana Karp’s cello makes a big impression, while “Just Keep Running” places much detail on mood as dual gender vocals complement the agile introspection amid thriving guitars. “The Ballad Of Yankee Jim”, the most adventurous tune, then takes 7 minutes to explore vivid storytelling that’s playful, sometimes wild and full of organic melodies in the theatrical sort of delivery from Morgan Hollingsworth.
At the end, “Good Love” burns slow with emotive, charming instrumentation, and “Shadow Of Doubt” finishes the listen with a thicker execution of rugged rock where a banjo invades the charged and louder exit.
It’s amazing to think that Satin Nickel have just been together for 3 years, as the artists play off each other with much skill and fluidly. An excellent starting point, Shadow Of Doubt gives us a glimpse of what the quintet are capable of, and I have a feeling there’s going to be much greatness on the horizon.
Travels well with: Lilly Hiatt- Walking Proof; Chris Moyse- Bitter Ballads & Cynical Prayers