Take Effect

Watching The Detectives Guitar Noir III

Free Will, 2019

8/10

Listen to Watching The Detectives Guitar Noir III

If you’ve been following Mark Doyle’s esteemed career, you might recall that Guitar Noir was originally released 20 years ago. This time around, Doyle revisits the concept with emphasis on detective and spy theme songs, as well as a couple tunes outside the theme that were too good to not include.

“Detectives Medley” starts the listen with interpretations of “Watching The Detectives” (Costello), “Get Smart” (Szathmary), and “The Untouchables” (Riddle), as dynamic interplay between the rhythm section and Doyle’s meticulous guitar work add mystery and much intrigue to the affair.

Further along, “Lost Letter” (Previn) recruits blues spirited guitar work in the emotive rocker, while “American Drinks And Goes Home”, one of the two songs that isn’t detective based, has Doyle reworking the Zappa tune with elegance and a soothing quality that approaches jazz.

Deeper cuts bring us the Doyle original “Noir Alley”, which is a hushed and cryptic tune with brushed percussion and a memorable bass line, and the string heavy “It Takes A Thief” (Grusin), where an orchestral angle flows alongside meticulous guitar work and aching cello. “Everytime” (Cole) ends the listen with grace and six string acrobatics from Doyle in a more calm but no less impactful setting.

Doyle’s resume is impressive, starting with Jukin’ Bone, who were signed to a major label when he was still a teenager, and he currently fronts Mark Doyle & The Maniacs. An artist who has done pretty much everything one can do in the business, this cinematic, instrumental cop-jazz might seem like a very niche idea, but will certainly be enjoyed by anyone who appreciates ‘60s soundtracks and guitar focused instrumental records.

Travels well with: Jeff Beck- There And Back; Bill Frisell- Big Sur

High Water Line

Self-Released, 2019

8/10

Listen to High Water Line

Mark Oblinger has spent his entire accomplished career just to the side of the spotlight, acting as a touring musician, producer and songwriter. Here, with High Water Line, the veteran artist is front and center on a dozen tunes that are brimming with adult pop and rock ideas that are always cautious and sometimes even intimate.

The title track starts the listen with a calm, warm setting of elegance and organic musicianship, and “Judgment Road” follows with a firm Americana angle with plenty of rhythm and groove.

Near the middle, “Little Bird” brings us into upbeat, hand clapping, harmonica fun on a bluesy tune, while “I Say Love” steers the record into ballad territory, with a sophisticated, cultured and hushed highlight.

Deeper cuts offer us the melodic folk-rock of “Poet In The Corner”, the lush and agile “Hold Me Tonight”, and the album closer, “Love Is”, where keys take focus on the expressive and romantic exit.

It’s no surprise that Oblinger has 5 Emmys to his name; the troubadour delivers timeless sounds that are capable of reaching jam band status just as they are spare indie-folk. A fine debut this is, and certainly worth the wait.

Travels well with: Jackson Browne- Hold Out; Paul Simon- Graceland

Losing Things

Self-Released, 2019

9/10

Listen to Losing Things

A singer-songwriter and multi-instrumentalist from the Twin Cities, Mark Schirmacher brings the long standing tradition of timeless, genuine and heartfelt rock’n’roll to his poetic and sophisticated album that recruits a small handful of talent who take on banjo, horns, keys and even violin.

“Tomorrow” gets the listen started with strings before quick acoustic guitars enter as Schirmacher’s smooth, warm vocals invade the opener, and this approach follows in the groove friendly and folk ideas of “Study Of Love”, as well as the fuller orchestral sounds of “It’s A Dream”.

Near the end, the acoustic sounds of “Crazy Fool” parallel the greatness achieved by other Minnesota legends like Dylan and Westerberg, and “Losing Things” puts Schirmacher’s guitar skills on full display and even brings in whistling and a larger presence behind the drum kit.

Certainly bringing to mind other Minnesota greats like The Jayhawks or Soul Asylum, Schirmacher’s work is light and breezy, but certainly very meticulous, articulate and full of imaginative melodies and relatable storytelling. Don’t sleep on Losing Things; it’s one of the best singer-songwriter albums of 2019.

Travels well with: Paul Westerberg- Folker; Dave Pirner- Faces & Names

Blur

Self-Released, 2019

8/10

Listen to Blur

Though her 4th studio release may be a short one, Maureen Toth leaves quite an impression with her strong song craft and timeless folk-rock ideas on Blur.

“Blur” starts the EP strong with Toth’s pretty singing against cautious, elegant instrumentation, and “Fundamental” follows and finds its way into ballad like territory with a breezy folk-like approach.

Further along, “Deep Dark” leads sparse and raw before building into a mysterious and a melodic Americana anthem, while “Siren” puts her powerful vocals on display in a darker setting of rootsy rock feelings. “Island” ends the EP with sunny acoustic strumming in a radiant and jangly exit that leaves us wanting more of her charming, and often touching delivery.

Toth manages to get both intimate and playful here, and has the ability to birth loud rock as well as soft reflection, resulting in a gem of an EP that easily warrants repeated listens.

Travels well with: Patty Griffin- American Kid; Shelby Lynne- Not Dark Yet

Amethyst

MCC, 2019

8/10

Listen to Amethyst

The Turkish born, now Los Angeles artist returns with another batch of avant-garde exploration that has Melbreeze and company interpreting tunes by Gershwin, Paul Simon and Billie Holiday, among others.

“Summertime” gets the album off to a stylish, beat friendly affair of club friendly sounds, and “The Sound Of Silence” follows with an initially quieter setting that allows Melbreeze’s rich vocals to shine before moving into electronic areas.

Elsewhere, “Everything Must Change” manipulates mood well with a jazz lounge feeling amid expressive singing, while “Friendless” brings in some bluesy guitars from Oz Noy on one of the best tracks present.

Near the end, “Greensleeves” recruits plenty of instruments on a busy and artistic adventure, and the percussively strong “Hallelujah” gets frantic yet controlled on an example of meticulous fusion with plenty of grooves. “Missing You” ends the listen with a breezy twist on the John Waite popularized classic that does justice to the ‘80s hit.

Although Amethyst was released as an import years ago, it’s more easily accessible with this release, and fans of jazz fusion, strong vocal work and bouts of ambient, experimental ideas will be thrilled.

Travels well with: Oz Noy- Who Gives A Funk; Sara Marlowe- True Stories

Long Beach Calling

Self-Released, 2019

9/10

Listen to Long Beach Calling

And the winner for Best Cover Art Of The Year goes to Mike Jacoby, and, thankfully, the multi-instrumentalist can pen a tune you won’t forget anytime soon, too, as evidenced on this Americana influenced version of the classic album by The Clash.

The title track starts the listen with a raw energy not unlike Strummer and company, where swift strumming and melodic vocals flow with a timeless spirit, and “Here And Now” follows with a bouncy setting that just sounds like Southern California.

Near the middle, “Your Love Song” offers a country influenced, dance friendly affair, while “Know Right Away” has Jacoby channeling his inner Tom Petty with soulfulness and grace.

Deeper cuts gift us the more sparse “BBQ Pit”, and “Play Like Richards” puts a classic rock spin on the romper as raw guitar licks punctuate the mood. “Long Live The King” ends the formal record with a cautious exit before a bonus tune shows up 14 seconds after the album, a technique utilized by some of the legends that inspire Jacoby.

Previously a member in the long running outfit Haymaker, on this 3rd solo album Jacoby brings a varied, highly skilled and rugged rock’n’roll approach to his humble, sometimes humorous and always adventurous tunes that resonate long and far.

Travels well with: Todd Snider- Cash Cabin Sessions Vol. 3; The Rolling Stones- Some Girls

Agua De Luna

Self-Released, 2019

8/10

Listen to Agua De Luna

The husband and wife duo of Markus Sieber and Angelika Baumbach, as Mirabai Ceiba their bi-lingual, nature-esque sounds where strings, horns and flutes are in attendance alongside Baumbach’s harp, keys and harmonium and Sieber’s vocals, harmonica and percussion, flow with much organic beauty on Agua De Luna.

The title track starts the listen with gorgeous singing and twinkling, intimate instrumentation, and “You Are A Song” follows with an equally expressive formula that finds a calm place to reside with classical, New Age and meditative ideas.

Moving along, “We Are The Mirror” unfolds with a sparse delivery of cultured, orchestral charm, while “Silence To Break” offers a dreamy setting of sublime melody.

Near the end, “El Rio” yields a full display of glowing piano work on a hypnotic highlight, and “Luz De La Manana” ends the album gentle and soothing, as keys and strings are intertwined with the dynamic musicianship from the players.

A band named after a tree and a poet and an album title that references water, when you add Baumbach’s Latin heritage to the equation you’re left with a superb record of world devotional music that’s both soul stirring and subtly inspirational.

Travels well with: Shantala- Living Waters; Krishna Das- Kirtan Wallah

808-Bit Music

Self-Released, 2019

8/10

Listen to 808-Bit Music

A debut album that’s tagged as ‘8-bit chiptune hip-hop’, this Texas raised artist whose name references Pokemon brings a heavy ‘80s influence that even samples various video games.

“Fanfare” gets the listen off to an eclectic start with a soulful hip-hop approach, and “Crystal Castle” follows with buzzing synth in a dreamy affair with an interesting manipulation of electro-pop ideas.

The rest of the album is equally adventurous, with the ultra-melodic and quirky pop of “Los Shambeles”, while the stylish “TX.RR” recruits a dense beat to a dance friendly tune.

Near the end “The End” finds the listen entering a darker territory that’s no less impactful while taking on a cinematic quality, and “Genesis” exits the listen with playful keys and expressive vocals that touch on R&B.

An ideal listen for fans of both hip-hip and Nintendo, Missingno. finds a charming niche with his ‘chip-hop’ prowess that’s easy to embrace and hard to forget.

Travels well with: Tyler The Creator- Wolf; Groundislava- Frozen Throne

The Last Waltz

Blind Owl, 2019

8/10

Listen to The Last Waltz

Recorded live at the Belly Up Tavern in Solano Beach, California, Mrs. Henry pay homage to The Band by performing The Last Waltz 40+ years after it initially happened.

“Up On Cripple Creek” starts the listen with playful classic rock where multiple voices, keys and spirited guitars ensure a good time, and the rugged yet melodic “The Shape I’m In” continues the formula with meticulous precision.

A double disc or 3xLP, there’s much to take in here, but with the horn filled fun of Life Is A Carnival”, the soulful, key driven “The Weight” and swampy blues of “Mannish Boy” included, the record never out welcomes its stay, as Mrs. Henry touch on many variations of rock’n’roll.

Deeper cuts like the emotive and percussion heavy “Dry Your Eyes”, as well as the propulsive rock’n’roll of “Baby Let Me Follow You Down” are late album highlights, and the set ends on the rollicking “Don’t Do It” while achieving the feat of being 30+ tracks and still leaving us wanting more.

A massive amount of work went into this involving preparation, as Mrs. Henry certainly understood how important it was to do this right and respectfully. Along with musicians from bands like The Schizophonics, Sacri Monti and Louise XIV, this isn’t just a tribute, it’s a celebration of a legendary band who absolutely inspired Mrs. Henry and countless others, but whose spirit is captured well here.

Travels well with: Creature And The Woods- J Tree; Little Feat- Dixie Chicken

Mandarava Rose

Galtta, 2019

8/10

Listen to Mandarava Rose

Though it’s been nearly a decade since Natalie Rose LeBrecht released music, she’s stayed quite busy with meditation, hypnosis, and the concept of space. With these influential ideas in mind, Mandarava Rose finds the artist entering new avenues of her psyche-influenced experimentalism.

“Rishi Stars” starts the listen with twinkling synth and moody keys as LeBrecht’s breathy voice settles in nicely to the spacey, calming setting that even includes flutes from multi-instrumentalist David Lackner, who also handles bells, synth and brass on the record.

The remainder of the album is equally enchanting, including the emotive and ethereal ten minutes of “Rosebud & Lotus”, the vocally expressive and subtle pop influences of “Lost”, and the indeed dreamy and hypnotic atmosphere of “Autonomy Dream”.

At the end, “Ocean Of Ah” brings a strong psychedelic impulse on an angelic tune with quivering saxophone from Lackner, and “Hear Today” ends the affair with chilling vocals and strategic sax in the contemplative and moving exit.

An intimate and adventurous listen, LeBrecht places atypical avant-garde jazz moments in this highly unique listen, where traces of folk and classical invade the sonically intriguing delivery. Let’s hope that Rose has more art coming soon; 9 years would be too long to wait to hear more from this ingenious mind.

Travels well with: Phillip Glass- Passages; Alice Coltrane- World Galaxy

Vertigo

Dalton, 2019

9/10

Listen to Vertigo

After a 4 year break from releasing music, Texas resident Nicholas Altobelli is back with his self-described ‘sad songs’ that utilize country, folk and rock in imaginative, intimate ways.

“Red, White & Blues” starts the album with warm keys and a breezy setting of melodic Americana that touches on earlier decades, and “Thunderstorms” follows in a quieter display as Altobelli’s expressive vocals punctuate the atmospheric tune.

Elsewhere, “Midnight Songs” offers a bare delivery of singer-songwriter excellence with a smart, poetic touch, while “Odd Numbers” lets keys guide us through the thoughtful and building track where backing female vocals add much to the affair.

Deeper cuts bring us the folksy strumming of “Tell Me What I Got To Do”, and the gentle, lullaby-esque “Go To Sleep”- a leftover tune from a Children’s record. “Trains” ends the listen hazy and agile, as the introspective instrumental manages to be both glorious and downcast, with much sparse beauty present.

The past few years have involved much change for Altobelli with a new career and a divorce to sort through, but thankfully this musician is back to his art, and it’s some of the most pensive, articulate and genuine music being made today.

Travels well with: Bright Eyes- I’m Wide Awake, It’s Morning; Mansions- Dig Up The Dead

Cosmic Flute

Self-Released, 2019

8/10

Listen to Cosmic Flute

The recording moniker of Jacob Rudin, who is a trained pianist and flute enthusiast, as NTHNL he brings Andes flute music into modern day EDM and some variation of classically influenced indie-rock on the appropriately titled Cosmic Flute.

The title track starts with plenty of spacey flute sounds before a soulful groove settles in to the unique landscape, and “Cutchatparri” follows with breezy melodies in a busy display of eclectic skill.

Further along, “Phoenix Tail In The Moonlight” recruits mystery and psyche-rock tendencies in the curious setting, while “Chemtrails” unfolds with a cinematic quality as New Age and electro-pop collide in the best ways.

Near the end, “Syncretism” offers horns in its busy display of frenzied skill, and “Run Away” ends the listen with vocals as the quirky yet graceful exit reminds us again of just how creative this endeavor is.

Though this is his debut as NTHNL, Rudin was previously a part of Primal Feelings and Sausagemang Soup, and though he brings a wealth of experience from those outfits, Cosmic Flute is indeed an entirely new animal, and one that fans of jazz, fusion, IDM, and electronic sounds that are from typical would benefit from experiencing.

Travels well with: Lina Tullgren- Free Cell; Caroline Kuhn- EP

Reminiscent Moods

Self-Released, 2019

8/10

Listen to Reminiscent Moods

An accomplished listen where Pablo Embon plays all the instruments on the tunes he wrote and produced, Reminiscent Moods brings pop, jazz, folk and fusion ideas into a highly melodic affair.

“All Stars Above” gets the listen started with keys and drums in a swift, soothing environment, and “Getaway” follows with a slower pace in an emotive setting with spirited guitar work.

Entirely instrumental, songs like the playful and intricate “Two Minutes Of Joy” certainly don’t need any singing to keep you engaged, while the moody, dreamy “Ocean Deep” recruits a cinematic quality to the cascading beauty.

Deep in the listen, “Rainy Day” brings a push and pull of elegant tension to the affair, and the album highlight, “Wild Wild East”, is indeed a bit reckless with jumpy keys and a quick pace of frisky sophistication. The album ends on “Out Of Tears”, where brilliant cohesion between the instruments results in sublime jazz fusion.

A musician since the age of 7, Embon’s longevity is apparent in this well crafted, uplifting and dynamic album, and his vast experience from living on 2 different continents and playing in several bands over the years helps make Reminiscent Moods an experience that nearly finds itself in a new genre.

Travels well with: Pat Metheny- Secret Story; Brad Mehldau- After Bach

Radiotango

Zoho, 2019

8/10

Listen to Radiotango

An Argentine composer, arranger and pianist who now calls New York City home, Pablo Ziegler tosses classical and jazz ideas into his tango template here, with an all star cast on hand to help flesh out the 9 originals and 1 reworking.

The title track gets the album off to a graceful yet playful start of cinematic, lush sounds, and “Maria Ciudad” follows with an intricate, contemplative approach with much skill present between the instruments.

Further along, “El Empredado” recruits very cultured rhythm on the retro tango that is one of the album’s best, while “Desde Otros Tiempos” manipulates mood well with glorious precision.

Near the end, “La Rayuela” offers a darker spirit running through vibrant melody, and “Fuga y Misterio”, the lone cover, ends the album with some of best interplay between the cello, bass, keys and bandoneon.

It’s no surprise that Ziegler is a Grammy winner, as he brings his rich history to the listening experience here with plenty of soul, precision and timelessness, successfully putting a new spin on early sounds.

Travels well with: Astor Piazzolla- Summit; Paquito D’Rivera- Blowin’

Summarisk Suite

Apollon, 2019

9/10

Listen to Summarisk Suite

More greatness from Norway, Panzerpappa describe themselves as ‘progressive rock with a friendly face’, and this 7th album brings us more of their avant-garde and instrumental prowess

“Algerisk Symfo” gets the album off to a mysterious start with an ominous setting that segues into thriving prog-rock, and “Belgerisk Impro”, which was improvised, complements the atmosphere well with a cinematic quality with saxophone guiding the way.

Even though there’s just 6 tunes present, they all leave quite an impression, especially the atypical rhythm and driving pace of “Permutert Panzerrock”, though “Revidert Malist” is nothing to spit at either with its strategic bells and haunting melodies. The album ends on “Seriell Ballade”, where sparse keys lead into calculated saxophones and building guitar work that soars in all sorts of complicated and enthralling ways.

The band scrapped an earlier effort to start from scratch for this album, sometimes using old templates and other times building entirely new ones, and it’s clear they made the right choice as Summarisk Suite is vocal-less genius that runs parallel to some of the greatest prog-rock records of all time.

Travels well with: Happy The Man- Crafty Hands; King Crimson- Discipline

Jungle Cop

Light Organ, 2019

8/10

Listen to Jungle Cop

The brainchild of multi-instrumentalist Kyle Woolven, this Canadian troubadour took the DIY route with this eclectic album, recording the entire affair at home.

“Invisibility Cloak” starts the listen with a creative and adventurous version of electro-pop meets indie-rock, and “Door Knockers” follows with acoustic guitars and a bright setting of melody with falsetto vocals.

Further on, “A Mermaid Season” is full of buzzing synth manipulation, while “Underwater Talkers” follows that lead with a busy display of ‘80s nods with plenty of dynamic interplay between the noisemakers.

Near the end, “Weary Of The Clown” is a meticulous and thriving display of massive skill, and the quirky, warm and jangly “My Baby” exits the album as fluid and memorable as it started.

Despite Woolven’s process of throwing ideas into each song and working on them bit by bit before finishing and moving to the next one, Jungle Cop flows seamlessly with a strong sense indie-pop prowess that warrants repeated listens.

Travels well with: MGMT- MGMT; Neon Indian- Psychic Chasms

Finch

Thirty Tigers, 2019

8/10

Listen to Finch

The 6th album from Andy Baxter and Kyle Jahnke, i.e. Penny & Sparrow, has the esteemed Austin duo telling moving stories about loss and faith, among other personal topics, on a heavily soul and R&B influenced affair.

“Long Gone” starts the listen with smooth, soulful vocals in a slick setting of pop flavored R&B, and “Eloise Preamble” follows with a bare a capella delivery that flows into “Eloise”, where acoustic instruments enter the cautiousness with soaring falsettos.

Moving along, the folky “Bishop” recruits strings for a breathy and hushed album highlight, while “Recuerda” continues with a romantic spirit and gorgeous instrumentation with strategic synth.

Near the end, “Stockholm” utilizes acoustic guitars in a snappy, playful moment and “It’s Hysterical” offers a slow burning affair of sublime beauty. “Gumshoe” ends the listen soft and agile, as expressive vocals suit the articulate and emotive exit perfectly.

While their early work had the pair sitting comfortably in the indie-folk realm, Penny & Sparrow have covered much ground in their prolific career, and here 10 years of touring pour out in a contemplative listen of adept self-awareness.

Travels well with: Novo Amor- Birthplace; Tall Heights- Neptune

Local Motion

LAW, 2019

8/10

Listen to Local Motion

Pepper are back with their 8th album, and much like everything they’ve done, their reggae, dub and ska-influenced punk rock sounds are full of uncontainable energy and light subject matter that’s often as laid back as their music.

“Warning”, with Stick Figure, starts the listen with soothing vocals and a mellow groove, and “Carnaval”, featuring Henry Fong and Jinco, follows with bright horns and a full setting of reggae playfulness with precise bass work.

Elsewhere, “Candy” has the band settling into a moody groove of sugary sweet melody, while “Brand New Day” offers us an upbeat atmosphere of pop influenced fun to their breezy island formula.

Near the end, “Goddaugther”, where E.N. Young lends his talents, is the most sentimental tune, and “My Holiday”, with Micah Brown (of Iration), ends the listen with warm horns and lively percussion on one of the fullest tracks that will certainly get your body moving.

Probably considered an institution now in the area of punk/reggae/ska sounds, for over two decades the trio of Pepper have been maturing in all the best ways, and Local Motion unfolds like the perfect summer album.

Travels well with: Slightly Stoopid- Everyday Life, Everyday People; The Green- Black & White

The Road To Zion

Omad, 2019

8/10

Listen to The Road To Zion

Though the name Peter Lewis may not ring a bell, most of us will have heard of his band Moby Grape, who have been active in every decade since the ‘60s. Taking plenty of nods from his seminal band, on this solo effort Lewis has his spirit firmly planted in the ‘60s, but injects plenty of modern ideas as well.

The title track gets the album started with acoustic guitars and soft vocals from Lewis that seem familiar and comforting, and “Down By The Water” follows with a dusty country influence in the memorable tune.

Further along, “When I Think Of Me” brings in a warbly Americana feeling to an introspective moment, while “In This Place”, which is one of the record’s best, offers a bright, jangly moment of pop influence.

Deeper in the listen we get “A Song For Kris (This Memory)”, a folk influenced moment of graceful beauty, the highly rhythmic “When I’m Gone”, and the harmonica and key friendly “Only A Fool”. “For The Gypsy” ends the listen calm and agile, as Lewis gets intimate and wise.

Sure, it’s only his 3rd solo album, but Lewis has been behind so much inspiring music and his vast experience helps make The Road To Zion on par with the greatness of anything he’s done, both on his own or with Moby Grape.

Travels well with: Buffalo Springfield- Last Time Around; The Byrds- Farther Along

Play It Twice

Self-Released, 2019

8/10

Listen to Play It Twice

Spearheaded by songstress Robin Lyn Treger, The Phoenix Project brings some serious talent in addition to Treger, including Steve Starger and Dave Stoltz, among others, as the all star ensemble deliver 4 strong, timeless Americana tunes here.

“(I Put My) Hand In The Fire” starts the EP with warm, soulful vocals in a groove friendly opener that flirts with blues and country sounds, too. “Vagabond Heart” then follows with a ballad feel, as emotive qualities infiltrate the rootsy track.

The last two tunes shine bright, too, and include the breezy melody and tropical backdrop of “Play It Twice”, where rhythm is present in spades, and the cautious yet playful exit, “The Way It Was”.

This Connecticut outfit cover a lot of bases here, especially some of the more expressive and sophisticated genres near Americana, and it should be very apparent to anyone who hears this EP that 4 tunes is just not enough. The best advice is in the album title, while we impatiently wait for an LP.

Travels well with: Tedeschi Trucks Band- Let Me Get By; Bonnie Raitt- Luck Of The Draw

Problem Child

Pirates Press, 2019

9/10

Listen to Problem Child

The Philadelphia mothers returns with more fun for the whole family, and certainly the most fun for fans of the Ramones as the ladies put their motherly spin on classic tunes from Joey and company.

“Gritty Is A Punk” starts the quick listen with buzzing guitars, melodic yet raw vocals, and a speed that stays on par with Joey and the crew on this anthemic pop-punker where Judy is swapped out with Philadelphia mascot Gritty, and “Boogie Not Snot” follows with a lightning quick tempo where rapid fire drumming matches the pace of the original (“Blitzkrieg Bop”).

“Rockaway Beach” finishes out the 7” with, thankfully, more of the same, as the quartet retain the power of the original with pretty yet punk singing on the lone tune that they don’t tweak much.

Though they’ve just released 5 songs now since their inception in 2017 (a split with Dad Brains came out in 2018), each one has been a gem and I feel quite confident speaking for everyone when I ask when is the LP?

Travels well with: The Donnas- Spend The Night; Ramones- Rocket To Russia

Blinded By The Sun

Self-Released, 2019

8/10

Listen to Blinded By The Sun

A Canadian outfit who had a strong 2018 with some impressive awards, international touring and opening for high profile bands, this 3rd album from Relic Kings finds the quartet flourishing further with their eclectic and creative rock formula.

The title track starts the listen and wastes no time diving right into a warm, timeless meshing of soaring vocals, crisp instrumentation and pretty textures, and “Hypnotize” follows with muscular guitar riffs in a louder setting of tense rock.

Elsewhere, “Leading Me Astray” offers a charged and rhythmic affair of precise sounds, while “Stay Tonight” shifts gears into piano balladry with much elegance.

Deeper cuts bring us the thundering sounds of “Feeling Good”, that are hypnotic and crunchy in all the best ways, and “Push Me” recruits some metallic nods in a thicker, powerful atmosphere. “Are You Ready” ends the listen on a high note, with an ‘80s hard rock approach that puts the exclamation point on the strength of this record.

Canada has never been short on fantastic rock bands, and it wouldn’t surprise me one bit if Relic Kings are one day spoken in the same sentence as The Tragically Hip or The Weakerthans, cause Blinded By The Sun is a superbly skilled listen that hints at even better things to come.

Travels well with: The Trews- Civilianaires; Arkells- Morning Report

Jade

Om, 2019

8/10

Listen to Jade

A recently formed trio from Atlanta comprised of siblings Sean and Sami Michelsen, as well as Bill Zimmerman, on this debut the three bring their collective strengths to a very strong and memorable trip into electro-pop fun.

“Games” gets the listen off to a firm start of their crisp and slick electro-pop formula where smooth vocals complement the sleek instrumentation, and “Design” follows with a vocally expressive, more subdued version of their dreamy, pop prowess.

Further along, “Control” has the trio exploring darker textures of club friendly sounds, while “Midnite” resonates with a soulful aspect to the dynamic interplay between the trio.

Near the end, “Ghost” offers manipulated vocals in the highly creative tune, and “Talk” ends the quick listen with current indie-rock influences amid the dance friendly landscape.

While there’s no shortage of electro-pop outfits today, Reptile Room show much promise as far as standing out from the pack with smart wordplay and engaging, memorable musicianship that’s delivered with precision.

Travels well with: Walden- The Static; Magic Wands- Abrakadabra

A Thousand Shades

Relief, 2019

8/10

Listen to A Thousand Shades

Though Robert LaRoche’s name may not be familiar with you, you might recognize his long running on and off again band The Sighs, who achieved some mainstream success in the early ‘90s with their single “Think About Soul”.

The follow up to his well received 2015 debut solo album, this EP has the troubadour in peak form across well thought and eclectic sounds that certainly touch on his past, but also embrace the sage-like quality of the veteran musician.

“Seeds Of Doubt” gets the album started with a sophisticated and timeless appeal where fiddles, banjos and guitars all meet at a very warm place, and “Drawn To You” follows with a fun pop-rock spirit that sounds like it could have been penned in any decade since the ‘70s.

In the middle, “A Thousand Shades” brings a moody, reflective setting that takes nods at alt-rock, while “Jet Blue” recruits a playful feeling of multifaceted rock’n’roll with a stunning guitar solo. Near the end, “Too Much At Once” finds the EP in ballad territory with heartfelt singing with aching violin, and “The Dream Is Gone” ends the quick listen with punchy rhythm on a vibrant exit of melodic energy.

The good news is that The Sighs are back playing and recording. The great news is that LaRoche is still finding time for solo work as well, and his dreamy, baroque-pop inspired song craft is certainly worth several spins.

Travels well with: Del Shannon- Drop Down And Get Me; The Beach Boys- Pet Sounds

Tell The Truth & Shame The Devil

Welding Rod, 2019

9/10

Listen to Tell The Truth & Shame The Devil

The impetus for Rod Picott’s 12th album was, unfortunately, a serious health scare that could have left the longtime guitarist and singer-songwriter in dire trouble. Thankfully, the Nashville resident is in good health now, although back surgery coincided with his health issues, further giving Picott a new perspective on his art.

“Ghost” gets the listen started off with comforting acoustic strumming and Picott’s vocals that are both warm and rugged, and “Baililng” follows with a folk spirit running through the organic beauty that’s reflective and lacking all pretense.

Further along, “Mark” has Picott delivering poignant storytelling about a young man who took his own life, while “Too Much Rain” offers a hint of gospel with harmonica in the haunting, folk-ish tune.

The second half of the listen flows with the blue collar spirited picking of “A Beautiful Light”, with births much intimacy and grace, the authentic “80 John Wallace” and the raw “Sunday Best”, where Picott finds himself emitting a sage like delivery. “Folds Of Your Dress” ends the album with his imperfectly perfect vocals and subtly powerful execution that defines the entire listen.

Recorded in his home, alone and with no engineer, this is as raw as it gets, as Picott’s captures the human experience stripped back to its basic form, with just his poetic songs, guitar and harmonica- which, really, is all he needs. Though he may not be the most well known troubadour, Picott is certainly one of the best of this generation, and deserves to be have his name spoken alongside Springsteen and Dylan.

Travels well with: Elliott Smith- Either/Or; Justin Townes Earle- The Saint Of Lost Causes

Serenity

Galtta, 2019

9/10

Listen to Serenity

This 3rd effort from jazz luminaries Ron Thomas and John Swana has Thomas handling keyboards while Swana holds down EVI duties (Electronic Valve Instrument) across 4 tunes that twist and turn with synth fueled maneuvering that rarely sounds like it originated on earth.

“Message” starts the listen with an ‘80s ambience that gets spacey and cinematic with a charming sense of mystery, where waves of synth and a dreamy setting make these 10 minutes soar by, and “Rainforest” follows with a sci-fi feeling where ambient noises resemble animals and the atmosphere turns darker.

The last 2 tunes keep the creativity high and the unclassifiable landscape even higher. While “Foundation” sounds it could soundtrack a space craft landing on another planet in another dimension with its artistic restraint, “Serenity” closes out the affair indeed with a calm offering of meditative, soothing electronica manipulation that few could replicate.

An amazing collaboration that was actually recorded in 2007, Thomas and Swana were and still are way ahead of their time, as their musical vision far exceeds just about anything else being made.

Travels well with: Herbie Hancock- Thrust; Ryan Kisor- The Sidewinder

Low Class Songs For High Class People

Self-Released, 2019

9/10

Listen to Low Class Songs For High Class People

While there are certainly legions of bands residing in Nashville today, none are quite like The Royal Hounds. Now armed with Brazilian guitar virtuoso Matheus Canteri, frontman and slap bassist Scott Hinds adds yet another dimension to his wild roots rock on their 3rd album, Low Class Sounds For High Class People

“The Walk” starts the listen with high energy fun as organs complement the retro rock’n’roll spirit, and “Whackity Do” follows with thumping percussion in the festive, quirky sing-along.

Near the middle, “Pororoca” offers us toe tappin’, surf-rock fun in the instrumental that sounds like it could soundtrack a spy movie set in a distant land, while “Pizza Party” certainly could be played loud at a party, but you’ll need a dance floor in addition to toppings.

Towards the end, “Manteiga Braganca” recruits guitar acrobatics and cultured rhythm from Canteri in the complicated instrumental, and “Chinese Buffett” puts a roots rock and rockabilly spin on a story about a trip to devour sweet and sour chicken. “Ghost Riders In The Sky”, the lone cover, finishes the listen on a busy tune with breezy melodies and expressive vocals that again reiterate how much talent is on hand here.

An eclectic outing that touches on honky-tonk, psychobilly and many ideas from rock’n’roll, though much of the subject matter is humorous, The Royal Hounds are seriously talented, unique and, quite honestly, one of the most interesting outfits today.

Travels well with: The Reverend Horton Heat- Liquor In The Front; Rocket From The Crypt- Hot Charity

Hard Luck

Round Hill, 2019

8/10

Listen to Hard Luck

Royal Teeth made quite a dent in the indie-pop scene when their debut album landed in 2013, and now 6 years later this follow up LP shows us a more muscular, mature and energetic vision of their pop prowess.

“Never Gonna Quit” starts the listen with bright, melodic sounds where the music is as animated as the vocals, and “Show You What I Can Do” follows with buzzing electro-pop where Tunde Olaniran offers his inimitable pipes on a hip-hop influenced track.

Elsewhere, “It’s Just The Start” recruits a soulful start with processed vocals on a club friendly anthem, while “The Best” will certainly get your body moving with its frisky pace and strong, unrelenting beat.

Near the end, “Unbreakable” quivers with a playful feeling as busy and loud instrumentation infiltrates the album highlight, and “Arrival” ends the listen as robust as it started, where melodic vocals from both genders collide on radiant pop fun.

The last few years have had their ups and downs for Royal Teeth, but here the band sound invigorated, focused and prepared for the best work of their careers. If you weren’t previously a fan of this New Orleans outfit, you will be after a few spins of Hard Luck.

Travels well with: Fitz & The Tantrums- Fits & The Tantrums; The Dig- Moonlight Baby/Afternoon With Caroline

Casual Heaven

Apollon, 2019

8/10

Listen to Casual Heaven

A Norwegian outfit who take inspiration from legends like The Cure and Pink Floyd, Sail By Summer’s William Hut and Jens Kristian inject a very nature-esque approach to their flourishing electro-pop.

“Fetch Your Roses” starts the album with cautious yet sunny indie-rock sounds that are as gorgeous as they are adventurous, and “Facing Dullness” follows with a vocally strong and upbeat blast of melodic and anthemic rock.

Elsewhere, “Corner Kid” offers a breezy and playful album highlight, while “LowLowLow” flirts with electro-pop heavily in charming ways on the retro highlight.

At the end, “Lower Your Voice” recruits a subdued setting of elegant ideas, and “I Can’t Rely On My Memories” ends the debut album strong with a spacey, ethereal and ambient instrumental.

Hut, who has already won a Grammy Award, handles guitars and vocals, while Kristian holds down keys and programming, and together they weave a universally palatable listen of thoughtful, and often moving songcraft.

Travels well with: Subshine- Easy Window; Leland And The Silver Wells- Leland And The Silver Wells

Skye Wallace

Self-Released, 2019

9/10

Listen to Skye Wallace

A Canadian songstress who plays loud, driving and often emotional songs on this self-titled album, though Wallace might be known as someone with a penchant for folk sounds, here the Toronto resident shows vast influences across the rock spectrum.

“Death Of Me” starts the album and isn’t quite as stark as the title implies, as Wallace brings a dense approach to the cautious alt-rocker, and “There Is A Wall” follows with a thumping setting of busy rock and quieter ebbs of fuzzy beauty.

Near the middle, quieter ideas infiltrate the powerful yet subdued “Stand Back”, where Wallace’s guitar and voice are the only tools, while “Body Lights The Way” recruits all sorts of grooves in a retro tune that could fill arenas.

Deeper cuts offer the mysterious “Swing Batter”, that pushes and pulls with tense moments, and “Suffering For You” ends the listen on a dirge like exit of deep bass and raw drumming on a cathartic highlight.

Often times unfolding like a grunge album with much depth, Wallace’s version of folk-rock is laced with punk rock sensibilities, and her classically trained pipes radiate sincerity and warmth on this stunning record.

Travels well with: Jeen- Modern Life; Des Ark- Loose Lips Sink Ships

Hopeless & Addicted

Ambulance, 2019

10/10

Listen to Hopeless & Addicted

I’m pretty embarrassed to say that this was my first time listening to Switzerland’s Slimboy, because, as a longtime fan of all things punk related, this trio parallels the greatness achieved by MXPX, Millencolin or The Ataris and should have already been in my collection.

The title track starts out the EP with a loud and thundering display of gritty melodies and a kinetic rhythm section in the blistering opener, and “‘92” follows with a punky spirit amid a raw execution of anthemic sing-alongs.

Elsewhere, “Hey Brother” recruits fuzzy guitars and alt-rock tendencies that would make J Mascis smile, while the turbulent “Never Let It Die” really showcases the band’s busy, buzzing appeal that flows alongside immediately irresistible hooks. “14.10.15” ends the listen initially sparse but builds into a throbbing, triumphant execution of power and pop.

A fantastic record that embodies all the hallmarks of punk rock, Hopeless & Addicted is nothing if not timeless in its incendiary, reckless and fluid delivery.

Travels well with: The Menzingers- On The Impossible Past; Face To Face- Three Chords And Half A Truth

The Fruit Basket

Schnitzel, 2019

8/10

Listen to The Fruit Basket

Ian Everett and George Miller, the driving force behind Solid Bronze, brought in some serious talent on this debut album, including players in Ween, Morphine, Funkadelic and others, and it sure paid off in this skilled mashing of styles and sounds.

After the groove filled funk and lively basslines of “Papa’s Bug”, “The Invisible Man”, with CLEW, finds the outfit getting soulful with processed vocals that mix talking with bare but impactful musicianship.

Further along, “Bronze Magic” enters jazz like territory with playful brass, while “Midnite Goose” glides with neo-soul and psyche-influenced fun.

Near the end, the highly melodic and retro tendencies of the sax friendly “The Critter Walk” make this one of the album’s best, and the instrumental “Paradise Lounge” flows with graceful, dreamy instrumentation that even brings in a flute. “Like That Ol’ Saying Goes” ends the listen with spirited guitar work and hazy backing vocals in a display of timeless, soothing psychedelia.

Perhaps most closely resembling a funk album, you’ll hear plenty of rock, R&B, gospel, jazz, blues, soul and endless nods to the ‘70s, too, as Solid Bronze come through with an extremely memorable first LP.

Travels well with: Funkadelic- Cosmic Slop; George Clinton- Computer Games

To The Monsters

Self-Released, 2019

8/10

Listen to To The Monsters

A Phoenix outfit who have been plugging away since the late ‘90s, The Spider Hole carry influences as vast as Tom Waits, Primus and Frank Zappa, and birth a highly unusual and eclectic version of alt-rock where each song here is about a different monster.

“Werewolf Biker Bastard (From Shit-Town, AZ)” starts the album with some gothic desert sounds and gravelly vocals in a dusty, hazy setting that builds into some version of rockabilly, and “Still Draw Breath” follows with a variation of alt-rock that’s charged and quite unusual yet enticing.

Further along, “Rock, Your Body” soars with a great balance of power and melody, while “Chomp-Chomp” recruits a dramatic atmosphere of biting vocals and playful instrumentation.

The back half of the album is equally interesting, with the nearly cinematic “Devil By A Nail” and the driving, visceral “The Leviathan Stomp”. The album ends on “Night Of The Nighty-Night Slasher (‘84 Demo)”, which starts out like a soundtrack to a slasher film, before finding a thundering groove of crashing percussion and thriving energy.

Often reminding us of an aberrant version of Calexico on steroids, this 3rd album even comes with a graphic novel that suits the meticulous, unpredictable and unique approach to the ominous formula of The Spider Hole perfectly.

Travels well with: Siouxsie And The Banshees- Peepshow; Pixies- Doolittle

Easy Window

Apollon, 2019

9/10

Listen to Easy Window

The debut album from the Norwegian pop outfit recruits some of the best ideas of the ‘80s and injects them into modern indie-rock sounds on Easy Window, leaving an indelible mark in its all too brief gloriousness.

“Florence” starts the listen with calm, fluent indie-pop with breezy melodies and a soaring atmosphere, and “Your Love” follows and brings a dreamy ‘80s feel where pulsating synth really punctuates the setting.

Further along, “Trust” increases the tempo to quick paced electro-pop fun, while “Shadows” recruits a contemplative feeling with plenty of cautious instrumentation that takes nods to the early days of post-punk.

The back half of the listen stays indebted to earlier decades, too, with the crisp, atmospheric “Stones”, and the moody dance-rock of “Easy”. The quick album ends on “Where Does It Go”, where an adventurous, restrained and warm spirit end on a high note, putting a firm exclamation point on just how strong this first LP is.

Spearheaded by Ole Gunnar Gundersen, formerly of Lorraine, the songwriting legend brings a wealth of talent and experience to one of the year’s best listens.

Travels well with: New Order- Low-Life; Pet Shop Boys- Actually

I Still Get Excited

TVR/VizzTone, 2019

8/10

Listen to I Still Get Excited

A long running tenor sax extraordinaire, Terry Hanck has won multiple blues awards and it’s pretty easy to see why. Armed with an incredible, inimitable set of pipes and a penchant for New Orleans spirited R&B and Chicago blues and soul, as well as Memphis flavored rock’n’roll, he’s not your typical bluesman, and I Still Get Excited isn’t your standard blues album.

“I Still Get Excited” starts the listen right with bluesy guitars, rollicking keys and playful horns on an explosive retro-rocker, and “Smooth Tyrone” follows with a soulful spirit as horns initially take center stage on the glorious display of a frisky boogie vibe.

Near the middle, “Come On Back”, with Rick Estrin, brings a call and response approach with the instruments as the punchy keys and bouncy setting make this one of the best, and “Why People Like That?” brings a heavier percussive influence on the cautious rocker.

Towards the end, “Spring”, with Tracy Nelson, offers a duet of the most soulful kind, and “Feel So Bad” ends the listen with a lively beat, jazz undertones and plenty of warm guitar licks.

Though there’s 6 covers against the 5 originals, Hanck and his band make every tune their own, as the aptly titled record moves, shuffles and shakes with a contagiousness that’s easy to admire and hard to forget.

Travels well with: King Curtis- The New Scene; The Fabulous Thunderbirds- Tuff Enuff

Hail To The Priest

Metalville, 2019

8/10

Listen to Hail To The Priest

A tribute album to the almighty Judas Priest, Thobbe Englund, who many will know as the former guitarist of Finnish metalheads Sabaton, reworks some deeper cuts from Halford and company on this raging listen.

“The Sentinel” gets the album off to a classic metal start with strong riffage, as raw yet melodic vocals flow with the powerful, thundering rhythm section, and “The Ripper” follows with a vocally expressive tune where some high notes are hit as the music is a bit more tame, but no less gripping.

The middle of the album brings us the chugging intensity of the darker spirited “Immortal Sin”, a Halford tune from his time in Fight, while “Burn In Hell” gets eerie and mysterious in all the best ways. The album highlight resides here, as the thumping “Desert Plains” recruits a stadium rock delivery that reminds us of all the things we love about Priest’s guitar work.

Near the end, “Into The Pit”, another Fight tune, recruits a jackhammer, thrash template that’s certainly mosh friendly, and “I’m A Rocker” ends the album with power and melody in a way that brings to mind all the ‘80s metal giants with fluid guitar solos and loud choruses.

Thankfully, Thobbe doesn’t try to imitate Halford and instead puts his own spin on the covers, and while nothing here is better than the original, it’s all damn great, unleashed fiercely and recorded with top notch quality.

Travels well with: Iron Maiden- Powerslave; Megadeth- Rust In Peace

Gone South

Self-Released, 2019

8/10

Listen to Gone South

The husband and wife duo of Andrew Stern and Laura Arias, as 3 Pairs Of Boots the couple further prove that California breeds just as much stunning Americana as Nashville or the Southern States.

Though the pair have played many genres of music and take influence from artists as vast as The Smiths and Tom Petty, Gone South has the duo working around the edges of blues, rock and country influenced territory.

“Hey, I’m On My Way” gets the listen off to a peppy, country shuffling pace with gorgeous vocal harmonies, and “Anything For You” follows with warm guitars and some pop-influences in the dusty rocker.

Elsewhere, “Gone South” trims the pace back to reflective as the tune unfolds with cautious melodies, while “Dollar Store” delivers a rockin’ spirit in the Americana umbrella, though it’s far from your typical approach.

The back half of the album offers the ballad like setting of “He Lost My Number” that builds into a playful country-pop highlight, the rugged yet tuneful “Lousy Week”, and the more classic country ideas of “Liberty”. “Always Loved Cowboys” ends the affair with beautiful melodies and soothing backing vocals.

Stern handles guitar duties here and finds a great balance between straightforward and intricate with timeless radiance, and Arias brings her soulful, luminous vocals to heartfelt, smart and memorable songs that can be raw, pretty and even moving.

While the Americana pool is getting deeper all the time, 3 Pair Of Boots are an outfit worthy of keeping an eye on as their strong song craft and breezy delivery puts them near the top of the list.

Travels well with: Maren Morris- Hero; Miranda Lambert- Revolution

Cowboys & Aliens

Self-Released, 2019

8/10

Listen to Cowboys & Aliens

An outfit spearheaded by Monica Uhm, as Trio Of Awesuhm the New York songstress brings a retro spirit to her modern, punchy influences of pop and rock.

“Last Night” starts the listen with a warm, memorable spirit of acoustic guitars, keys and, most importantly, soothing vocals from Ohm, and “Storyline” follows with plenty of rhythm and subtle power, as well as funk nods.

Elsewhere, “Begging The Radio” is gorgeous country-pop song with Uhm’s voice soaring high, while “Just Hurting” takes a contemplative turn into cautious territory.

The back half of the listen offers us the soft keys, playful melodies, orchestral strings, harmonica and Americana shuffling of “After The Show”, and the multifaceted “Adios”, where some mystery enters the diverse instrumentation that touches on jazz. The album ends on “Mighty Waters”, which is a lively exit with string acrobatics and a pace that will get your body moving.

An accomplished listen that covers folk, alt-rock, country, and many others, Uhms and her proficient band make Cowboys & Aliens a delightful experience that you won’t forget anytime soon.

Travels well with: The Cranberries- Everyone Else Is Doing It, So Why Can’t We?; Aimee Man- I’m With Stupid

Tre Ut

Apollon, 2019

8/10

Listen to Tre Ut

On this sophomore album from the Norwegian trio, Trojka deliver what they do best- a fusion type of rock where few genres are off limits and exploration unfolds in spades.

Opening track, “President”, starts out with beat friendly smooth jazz sounds that touch on prog-rock, and “Penger” follows with a cosmic influence of psyche-rock where warm synth makes a grand presence.

Near the middle, “Orkan” puts percussion at center stage on the retro-fun that takes nods to the ‘70s, while “Fly” brings a calming, subdued moment of elegant folk inspired playfulness.

At the end, “Grenseland” recruits bouncy bass work into not so subtle homage to prog-rock giants like King Crimson, and “A se” uses atypical melodies in a restrained, lush fashion. The album ends on the title track, which offers 7 minutes of adventurousness that encompasses pop, prog, folk and experimental, artistic flashes, too.

An exciting and fluid display of prog-pop fun, Trojka make their genre skipping appear effortless as they wind in and out countless ideas with incredible skill from the three. Although they’ve been underground heroes in their hometown of Bergen for many years, Tre Ut will certainly and understandably bring them legions of new fans who appreciate their unique vision.

Travels well with: Knekklectric- For Mange Melodia; Hatifnats- Before It Is Too Late

A Warm Day In Winter

Naxos, 2019

8/10

Listen to A Warm Day In Winter

A veteran composer and bassoonist, Truman Harris caters to wind instruments here, as he pens tunes for his long running colleagues on this superbly executed collection of chamber music.

“Rosemoor Suite” starts the listen with flute, oboe, bassoon, horn and clarinets on a playful, elegant tune with cascading beauty, and “Aulos Triptych” follows with 4 flutes and piano on an upbeat and adventurous exploration of timeless rhythm.

On the back half, “Flowers”, which uses the same instruments as “Rosemoor Suite”, delivers a cinematic quality to the sophisticated manipulation of light and dark textures, while “Sonata” recruits a mysterious angle of darker ideas in one of the album’s best that is also the most complicated, but far from esoteric.

With players on hand from the National Symphony Orchestra and the Eclipse Chamber Orchestra, Harris is in great company here, and together they flesh out engaging, layered and graceful classical and chamber sounds that will satiate not only the ears but the mind the soul.

Travels well with: Bill Douglas- Deep Peace; Tony Overwater- Ellington Suites

Somewhere There’s Music

Jamey Ray, 2019

8/10

Listen to Somewhere There’s Music

An 11 piece a cappella outfit from The Sunshine State, Voctave may not utilize any instruments but their voices, but that doesn’t stop them from delivering new life into classic tunes with their gospel, pop and Christian barbershop influences on these 13 harmonic and soothing covers.

“Orange Colored Sky” starts the listen with the female voices dominating the calming track, and “Somewhere Over The Rainbow” brings new breath to the standard as both genders mix their talents with much sophistication.

Near the middle, “Moon River” is especially dreamy, and the playful “Andrews Sisters Medley” illustrates just how frisky the ensemble can get sans traditional instruments with plenty of blues-influenced rhythm.

Deeper cuts offer the romantic and sultry “My Funny Valentine”, and collaborative album highlight “Smile”, where much power and grace are exemplified. “Won’t You Be My Neighbor” ends the listen on a comforting and nostalgic exit to an ideal track to finish the intimate and amicable affair.

A collection of primarily jazz standards, Voctave certainly retain that jazz spirit of the originals while putting a nice coat of their inimitable formula on this accomplished and fun endeavor.

Travels well with: The Swingle Sisters- Weather To Fly; The Manhattan Transfer- Extensions

New Ways

Self-Released, 2019

8/10

Listen to New Ways

The brainchild of Mark DiLillo, as Welsh Avenue the songwriter has his foot firmly in the sounds of electro-pop and alt-rock with plenty of strategic keys along the way on this thriving EP.

After the sparse keys on the opening introduction, “Open Book” dives right into a beat friendly electro-pop tune with plenty of upbeat, flowing melodies as well as restrained fun with layered synth.

In the middle, the title track brings playful keys and plenty of pop friendly rhythm, while “The Fervor” recruits a soulfulness in a club friendly anthem with strong production present.

Near the end, “Two-Door Coupe” offers an ambient setting of warm pop meets indie-tronica, and “Disco Moon” adds a spacey element to a dance rock exit that will be sure to turn many heads his direction.

Often taking nods to the ‘80s with this dreamy and highly tuneful approach, the now Austin, Texas resident pens a very likable listen here, and it will be exciting to see what unfolds next for Welsh Avenue.

Travels well with: The The- Dusk; The Shins- Port Of Morrow

All Your Favorite Songs

Self-Released, 2019

9/10

Listen to All Your Favorite Songs

Though the impetus of this sophomore album from Bennett and company has its origin in tragedy (his father suffered a stroke), the sounds are often upbeat, lively and full of rural influenced gloriousness.

“Rabbits” starts the listen with warm pedal steel in a setting of Americana friendly rock, and “Off The Ground” follows with a brisk pace of cautious melody that’s as timeless as it is infectious.

A record that does live up to its title, “Caroline” is a swift tune of folk-influenced sounds, while “Happy Thoughts” recruits warm, jangly guitars for one of the album’s best and indeed one of your future favorites.

The back half of the affair flows quite nicely, too, with the galloping fun of “Linger On”, the Nashville friendly “in Nashville”, which is about as close to twang as the listen gets, and the pop influenced yet gritty “Vultures”. The record ends on “All Your Favorite Songs”, where the alt-country shines bright and resonates fluidly.

A superb display of country tinted rock’n’roll and the lush ideas of Americana, Bennett turns adversity into flouring art with All Your Favorite Songs, and we’re all better off for it.

Travels well with: The Bottle Rockets- Bit Logic; Old 97’s- Most Messed Up

Yimba Rudo

Barking Hoop, 2019

8/10

Listen to Yimba Rudo

A trio consisting of Kevin Norton, Jim Pugliese and Steve LaSpina, Yimba Rudo (meaning ‘Sing Love’ in Zimbabwe’s Shona language), brings avant-garde and world music ideas to this chamber jazz influenced listen.

“Reconcile The Classic View” starts the album with Norton’s gentle vibraphone as drums stay soft while Norton’s acrobatics take focus, and “Toronto” follows with a highly playful setting as the drums build into a tense display of skill.

Further along, “Over And Inside The Rainbow” brings the mood into calmer areas, where ambiance and exploration are in attendance, while “The Faustian Bargain” offers a haunting, hypnotic approach as LaSpina’s double bass leaves an impression.

Near the end, “Tearing Down The Walls” flows with a cinematic quality, and “Polar Oscillation” reels experimental ideas into the unconventional album highlight. The listen ends on “Walking The Dogma”, which ranges from sparse to busy as all members take their turns in the spotlight.

Seeing as all 3 players have taken the lead role in other endeavors, this all star collaboration brings in a wealth of talent where the flawless execution of progressive warrants repeated listens.

Travels well with: Paul Bley- Diane; Anthony Braxton- For Alto