They Might Be Giants

My Murdered Remains

Idlewild, 2018

8/10

Listen to My Murdered Remains

In the nearly 40 years that They Might Be Giants have existed, John Flansburgh and John Linnell have made some of the most interesting music in the area of alt-rock, and this 21st studio album continues the tradition with tunes culled from ther 2018 Dial-A-Song service.

The 16 track listen starts with the bouncy and upbeat “The Communists Have The Music”, where pianos enter the playful melodies, and “I’ve Been Seeing Things” follows with some fun guitar crunch in the quirky rock anthem.

Further along, “Selectionist” brings a busy display of varied talent with some electronica ideas, while “I Haven’t Been Right Yet” utilizes synth along with strong percussion and plenty of energy. “The Bullies”, one of the record’s best, then finds the legends flirting with prog-ideas as their creative prowess soars high.

Near the end, “Tick Tick Tick” recruits a darker quality but is possibly one of the most catchy tunes of the batch with well timed enunciation, and “Best Regrets” exits the listen moody, with spirited guitar work that enters post-punk territory.

If you’re like me, and 16 tracks just isn’t enough, the bonus CD, More Murdered Remains, provides more Dial-A-Song cuts, and is certainly a must hear for the diehard fans.

Travels well with: R. Stevie Moore- Afterlife; The Flaming Lips- King’s Mouth Music And Songs

Alex de Grassi

The Bridge

Tropo, 2020

8/10

Listen to The Bridge

The guitar wizard Alex de Grassi returns with originals and covers on this instrumental, finger picked experience where the sound is captured perfectly thanks to Grammy Award winner Leslie Ann Jones.

“Mr. B Takes A Walk In The Rain” starts the listen with intricate guitar work that’s as fascinating as it is memorable as de Grassi even uses the guitar for percussion, and “Angel”, a Jimi Hendrix tune, keeps the setting warm with a playful rhythm that both soars high and retreats to calm while being played on a sympitar.

At the halfway point, “Shenandoah” flows with a bit of mystery in its meticulous nature, while “Eulogy In A Low Voice” resonates a strong emotional quality. The Gershwin original, “It Ain’t Necessarily So”, is one of the album’s best, and gets both adventurous and introspective with fluid beauty.

De Grassi bookends the listen with “The Deep”, where his inimitable talent is displayed with a flawless delivery, and “Sí Bheag Sí Mhór” unwinds with stirring melodies as he mimics a harp with his guitar.

It’s been 17 years since de Grassi has released a solo guitar record, and The Bridge is a triumphant return where his acoustic prowess shines bright and has the listener hanging on every unpredictable note.

Travels well with: William Ackerman- Past Light; William Tyler- Goes West

The Chandler Travis Three- O

Backward Crooked From The Sunset

Iddy Biddy, 2018

8/10

Listen to Backward Crooked From The Sunset

A slimmed down version of the nine-piece Chandler Travis Philharmonic, The Chandler Travis Three-O brings in Fred Boak, John Clark and Berke McKelvey as well as several guests on this very colorful and highly unpredictable mashing of folk, country, jazz and even theatrical moments.

Travis starts the listen with the title track, where woodwinds flow alongside warm acoustic strumming and soft expressive singing, and “Happy Channy Oberek” follows with Dinty Child’s accordion prowess on the festive, instrumental tune.

A record where no two tracks resemble each other all that much, “More Than This Night” builds into a key friendly, saxophone soothing multifaceted chamber pop journey, while “Settling For Less” recruits trumpet and trombone in a country and folk tinted album highlight. “Queen Rachel” then gets dreamy with wordless, breathy vocals in the mesmerizing haziness.

Near the end, “Mayor Of Drunktown” offers a bit of Americana in the swift, comical storytelling and “Not In Service” finishes off the record with a mix of jazz and retro rock, the type that made the ‘50s and ‘60s so memorable and that Travis illuminates quite well.

Although this might be a stripped back version of his usual work, don’t think that it’s an any less interesting or impactful version of Travis. If you’ve been following all along, you’ve no doubt already consumed this one, and for the first time listener it’s a fine starting point.

Travels well with: They Might Be Giants- My Murdered Remains; The Kinks- Arthur Or The Decline And Fall Of The British Empire

Diane And The Gentle Men

The White Sea

Velvet Elk, 2020

9/10

Listen to The White Sea

A Lower East Side outfit fronted by Diane Gentile, The White Sea brings plenty of gritty rock as well as fluid Americana ideas into this very power pop and garage rock focused listen of all originals that often points towards the ‘60s.

“Motorcycle” starts the listen with a thumping and melodic display of soaring rock, as Gentile’s strong vocals guide the exceptional opener, and “Perfect People” follows with a punchy rhythm to the energetic rocker that also shows a bit of restraint.

In the middle, the garage rock influenced “Little Things” is the album’s best, full of raw yet precise instrumentation that jangles in all the right ways, while the crisp percussion of “Boyfriend” accents the cautious tune. “Joe”, one of the most diverse tunes, then offers a lush setting of pretty textures that gets a bit dramatic, too.

Closer to the end, the atmospheric “Memories” illustrates just how versatile Gentile can be, and “Second Hand Heart” exits the listen with soft, expressive singing in the charming ballad that’s piano driven.

Gentile suffered a horrible car accident not too long ago, but despite that tragedy she’s been able to release this incredible listen that reminds us of Debbie Harry and Chrissie Hynde grew up on later period The Replacements. Though you may not have heard of Diane or the Gentle Men prior to this, you certainly won’t forget them after spending time with The White Sea.

Travels well with: Jesse Malin- Outsiders; Frank Turner- Poetry Of The Deed

Timber

The Family

Cornelius Chapel, 2018

9/10

Listen to The Family

An Alabama duo consisting of Will Stewart and Janet Simpson, as Timber the pair create cozy textures and genuine songwriting on this first album where contributions from Brad Davis, Lynn Bridges, David Hickox and Robert Wason add greatly to the introspective climate.

“Burying Ground” starts the album with warm Americana grace as elegant backing vocals from Simpson complement Stewart’s soothing delivery in the dreamy atmosphere, and the strong song craft continues to the Simpson dominant, hazy folk tune “As A Kill”.

Even though there’s just 8 tracks here, each one shines in its own light, including the bare yet powerful “Downtown”, as well as the soulful and sprawling “Sunstroke”, which creates a dense atmosphere in its 6 minutes of prog-like exploration.

Deeper cuts bring us the hypnotic, nearly post-rock strumming of the ambient “Errant Oblivion”, and “Move” exits the album with incredible singing from Simpson in the lovely, meditative climate of timeless beauty.

An intimate and rich effort that’s a bit mysterious yet also very welcoming, The Family bridges psychedelia and alt-country ideas in fascinating, introspective ways that mesmerize the listener with the pensive, stirring execution.

Travels well with: Will Stewart- County Seat; Terry Ohms- Cold Cold Shoulder

Urochromes

Trope House

Wharf Cat, 2019

9/10

Listen to Trope House

A guitar and drum machine duo that originated nearly half a decade ago in Massachusetts, though Urochromes have been outfitted with different lineups in their vast touring, it's the core of Jackie Jackieboy and Dick Riddick that make this debut LP a perfect summer record to play loud and often.

“Milleux” gets the listen off to a blistering start of rabid guitars in a lo-fi punk frenzy of melodic noise, though the pace is trimmed back with “Rumshpringa”, where a soulfulness is added to the cautious riffage.

Equal parts punk and experimental exploration, while the swift, charged “Hair So Big” falls into the former category, the glorious cover, Bikini Kill's “Resist Psychic Death”, is a journey of unpredictable ideas that adds a new dimension to the classic.

Elsewhere, “Answer Me Not” recruits some glam-rock jamming to the buzzing affair, while the fuzzed out garage rock of “Star Of David” ends the album with as much intensity as it started with.

A distorted, reckless and charming affair, there's really no one else playing music like this, as Urochromes are redefining what raw, energetic/spazzed out punk and retro-rock is truly capable of.

Travels well with: Thee Oh Sees- Live In San Francisco; Mike Krol- Power Chords

Big Loser

Love You, Barely Living

Black Numbers, 2020

10/10

Listen to Love You, Barely Living

An Austin outfit spearheaded by Chase Spruiell, on this 2nd album and first since 2016, Big Loser brings some well thought out guitar rock to an articulate and personal effort.

“Revellie!” starts the listen with energetic alt-rock meets charming indie-rock as plenty of punk spirit is also present as are horns, and “Blisters” follows with an angular approach as backing vocals add much to the crunchy atmosphere.

Further on, “Beautiful Dark Room” enters darker territory where the lively rhythm section highlights the punchy formula, while “Post-Almost-Overdose” recruits acoustic guitar as vivid storytelling flows alongside the introspective strumming in the ballad. The title track then brings an anthemic quality with sharp melodies that are so well done, it alone is worth the price of admission.

Deeper cuts bring us the soaring, glorious “Pessimist, Real”, and “Denouement” finishes things off the listen lyrically strong and with an immediately memorable delivery of the sort of modern rock that we’ll never tire of.

Spruiell certainly has some Matt Skiba similarities in his singing, and there’s often an ominous quality that does draw some parallels to Alkaline Trio, too, if they grew up listening to Mansions and The Weakerthans- yes, this is that good. Record of the year material here, folks… just incredible.

Travels well with: The Menzingers- On The Impossible Past; The Front Bottoms- Talon Of The Hawk

James Reese And The Progressions

Wait For Me

Now-Again, 2020

8/10

Listen to Wait For Me

What we have here is the only LP that trombonist, bandleader, songwriter and arranger James Reese released with his band The Progressions, as it collects rare 45s and master tapes for some classic soul and funk from one of the best to ever do it.

“One Girl” gets the listen off to a horn friendly start as multiple soulful vocals align with keys on the R&B spirited opener, and “It’s Got Soul” follows with a quick, bouncy pace of frenzied, melodic funk.

Near the middle, the elegant “Gee Whiz” uses keys and strings strategically in the moving balladry, while “Let’s Go (It’s Summertime)” brings bright and infectious musicianship to the glorious album highlight. “Jody’s Freeze” then brings a busy setting of dynamic brass to the cinematic appeal.

Closer to the end, “I’ll Find A True Love” includes some of the best vocal work on the carefully crafted and cautious tune, and “He’ll Never Go” benefits greatly from the funky guitars and proficient percussion. “Joker, Where Did You Come From” exits the listen with harmonic vocals and plenty of rhythm in an idea finish to the lively record.

The bonus disc offers us alternate versions of songs from the first disc, mostly instrumental, and serves as an interesting documentation of primarily unreleased recordings that will certainly perk the ears of the diehard fans.

A fantastic collection with a thorough booklet included, Reese’s innovative mix of funk and jazz comes in one convenient package, that, although recorded in the ‘60s and ‘70s, has certainly aged incredibly well.

Travels well with: Nina Simone- Here Comes The Sun; Roy Ayers- Vibrations

Herb Silverstein & Michael Ross

Looking Back: Play It Again…

Silver Tunes, 2020

8/10

Listen to Looking Back: Play It Again…

Herb Silverstein is man with many talent. A doctor, athlete and jazz artist, here he’s aligned with Michael Ross on bass for a large helping of original tunes that he’s previously recorded in a quartet setting.

“Beach Walker” starts the album with sublime piano work from Silverstein, and “Evening” continues the grace with warm melodies as light touches from Ross add much to the landscape, as does the romantic spirit of “Love In My Heart”.

With 21 tracks on hand, the duo never out welcome their stay, as they emit incredible song craft on the soft and agile “Improvisation”, while “Monday Morning” moves quickly and flawlessly with precise instrumentation. “While You Were Away”, one of the album’s finest, then glides with proficient keys and a glowing mood.

Near the end, the bouncy pace of “A Bird Returns” leaves an immediate impression, and “Zorro Remembered” finishes out the listen much like how it started- classically influenced with alluring songwriting.

A soothing listen that reminds us just how often less is more, it’s no surprise that Looking Back cracked the top 10 on the jazz charts as Silverstein and Ross turn in a stunning, moving performance of timeless sounds.

Travels well with: Bob Baldwin- Henna; James Fernando- The Lonely Sailor

Jacob Sachs-Mishalanie

EP

Self-Released, 2020

8/10

Listen to EP

A Brooklyn artist who delves deep into what actually amplifies and transmits music, Jacob Sachs-Mishalanie uses an unusual medium on this quick listen as the physical version is actually hand cut onto plexiglass with a closed groove that loops endlessly.

Sachs-Mishalanie starts the listen with the experimental electronica of “Flintstone Chime”, where flourishes of busy moments invade the serene mood of manipulated sound, and “Bottle Voice” takes a similar route, though a bit more forceful and often with a cinematic quality that sounds like it could soundtrack a sci-fi movie in another dimension.

The tunes here were inspired by sound effects of The Flintstones, his grandma’s chimes, a water bottle and his voice, as Sachs-Mishalanie constructs very unique music that’s as imaginative as it is captivating. Seeing what he’s capable of in a longer setting in the future will be quite a treat.

Travels well with: Christopher Sky- What It Is, It Isn’t; Laguerre/Noetinger- DnT

DJ Yoda

Homecooking

Lewis, 2019

8/10

Listen to Homecooking

A turntable artist who is also a producer, England’s DJ Yoda is as likely to work with classical sounds just as he is modern hip-hop, and on Homecooking he brings in luminaries from around the globe as they unleash an exhilarating and diverse body of work.

“London Fields” starts the listen soulful with Joel Culpepper’s R&B singing highlighting the rhythmic affair, and “Thornton Heath” follows and brings Omar to the beat friendly, hip-hop fueled setting that leaves an immediate mark.

Elsewhere, “Kingswood” recruits Andrew Ashong for the stylish and dreamy delivery, while “Roxbury” finds a scratch friendly place to reside as Edo. G’s rapping prowess and Nubya Garcia’s saxophone adds much to the energetic climate. “Afrika”, with Jungle Brothers, then brings some classic old school hip-hop mixed with blues that we will never tire of.

Near the end, “Croxley Green” injects plenty of atmosphere to the playful jazz meets hip-hop hybrid, and “Boundary Gardens” exits the listen with plenty of hazy melody, soothing brass and dynamic musicianship to the eclectic finish.

An extremely meticulous record, DJ Yoda comes through with an innovative and fun listen, where each track brings new surprises and plenty of lasting power.

Travels well with: Kid Koala- Music To Draw To: Io; Jungle Brothers- Keep It Jungle

Alias Wayne

Faux Pas

Self-Released, 2020

8/10

Listen to Faux Pas

The side project of singer-songwriter Ranzel X Kendrick, as Alias Wayne, the folk spirited artist returns with a sophomore album, where his esteemed song craft is highlighted by backing female vocals.

“Gimme What It’s Worth” starts the listen with much attention to mood as harmonica complements the throwback approach that’s very much indebted to the ‘60s as he reworks a Buffalo Springfield classic, and “Broke Down In Texas” continues the cautious landscape with crisp Americana as female singing adds greatly to the tuneful delivery.

The last 3 tracks are equally enticing, including the soft horns and smooth delivery of the bluesy “Nobody Like Me”, while “Caveman Jack” resides closer to folk territory with vivid storytelling in the playful EP highlight. “Just Because” finishes the listen percussively strong and rhythmic, where timeless musicianship flows with authenticity and adventurous sophistication.

A really fun effort where blues, country, jazz, folk and the early days of rock’n’roll are all present, much like his work under his own name, there’s much diversity here, as strong vocals and much attention to melody makes 5 songs of Alias Wayne just not enough.

Travels well with: Brother Starling- The Weight Of Change; Brian Dunne- Selling Things

James Robert Webb

James Robert Webb

Bison Creek, 2020

8/10

Listen to James Robert Webb

The rising country star James Robert Webb has been making quite a name for himself with a trio of top 40 singles and a large handful of streams, and here with his self-titled album he’s sure to make quite a few more fans as his traditional meets modern country formula has never sounded better.

Webb starts the listen with the warm country spirit of the melodic and breezy “Now We’re Gettin’ Somewhere”, where an infectious chorus leaves an impact, and “April May” follows with a cautious approach of flowing rhythm in the heartfelt original.

In the middle, “Okfuskee Whiskey” brings a more rugged approach that soars with an anthemic quality, while “Stealing Home” steers the listen into ballad territory, where soft keys add much to the elegance. “If I Had One Of Those”, the album standout, then recruits pedal steel on the lush, pop friendly tune that’s impossible not to enjoy.

Close to the end, “I Love You + Me” is a romantic moment of much beauty and strong vocal work from Webb, and “Think About It” finishes the listen with classic country ideas where a banjo is part of the timeless appeal.

A doctor by day and a nighttime country singer, Webb’s got a knack for storytelling, and his originals here prove that he’s got the songwriting chops to be a household name. If your interests are anywhere near the realm of country- past or present- James Robert Webb is a name you’ll want to familiarize yourself with immediately.

Travels well with: Bobby Bare- Great American Saturday Night; Merle Haggard- Working In Tennessee

Devon Worley Band

Teatime For Thieves

Self-Released, 2020

8/10

Listen to Teatime for Thieves

A rising outfit spearheaded by Devon Worley’s rich, commanding vocals, though the songstress is just 22 years old, she plays and sings like a seasoned vet on this 5 song EP.

“Black River Magic” starts the album with rugged yet melodic classic rock nods as flowing vocals from Worley guide the country tinted rocker, and “No Fool” follows with power and melody mixed with warm restraint on the Americana-esque anthem.

The remaining tracks continue the spirited affair, including “Broken Record”, which moves with an old school feel as an infectious chorus highlights the disc standout, while “Leave Me Slow”, the EP ballad, unfolds with a timeless intimacy. “Wytch Hunt” finishes out the listen and brings out hard rock tendencies as Worley and company deliver swirling guitar solos amid the busy, loud, and lush climate.

Worley is in fine company as her band of Jason Medvec (guitars), Adam Durand (bass) and Grant Thelen (drums, harmonica, trumpet) all display their respective talents and even sing, too, and together the Minneapolis outfit are birthing their own brand of country influenced rock that’s both gritty and tuneful.

Travels well with: Greta Van Fleet- Anthem Of The Peaceful Army; Eric Church- Desperate Man

Arturo O'Farrill and The Afro Latin Jazz Orchestra

Four Questions

Zoho, 2020

8/10

Listen to Four Questions

A Grammy Award winning pianist and composer, Arturo O’Farrill returns with The Afro Latin Jazz Orchestra for his first release of all original arrangements. A listen with an empowering message for the current times, O’Farrill’s piano work is nothing short of stunning here, and an appearance by Dr. Cornel West only adds to the urgency of the release.

“Baby Jack” starts the listen with 7 minutes of bright and creative interplay between the horns, where tense cinematic moments collide with soaring beauty, and “Jazz Twins” follows with a moody intro that benefits from piano as subdued brass enters the mysterious setting.

Further on, “Clump, Unclump” uses percussion strategically as french horns dance around the frisky instrumentation, while “Amidst The Fire And Whirlwind” brings in angelic vocals into a choir like delivery.

At the end, “Cacophonus” delivers one of the most adventurous tunes where energetic and atypical rhythm guides the jazz explosion, and “A Still, Small Voice” exits the listen operatic, where the contrast of booming vocals matches complements the meticulous sounds.

With the 18 piece Afro Latin Jazz Orchestra providing esteemed musicianship and Dr. West’s commentary on the 16 minute title track that takes inspiration from the civil right activist and author W.E.B. DuBois, O’Farrill has crafted one of the most entertaining and socially important jazz records of 2020.

Travels well with: Negroni’s Trio- Acustico; The Diva Jazz Orchestra- Diva + The Boys

George Nazos

Heat Song

Street of Stars, 2020

8/10

Listen to Heat Song

A guitarist and composer originally from Athens, Greece, these days George Nazos is residing in New York, and working on a promising solo career where his creative jazz sounds are making him a regular at jazz clubs in New York City, as well as bringing him to festivals across the world.

With this sophomore album, Nazos is in fine company as Harvie S holds down bass and Tony Jefferson sits behind the drum kit. Additionally, and perhaps most noteworthy, Tamuz Nissum brings her incredible pipes to a few selections.

“Our Melody” stars the album both elegantly and adventurous, as the trio play off each others talents well, before the title track shifts into fascinating guitar acrobatics from Nazos as his band complement the playful atmosphere.

Some of the best tracks reside on the back half, including “Shower Blues”, which offers precise interplay from the skilled rhythm section, while “Dreaming” is certainly dreamy and makes an immediate impression with its melodic sensibilities.

Of the 3 tracks with Nissim, “Hope” displays her incredible vocal skill as she scats alongside the soft guitar work from Nazos, while “Tomorrow Is Another Day” flows with incredible rhythm and strong percussion. Nissim’s best offering here is the last track, the sublime “Bird On A Wire”, where her voice soars on the lullaby-esque exit.

Nazos moves through plenty of textures here, including flamenco and acoustic moments, as all 12 originals unfold with their own identity and resonate with imaginative jazz ideas that warrant repeated listens.

Travels well with: Tamuz Nissim- Capturing Clouds ; Miki Purnell- Midnight Bloom

Heather Anne Lomax

All This Time

Self-Released, 2020

8/10

Listen to All This Time

This sophomore album from Heather Anne Lomax (her first was released as Michael-Ann) has the songstress putting her own twist on Americana, where blues and country aren’t off limits as she delivers from an emotional position that’s never short on creativity.

Lomax puts “All This Time” in the lead position as swift keys and a country shuffling pace align with her rugged yet pretty vocals, and “Prison Cell” follows with spirited organs and blues influences in the soulful, charming formula.

Further on, “Comfort Me” offers a slow burning display of sublime beauty, while “Mr. Popular” recruits some rock’n’roll grit in the loud atmosphere that could soundtrack any good time, anywhere. “Six Foot Under”, one of the album’s best, then finds a playful place to reside, where soaring guitar work suits the adventurous nature of the memorable tune.

Near the end, the quick strumming of “See You Again” highlights the folksy, dreamy setting, and “Just Like Yours” exits the listen emotive and rich with warm textures as Lomax bookends the record with a meticulous finish.

An artist who has been compared to names like Joan Baez, Linda Ronstadt and Patsy Cline, Lomax certainly retains the spirt and the skill of those legends, as her exceptional song craft illuminates her distinct pipes through these heartfelt, genuine songs.

Travels well with: John Hiatt- The Eclipse Sessions; Janiva Magness Sings John Fogerty- Change In The Weather

John Primer & Bob Corritore

The Gypsy Woman Told Me

VIzzTone, 2020

9/10

Listen to The Gypsy Woman Told Me

An incredible collaboration here, Bob Corritore brings his strong harmonica prowess to the affair, while John Primer’s guitar and vocal skills shine on this 3rd joint effort of proficient Chicago blues.

“Keep A- Driving” gets the listen off to a piano heavy and guitar fueled start as Primer’s soulful, gritty vocals are perfect for the upbeat atmosphere, and the title track follows with plenty of rhythm as Corritore’s harmonica adds much to the blues experience.

In the middle, “Walking The Back Streets And Crying” offers an emotive and slower paced moment, while “I Got The Same Old Blues” tosses some funks nods into the organ friendly and highly melodic album highlight. “Let’s Get Together” then takes some influence from Americana amid the bouncy spirit that’s as timeless as it is memorable.

At the end, “Walked So Long” reinforces the strong blues dynamics in the back porch rawness, and “Ain’t Gonna Be Cuttin’ Loose” ends the listen full of glorious musicianship and a precise delivery.

Let’s hope these 2 legends are up for more records together, cause their chemistry is undeniable as they play off each others strengths well across these dozen tracks that any fan of the blues will admire.

Travels well with: Bob Corritore & Friends- Do The Hip-Shake Baby!; Bob Margolin- This Guitar And Tonight 

Pinewood

All Things With Symmetry

Self-Released, 2020

8/10

Listen to All Things With Symmetry

A songwriter, producer and multi-instrumentalist who has played bass in several indie-rock bands, Pinewood is the solo vehicle for Sam Kempe, who brings much skill and attention to this debut EP.

The quick listen starts with the dreamy, organic and flowing melodies of “Riverbank”, where proficient looping and slightly ominous vocals guide the setting, and “Constellations” follows with strategic, playful banjo amid the introspective, hazy atmosphere.

The back half of the effort brings us the ethereal Americana and bluegrass influenced “Onward”, where Kempe’s strong vocal work soars high and yet is still intimate, and the title track exits the listen light and airy, where sublime singer-songwriter nods are displayed.

An impressive EP that relies heavily on mood and ambience, Kempe writes about dark periods with his craft, but there’s also light on the horizon, as the 4 tracks here retain a meditative spirit that’s immediately striking and highly articulate.

Travels well with: Pavey Ark- Close Your Eyes And Think Of Nothing; Big Fox- See How The Light Falls

Rebecca Angel

Santa Baby

Timeless Grooves, 2019

8/10

Listen to Santa Baby

Just in time for Christmas, Rebecca Angel delivers a sultry, jazzy twist on a holiday classic tune where her father, Dennis Angel, contributes flugelhorn to the affiar.

A tune produced by Jason Miles, whose contributions on electric piano and Hammond organ add a bluesy influence, his prowess, combined with Angel’s scatting and fluid, memorable bass lines from Reggie Washington, help make this tune another bright spot in Angel’s accomplished year and an ideal track for the festive spirit in all of us.

Travels well with: Ani DiFranco- Allergic To Water; Joni Mitchell- Blue