Samba Jazz Alley
AAM, 2019
8/10
A Brazil native who took an interest in bossa nova sounds in the ‘60s, Antonio Adolfo’s formula now includes bebop, soul jazz and even American sounds from the west coast that are on full display in Samba Jazz Alley.
“Ceu E Mar” starts the listen with fluid horns against a flowing rhythm and keys from Adolfo, and “Hello Herbie” follows with an elegant setting that’s highly danceable as spirited horns complement the tribute to Herbie Hancock.
Deeper cuts like “Casa Forte” are upbeat and playful excursions into Samba Jazz fun with vivid harmonies, while “The Frog” recruits an adventurous path of musicianship that spans several decades of influence.
Near the end, “Passerim” illustrates gorgeous and timeless interplay between the many instruments with a glowing sax solo, and “Corcovado” ends the album soft and agile, again illustrating much talent and experience.
A listen rooted deep in Brazilian jazz sounds, Adolfo’s Samba Jazz stylings sound as relevant and exciting as they did in the ‘60s, and he’s in great company with esteemed Brazilian musicians helping to maintain the spirit and strength of the genre.
Travels well with: Sidney Miller- Sidney Miller; Rosa Passos- Me & My Heart